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"Michael Roberts is the Jean Cocteau of the fashion world," wrote the celebrated New Yorker editor Tina Brown in 1997, welcoming her new fashion editor to the most prestigious magazine in the world. Having already served for many years as a style editor (The London Sunday Times, Vanity Fair) and having produced numerous illustrations, photographs, paintings and columns of fashion criticism for various media, Roberts had already had his name coupled with Cocteau's, but his striking visual style is collected here for the first time. From evocative pen-and-ink sketches to acrylic paintings to intensely witty New Yorker covers created from cut paper, these works capture the fads, foibles and fashionability of our times. Anna Wintour, editor-in-chief of American Vogue, in her introduction to "this beautiful book" calls them "fiendishly accurate satire." And the shoe guru Manolo Blahnik writes, "His drawings grasp fashion moments like a photo could never do." That a major part of the book was created through the painstaking method of paper collage especially appeals to the internationally famed fashion designer John Galliano. He writes, "I have avidly collected his work, along with doing my own collages, for years, and I am honored to be a part of this book."
The charming story of GingerNutz, an orangutan born in the wilds of Borneo who has dreams of making it big in the fashion world. Michael Roberts's charming text and hand drawn illustrations tell the story of GingerNutz, an orangutan born in the wilds of Borneo who has dreams of making it big in the fashion world. One day while playing on the beach, the ten year old GingerNutz finds a bottle washed up on the shore containing a copy of Vogue magazine. Entranced by the glamorous images on its glossy pages, the precocious primate sets her mind to becoming a high fashion model. She dedicates herself to grooming her coat, creating makeup from exotic flowers, and styling her ginger hued hair. Unlikely as it may seem, she encounters other likeminded jungle creatures - the creative orangutan duo Dolce and Grubbana, a haughty and chic silverback gorilla - who together create their own hyper stylish coterie, and GingerNutz fulfils her dream of sashaying down the runway. The story of GingerNutz was inspired by legendary model and fashion editor Grace Coddington, the long-time creative director of American Vogue and a close friend of the author. The book contains 65 hand drawn illustrations that vividly depict the lush and colourful Bornean fashion community.
In Parisian Home Cooking, Michael Roberts offers a look at how real people shop, cook, and eat in the City of Lights. The side streets and markets of Paris come alive with anecdotes about traditional recipes and the daily shopping. Each chapter takes a trip to a different part of the market, with descriptions of the shopkeepers and their goods. And more than 150 recipes document the meals that many Parisians know by heart and consider their daily fare. This isn't fancy restaurant cooking that is difficult to duplicate in the home kitchen, but rather wholesome, easy-to-make recipes, most of which take less than thirty minutes to prepare. Take your pick from Smothered Duck Legs and Apples, Baked Tomatoes with Pesto, and Stuffed Cod with Asparagus. Indulge yourself in Lamb and Red Bean Stew, Tuna Braised in Sherry with Rosemary, or Parisian Bread Pudding. From cover to cover, Parisian Home Cooking is a delicious way to bring a bit of everyday Paris into your own home.
Fashion illustration is and always has been about far more than pretty drawings of pretty dresses. This lavish celebration of today’s leading artists in the field showcases the timeless craft and amazing diversity that characterize the genre. From David Downton to Cecilia Carlstedt and from Jason Brooks to Jordi Labanda, 28 masters of fashion illustration from across the world are featured, one by one, in a grand tour of the best work currently produced. While some illustrators create daringly bold graphics, others prefer delicate watercolours and ink drawings. Throughout the volume, both hi-tech multimedia effects and traditional drawing skills are given pride of place, with many of the artists using a mixture of techniques. Lively commentary accompanies the images, while interviews with each illustrator provide further insight into their influences and methods. A source of inspiration for aspiring illustrators, designers and advertising creatives, this gorgeous volume will also catch the eye of fashion lovers and all those who have an interest in contemporary figurative art and visual communication.
After working as a stylist in Paris, Elizabeth Hawes (1903–71) launched one of the first American design houses in Depression-era New York. Hawes was an outspoken critic of the fashion industry and a champion of ready-to-wear styles. Fashion Is Spinach, her witty and astute memoir, offers an insider's critique of the fashion scene during the 1920s and '30s. "I don't know when the word fashion came into being, but it was an evil day," Hawes declares. Style, she maintains, reflects an era's mood, altering only with changes in attitude and taste. Fashion, conversely, exists only to perpetuate sales. Hawes denounces the industry's predatory practices, advising readers to reject ever-changing fads in favor of comfortable, durable, flattering attire. Decades ahead of her time, she offers a fascinating and tartly observed behind-the-scenes look at the fashion industry's economics, culture, and ethics.
A philosophical picture book from one of China's most celebrated children's authors and 2016 Hans Christian Andersen Award-winner Cao Wenxuan. A feather is blown across the sky, meeting various birds along the way, and asking each one, "Do I belong to you?". Cao Wenxuan tells the story of a single feather who is swept away on a journey of discovery and belonging. Encountering a variety of birds, from a kingfisher to a magpie, Feather is hopeful of meeting the bird she belongs to. Again and again, she is dismissed or ignored. Only when she sees that there is also beauty in being close to the earth does fate offer a reunion... Feather is sure to charm young children with a plot at once compelling, meditative, and quietly moving. Roger Mello’s stunningly beautiful, dynamic illustrations will delight readers of all ages.
This is your invitation to the front row. Spanning over seven decades and 300 shows, this beautiful book tells the story of the high fashion catwalk. Through this inspirational collection of fashion show invites and tales from fashion week, curator and fashion writer Iain R Webb opens a window into the world’s most exclusive fashion houses. Whether it’s dreamy romance at Givenchy, cutting-edge modernity at Alexander McQueen, floral drama at Valentino, vintage-inspired fun at Kenzo or heartfelt emotion at Yves Saint Laurent’s final haute couture show, the unique themes and styles that have graced the runway in the past 50 years are gloriously curated and described in The Fashion Show. From understated presentation to melodramatic performance, this stylish archive is your passport to the international fashion collections.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Pairing hilarious poetry with the stunning collage work for which he is famous, Michael Roberts takes on the fashion world letter by letter—and in the way only a true insider can—in Fashion Victims. This gorgeous, stylish book illustrated and written by the Vanity Fair fashion director, influential stylist, and artist is a witty send-up of the fashion world that will delight style lovers, popular culture aficionados, and art lovers alike with its wit, acute observations, truth, and poignancy. Impeccably designed by Roberts himself, Fashion Victims is a perfect tongue-in-chic gift and a timeless collectible.
Michael Roberts' rich view of Sicily--its people, traditions, and landscape--permeates his photographic work far beyond his well-known work in the fashion world. Spanning two decades, Shot in Sicily traces Roberts' shifting vision of a sensual and ambiguous country. With an occasional nod to Baron Wilhelm von Gloeden's late nineteenth-century images of the Sicilian town of Taormina, and the films of Visconti and Bolognini, Roberts' sense of Sicily moves beyond conventional and touristic aesthetic categories. His camera captures the beauty of youth, crumbling temples, traditional Easter parades and the theater of daily life, and genuinely recreates the allure of Sicily. This monograph is designed by Roberts and features an epilogue/homage by designer Manolo Blahnik.