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Splitting through the clear waters beside the rainbow hotel, Daniel Benchimol finds a waterproof mango-yellow camera and uncovers the photographed reveries of a famous Mozambican artist, Moira. In this exquisite new novel, Agualusa's reader loses all sense of reality. In The Society of Reluctant Dreamers, Daniel dreams of Julio Cortázar in the form of an ancient giant cedar, his friend Hossi transforming into a dark crow, and most often of the Cotton-Candy-Hair-Woman, Moira, staring right back at him. After emails back-and-forth, Moira and Daniel meet, and Daniel becomes involved in a mysterious project with a Brazilian neuroscientist, who's creating a machine to photograph people's dreams. Set against the dense web of Angola's political history, Daniel crosses the hazy border between dream and reality, sleepwalking towards a twisted and entirely strange present.
“False memories and clairvoyant dreams combine in Agualusa’s sweeping, intricately plotted tale of personal and political history in Angola . . . ” – Publishers Weekly When Daniel Benchimol—consummate dreamer—uncovers the photographed reveries of a famous Mozambican artist, Moira, his fascination quickly develops to obsession as the sight lines between reality and dreams get harder to bring into focus Daniel Benchimol spends his dreaming hours interviewing revolutionaries and writers. In this treacherous sleepscape, we find the Angolan anti-communist Jonas Savimbi, Muammar Gaddafi, hunched and hiding in a gutter, and Julio Cortázar as a great billowing tree, speaking to Daniel through an alphabet of clouds. He dreams wild dreams of people he’s never met, squinting at them as if submerged in the hazy waters of southern Angola. When Daniel finds a camera on the beach, he becomes obsessed with the woman in the photos. Moira is a Mozambican artist with a similar preoccupation with her subconscious life – she stages her dreams in her artwork. The two meet, and together they explore the cloudy edges of their nightly visions, tugging at the fringed hem of the real. The Society of Reluctant Dreamers is a delicately crafted glimpse into the aftermath of Angolan independence, a postcard sent to prod the illusion of peace and freedom.
The main objective of this book is to explain how contemporary literatures in Spanish and Portuguese are dealing with artistic creativity when artmaking is no longer a specialised field of cultural production, but rather an expanded field of socioeconomic interaction, personal and creative self-definition and collective imagination. The project positions the contemporary art novel as the most suitable place to understand how the economisation of cultural labour is affecting writers and artists alike. The authors examined in this book, including José Saramago, Rita Indiana Hernández, María Gainza, Mayra Santos Febres and Ondjaki (amongst others) explore the contradictions of the art market, the dynamics of art education, the multifaceted activity of curators and socially engaged artists in relation to broader debates on the role of culture in the configuration of socioeconomic dynamics. The book maps a new trend within contemporary literature that taps into the visual art system to reassess the role of literature in critical ways.
A groundbreaking history of the human mind told through our experience of dreams—from the earliest accounts to current scientific findings—and their essential role in the formation of who we are and the world we have made. What is a dream? Why do we dream? How do our bodies and minds use them? These questions are the starting point for this unprecedented study of the role and significance of this phenomenon. An inves­tigation on a grand scale, it encompasses literature, anthropology, religion, and science, articulating the essential place dreams occupy in human culture and how they functioned as the catalyst that compelled us to transform our earthly habitat into a human world. From the earliest cave paintings—where Sidarta Ribeiro locates a key to humankind’s first dreams and how they contributed to our capacity to perceive past and future and our ability to conceive of the existence of souls and spirits—to today’s cutting-edge scientific research, Ribeiro arrives at revolutionary conclusions about the role of dreams in human existence and evolution. He explores the advances that contempo­rary neuroscience, biochemistry, and psychology have made into the connections between sleep, dreams, and learning. He explains what dreams have taught us about the neural basis of memory and the transfor­mation of memory in recall. And he makes clear that the earliest insight into dreams as oracular has been elucidated by contemporary research. Accessible, authoritative, and fascinating, The Oracle of Night gives us a wholly new way to under­stand this most basic of human experiences.
For over a hundred years, the story of assimilation has animated the nation-building project of the United States. And still today, the dream or demand of a cultural "melting pot" circulates through academia, policy institutions, and mainstream media outlets. Noting society’s many exclusions and erasures, scholars in the second half of the twentieth century persuasively argued that only some social groups assimilate. Others, they pointed out, are subject to racialization. In this bold, discipline-traversing cultural history, Catherine Ramírez develops an entirely different account of assimilation. Weaving together the legacies of US settler colonialism, slavery, and border control, Ramírez challenges the assumption that racialization and assimilation are separate and incompatible processes. In fascinating chapters with subjects that range from nineteenth century boarding schools to the contemporary artwork of undocumented immigrants, this book decouples immigration and assimilation and probes the gap between assimilation and citizenship. It shows that assimilation is not just a process of absorption and becoming more alike. Rather, assimilation is a process of racialization and subordination and of power and inequality.
Distinguished psychologist G. William Domhoff brings together-for the first time-all the necessary tools needed to perform quantitative studies of dream content using the rigorous system developed by Calvin S. Hall and Robert van de Castle. The book contains a comprehensive review of the literature, detailed coding rules, normative findings, and statistical tables.
The Routledge Handbook of Latinx Life Writing provides an in‐depth introduction to Latinx life writing, taking a historical approach to the study of a variety of key Latinx life writers, genres, and thematic concerns. This volume includes chapters on fundamental genres of Latinx life writing including memoir, autobiography, oral history, testimonio, comics and graphic texts, poetry of protest, and theatre to more fully depict the breadth, dynamism, and vibrancy of Latinx life writing. Latinx people continuously engaged in the empowering act of telling their stories and narrating their lives, producing writing that at various times and in various ways expressed their joy, expressed their rage and anguish, and ultimately, asserted their subjectivity all the while indelibly contributing to the American literary landscape.
Proceedings of the 22d-33d annual conference of the Library Association in v. 1-12; proceedings of the 34th-44th, 47th-57th annual conference issued as a supplement to v. 13-23, new ser. v. 3-ser. 4, v. 1.