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This collection of essays aims to recapitulate the state of grotesque poetics in modern and post-modern writing. It concentrates on Central and Eastern Europe, introducing the Western reader to the variety and ingenuity of this region’s literary traditions, ranging from German and Russian to Lithuanian and Romanian literatures. At the same time, it seeks to highlight the importance of the grotesque mode of writing in the region. It includes new insights and interpretations of theories on grotesque and Menippean satire including (but not limited to) the works of Mikhail Bakhtin. The historic scope of the volume ranges from the legacies of Nazi dictatorship and exile to the post-communist times, but it is especially focused on the Soviet era. Scholars, not only from Central and Eastern Europe, but also from Great Britain, Ireland, and Turkey, analyze the literary devices of the grotesque, examining the relationship between the socio-political background and subversive representations of the grotesque. Many studies take on a comparative and transnational approach. Alternatively, some studies aim to present important and innovative creators of grotesque texts in greater detail. This book, which features, among others, contributions by Professor Galin Tihanov, George Steiner Chair of Queen Mary College at the University of London; Professor Alexander Ivanitsky of the Russian State University of Humanities; Professor Algis Kalėda of the Lithuanian Institute of Literature and Folklore; Professor Peter Arnds of Trinity College, Dublin; and Dr Carmen Popescu of the University of Craiova, Romania, will appeal to a broad academic readership, including both students and professors wanting to discover more about the literary grotesque and modern Central and Eastern European literature and culture.
In Eastern Europe and Eurasia, LGBT+ individuals face repression by state forces and non-state actors who attempt to reinforce their vision of traditional social values. Decolonizing Queer Experience moves beyond discourses of oppression and repression to explore the resistance and resilience of LGBT+ communities who are remaking the post-socialist world; they refuse domination from local heteronormative expectations and from global LGBT+ movements that create and suggest limitations on possible LGBT+ futures. The chapters in this collection feature a multiplicity of LGBT+ voices, suggesting that no single narrative of LGBT+ experience in post-socialism is more representative or informative than another. This collection highlights the globally flexible, infinitely malleable notion of LGBT+ that counters Western hegemony in queer activism and communities.
This is the first volume on the studies of queer identities in Europe to adopt a strong focus on the history of the Baltic region among other countries in Central and East Europe. It unites work by researchers of different European countries that deals with various representations of the queer culture over a period of more than one hundred years. A significant part of the book is dedicated to belletristics, with the contributors offering readings of it with knowledge about ideas circulating in public discourse that have been influential for new discoveries in history, art history, culture studies, communication studies, theology, and narratology, among other fields.
The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts.
This edited collection offers in-depth perspectives into the emergence and development of LGBTQ+ movements in Central and Eastern Europe, including analysis of Estonia, Hungary, Poland, Romania, Russia and Ukraine. The book examines various issues faced by local LGBTQ+ activists, as well as the tactics and strategies which they develop and adopt. The contributors discuss the applicability of Western ideas and concepts to the post-socialist context, considering their ability to fully tackle local nuances and complexities with regards to sexuality and, thus, the dynamics of LGBTQ+ activism. The volume examines differences in the domestic policies of these countries and the consequent effects on LGBTQ+ activism in the region. It also offers important insights into the impact of Western actors in promoting liberal democratic values in the region, and ensuing political and social backlashes. LGBTQ+ Activism in Central and Eastern Europe will be of interest to students and scholars across a range of disciplines, including Gender and Sexuality Studies, Sociology, Anthropology and Political Science.
Vols. for 1977- include microfiche in pockets.