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Jill Osier's poems of quiet attention comprise this 114th volume of the Yale Series of Younger Poets The hollow more than shape is certain. The 114th volume of the Yale Series of Younger Poets features Jill Osier's poems of quiet attention to the human and natural worlds. Series judge and critically acclaimed poet Carl Phillips notes, "Osier's is a sensibility unlike any I've encountered before--the poems here are thrilling, and strangely new." In his foreword to the collection, Phillips writes, "Certain mysteries--most of them--remain mysteries in an Osier poem." Despite this, Osier's poetry--distinguished by its brevity, precision, and restraint--offers what Phillips describes as feeling "incongruously (dare I say magically?) like closure, a steady place to land."
Poetry. "As with some singing voices, there are poetic voices of such direct authority and clarity that they capture our deep engagement almost before we are aware that we have begun to listen. Jill Osier's is such a voice. Like Franz Schubert's song-cycle Winterreise, these poems of Osier's take us on a lonely winter-journey through a stripped-down world, in which, as she says, 'all the roads are well worn, all the wagons breaking.' Because the poems, each a small, superb vignette with a different angle of light or insight, comprise a true and transformational sequence, after Osier has performed her winter pageant for us, we are not the same people as when we began. To survive in winter, one must go inside, literally and figuratively, and with aching simplicity and sensuality of voice, that is what Osier does. But as much as she presents winter as 'the correctional, ' a chastening and humbling space-time that every life must eventually experience, inside Osier's ice is fire. Indeed, she feeds the stove of these poems with such wit and feeling that it's warm enough inside to take off your shirt and make love and she does, and we do." Patrick Donnelly"
When the sky grows dark and the moon glows bright, everyone goes to sleep . . . except for the watchful owl! With a spare, soothing text and beautifully rich and textured illustrations of a starry night, this is the perfect “book of sleep.” Join the owl on his moonlit journey as he watches all the other animals settle in for the night: some sleep standing up, while some sleep on the move! Some sleep peacefully alone, while others sleep all together, huddled close. Il Sung Na makes his American debut with this gorgeous bedtime offering. While each animal rests in its own special way, little ones will also drift off to a cozy sleep.
Lost Lullaby makes one think the unthinkable: how a loving parent can pray for the death of her child. It is Deborah Alecson's story of her daughter, Andrea, who was born after a full-term, uneventful pregnancy, weighing 7 pounds 11 ounces, perfectly formed and exquisitely featured. But an inexplicable accident at birth left her with massive and irreversible brain damage. On a vitality scale of one to ten, her initial reading was one. And so begins Deborah Alecson's heart-rending struggle to come to terms with two desperately conflicting and powerful emotions: her desire to nurture and love Andrea, and her desire to do everything in her power to bring about her death. Told in a mother's voice, with a simplicity and directness that heighten the intensity of the drama that unfolds, Lost Lullaby reaffirms the human dimension of what is too often an abstract and purely theoretical discussion. During the two months that Andrea spent in the Infant Intensive Care Unit, Ms. Alecson spoke with lawyers, doctors, and ethicists in an effort to understand the legal, medical and ethical implications of her plight. She recounts those discussions and describes legal cases that have a direct bearing on her own situation. Her battle—both in coming to the agonizing decision to let her child die and in convincing the medical and legal establishments to respect that decision—will engender empathy for the plight of many families, and an awareness of the need to use medical technology with restraint. It is a must-read for everyone who cares about how we make life-and-death decisions on these new medical, legal, and moral frontiers.
Poetry. Jill Osier, winner of the 2017 Alice Fay Di Castagnola Award, returns to Bull City Press with a new chapbook. "These poems shine with the deep intelligence of gentleness and of a quiet, sustained concern. To read them is to be reminded of Robert Creeley's passionate advocacy of Hart Crane, a passion that reached crescendo in the exclamation (in a letter to Charles Olson) 'Dammit, isn't that gentle!' Here is a poet whose primary commitment is to attention, a poet who simultaneously understands and avows that attention is now and ever shall be the vivid prime of Love. I neither blush nor hesitate to say that such avowal is literally angelic. This poet's 'Requiem' gently but unequivocally proposes point-of-view as an angelic imperative, gentle on its very face: 'Try / to remember the smell of sun through it all. It's / a rare courtship.' Love courts attention, and attention in return is both courted and empowered by love. The upshot? 'There was a beating / of silence then, until it was a new quiet...' It is the bright substance of this 'new quiet' I am happy to welcome and to acknowledge. It is surely the peaceable frontier of joy."--Donald Revell
In her fourth full-length book, White Blood: A Lyric of Virginia, Kiki Petrosino turns her gaze to Virginia, where she digs into her genealogical and intellectual roots, while contemplating the knotty legacies of slavery and discrimination in the Upper South. From a stunning double crown sonnet, to erasure poetry contained within DNA testing results, the poems in this collection are as wide-ranging in form as they are bountiful in wordplay and truth. In her poem 'The Shop at Monticello,' she writes: 'I’m a black body in this Commonwealth, which turned black bodies/ into money. Now, I have money to spend on little trinkets to remind me/ of this fact. I’m a money machine & my body constitutes the common wealth.' Speaking to history, loss, and injustice with wisdom, innovation, and a scientific determination to find the poetic truth, White Blood plants Petrosino’s name ever more firmly in the contemporary canon.
From a "maestra of invention" (The New York Times) who is at once supremely witty, ferociously smart, and emotionally raw, a new collection of poems about womanhood Amy Gerstler has won acclaim for sly, sophisticated, and subversive poems that find meaning in unexpected places. Women's voices, from childhood to old age, dominate this new collection of rants, dramatic monologues, confessions and laments. A young girl muses on virginity. An aging opera singer rages against the fact that she must quit drinking. A woman in a supermarket addresses a head of lettuce. The tooth fairy finally speaks out. Both comic and prayer-like, these poems wrestle with mortality, animality, love, gender, and what it is to be human.
Imaginative and uninhibited, Beginning with O is the 72nd volume of the Yale Series of Younger Poets This is a book of letting go, of wild avowals, of unabashed eroticism; at the same time it is a work of integral imagination, steeped in the light of Greek myth that is part of the poet's heritage and imbued with an intuitive sense of dramatic conflicts and resolutions, high style, and musical form.
This year’s winner of the Yale Series of Younger Poets competition is Loren Goodman’s Famous Americans. Hilarious, eclectic, and bizarre, this collection takes the reader on a rollercoaster of a ride through the absurdities of American pop culture. Employing a variety of forms (from epistolary to script to interview and beyond), this work proves to be as much about exploring frameworks as it is about examining the lives of famous and not-so-famous Americans. Goodman questions our concept of what it means to be an icon: he disrupts our assumptions, creating an alternate universe in which nothing remains sacred.
Announcing the newest winner of the oldest annual literary prize in the United States