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Bringing together ideas from the fields of sociology, economics, human geography, ethics, political and communications theory, this book deals with some key subjects in urban design: the multidimensional effects of the spatial form of cities, ways of appropriating urban space, and the different material factors involved in the emergence of social life. It puts forward an innovative conceptual framework to reconsider some fundamental features of city-making as a social process: the place of cities in encounters and communications, in the randomness of events and in the repetition of activities that characterise societies. In doing so, it provides fresh analytical tools and theoretical insights to help advance our understanding of the networks of causalities, contingencies and contexts involved in practices of city-making. In a systematic attempt to bring urban analysis and research from the social sciences together, the book is organised around three vital yet relatively neglected dimensions in the social and material shaping of cities: (i) Cities as systems of encounter: an approach to urban segregation as segregated networks; (ii) Cities as systems of communication: a view of shared spaces as a means to association and social experience; (iii) Cities as systems of material interaction: explorations on urban form as an effect of interactivity, and interactivity as an effect of form. Visit the author’s website at: http://socialfabric.city/
Constructed around the work of Manuel Castells on the space of places, the space of flows and the networked city, nine contributors focus on the transformation of the fabric of the networked city in terms of policies and social practices.
Though many pioneering feminists were deeply influenced by American pragmatism, their contemporary followers have generally ignored that tradition because of its marginalization by a philosophical mainstream intent on neutral analyses devoid of subjectivity. In this revealing work, Charlene Haddock Seigfried effectively reunites two major social and philosophical movements, arguing that pragmatism, because of its focus on the emancipatory potential of everyday experiences, offers feminism its most viable and powerful philosophical foundation. With careful attention to their interwoven histories and contemporary concerns, Pragmatism and Feminism effectively invigorates both traditions, opening them to new interpretations and appropriations and asserting their timely philosophical relevance. This foundational work in feminist theory simultaneously invites and guides future scholarship in an area of rapidly emerging significance.
Quilts generically known as tivaevae have been produced by women in the Cook Islands, the Hawaiian Islands, the Society Islands and elsewhere in Eastern Polynesia since the late 19th century, where they were a substitute for bark-cloth but also used in ways deeply invested in the new context of Christian domesticity. In the Cook Islands, quilts are stitched to be given away at funerals, at weddings and other events marking stages of loss and severance in the life of a person. Although often kept for years in trunks far away from the homeland as a result of the migrant diaspora, the quilt and its threads connect those who have been parted. Written from both an anthropological and an artistic perspective, this book examines the visual and cultural characteristics that have made the Polynesian quilt one of the most stunning and captivating art-forms to emerge from the Pacific. It also offers a glimpse into the role played by fabric in the history of contact with Europeans - although both traditions shared a common preoccupation with clothing, their understanding could not have been more different. Illustrated in colour throughout, with many specially commissioned photographs, the book will provide not only a unique insight into a culturally rich tradition but a visual feast to inspire both the quilt enthusiast and those interested in the broader field of fabric and textile design
There has never been a better time for the social fabric matrix. As this book is being published, the idea that unregulated market capitalism leads to the best of all possible worlds has been thoroughly discredited. A series of economic and social problems have come to the forefront of national discussion and policy debates. There is now widespread acceptance that human activity, particularly the consu- tion of nonrenewable energy resources, has contributed to global warming. The lack of oversight of the financial industry encouraged reckless practices that endangered the stability of the entire financial system, prompting bailout efforts based on the fragile interdependence of the financial and economic systems. The shortcomings of our health care system are increasingly evident, including the growing number of uninsured citizens, the difficulties for businesses in offering health insurance, and the effects of health and health care on the ability of individuals and families to maintain a decent standard of living. Perhaps the best illustration of a complex system that cries out for coordinated policy-making is in the critical area of energy, where public and private decisions on energy policy not only have direct effects on consumer costs, but also have effects on global warming, local ecosystems, int- national relations, the health of our citizens, and the sustainability of companies and communities. In short, there is growing recognition of the interdependence of the economic system with the environment and the broader institutions of society.
This book covers the familiar themes in medical anthropology, but places them in a unique perspective. Using a "fabric" metaphor, The Social Fabric of Health weaves together relationships, bodies, feelings, narratives, idea, material support, and institutions in the human experience of health, illness, and healing. In addition to the unique "fabric" perspective the book brings to the subject of medical anthropology, it also brings another unique perspective to thissubject: Using signs-an approach commonly known as semiotics-the text formulates the nuances between the subjective realm of individual experience and the more objective, public world of symbols, codes, and laws
Social Network Analysis (SNA), a quantitative approach to the study of social relations, has recently emerged as a key tool for understanding the governance of natural resources. Bringing together contributions from a range of researchers in the field, this is the first book to fully explore the potential applications of SNA in the context of natural resource management. Topics covered include the role of SNA in stakeholder selection; improving fisheries management and conservation; the effect of social network ties on public satisfaction and agrarian communication networks. Numerous case studies link SNA concepts to the theories underlying natural resource governance, such as social learning, adaptive co-management and social movements theory. Reflecting on the challenges and opportunities associated with this evolving field, this is an ideal resource for students and researchers involved in many areas of natural resource management, environmental biology, sustainability science and sociology.
Grantland Book of the Year Vol. 1 Brooklyn, A Year of Favorites, Jason Diamond Book Riot, 2014’s Must-Read Books from Indie Presses "Valeria Luiselli is a writer of formidable talent, destined to be an important voice in Latin American letters. Her vision and language are precise, and the power of her intellect is in evidence on every page."—Daniel Alarcón "I'm completely captivated by the beauty of the paragraphs, the elegance of the prose, the joy in the written word, and the literary sense of this author."—Enrique Vilas-Matas Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky's tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes. Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her novel and essays have been translated into many languages and her work has appeared in publications including the New York Times, Granta, and McSweeney's. Some of her recent projects include a ballet performed by the New York City Ballet in Lincoln Center; a pedestrian sound installation for the Serpentine Gallery in London; and a novella in installments for workers in a juice factory in Mexico. She lives in New York City.
While the topic of sustainability in textile manufacture has been the subject of considerable research, much of this is limited to a focus on materials and practices and their ecological impact. Padovani and Whittaker offer a unique exploration of the textile industry in Europe from the perspective of social sustainability, shifting the focus from the materiality of textile production to the industry's relationships with the communities from which the products originate. Featuring six in-depth case studies from design entrepreneurs, artisans and textile businesses around Europe, from Harris Tweed in Scotland to luxury woollen mills in Italy, Sustainability and the Social Fabric explores how new centres of textile manufacturing have emerged from the economic decline in 2008, responding creatively and producing socially inclusive approaches to textile production. Case studies each represent a different approach to social sustainability and are supported by interviews with industry leaders and comparisons to the global textile industry. Demonstrating how some companies are rebuilding the local social fabric to encourage consumer participation through education, enterprise, health and wellbeing, the book suggests innovative business models that are economically successful and also, in turn, support wider societal issues. Essential reading for students of textiles, fashion, design and related subjects, this book will demonstrate how a business ecosystem that focuses on inclusive growth and social innovation can lead to sustained mutual benefit for textile industries and their local communities.
Documenting the artistic practice of Rita Keegan: from exhibitions at major venues to everyday life as a working Black female artist. From the Bronx to Soho to Brixton, Mirror Reflecting Darkly is an exploration of the artist Rita Keegan's archive collection. Part autobiography and part critical history, it reproduces a cross-section of Keegan's archive, mapping an artistic practice that ranges from her exhibitions at such major museums and galleries as the ICA and the Tate to her curatorship of the Women of Colour Index, a groundbreaking 1987 initiative that documented Black and Asian women artists. It includes records of Keegan's journey through different creative environments of London in the 1980s and 1990s, offering rare ephemera drawn from her involvement in the Black British Art movement, covering her years as a fixture of Soho clubland, and documenting the intimate traces of her everyday life as a working Black female artist. Accompanying the selections from the archive are essays and personal reflections from a range of writers, academics, and artists--including Keegan herself--which expand upon the themes from the material: networks of creative kinship, the story of British Black Arts, self-archiving, and archiving as activism. Contributors Barby Asante, Ego Ahaiwe Sowinski, Mora J. Beauchamp-Byrd, Janice Cheddie, Lauren Craig, Lucy Davies, Althea Greenan, Joy Gregory, Hiroko Hagiwara, Matthew Harle, Rita Keegan, Shaheen Merali, Naomi Pearce