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The first hard-boiled detective Race Williams, runs up against the Klan in his premiere adventure, which leads him to fast and tragic action. Plus two other early Daly hard-boiled classics: "The False Burton Combs" and "Dolly." Story #1 in the Race Williams series. Carroll John Daly (1889–1958) was the creator of the first hard-boiled private eye story, predating Dashiell Hammett's first Continental Op story by several months. Daly's classic character, Race Williams, was one of the most popular fiction characters of the pulps, and the direct inspiration for Mickey Spillane's Mike Hammer.
In Gumshoe America Sean McCann offers a bold new account of the hard-boiled crime story and its literary and political significance. Illuminating a previously unnoticed set of concerns at the heart of the fiction, he contends that mid-twentieth-century American crime writers used the genre to confront and wrestle with many of the paradoxes and disappointments of New Deal liberalism. For these authors, the same contradictions inherent in liberal democracy were present within the changing literary marketplace of the mid-twentieth-century United States: the competing claims of the elite versus the popular, the demands of market capitalism versus conceptions of quality, and the individual versus a homogenized society. Gumshoe America traces the way those problems surfaced in hard-boiled crime fiction from the1920s through the 1960s. Beginning by using a forum on the KKK in the pulp magazine Black Mask to describe both the economic and political culture of pulp fiction in the early twenties, McCann locates the origins of the hard-boiled crime story in the genre’s conflict with the racist antiliberalism prominent at the time. Turning his focus to Dashiell Hammett’s career, McCann shows how Hammett’s writings in the late 1920s and early 1930s moved detective fiction away from its founding fables of social compact to the cultural alienation triggered by a burgeoning administrative state. He then examines how Raymond Chandler’s fiction, unlike Hammett’s, idealized sentimental fraternity, echoing the communitarian appeals of the late New Deal. Two of the first crime writers to publish original fiction in paperback—Jim Thompson and Charles Willeford—are examined next in juxtaposition to the popularity enjoyed by their contemporaries Mickey Spillane and Ross Macdonald. The stories of the former two, claims McCann, portray the decline of the New Deal and the emergence of the rights-based liberalism of the postwar years and reveal new attitudes toward government: individual alienation, frustration with bureaucratic institutions, and dissatisfaction with the growing vision of America as a meritocracy. Before concluding, McCann turns to the work of Chester Himes, who, in producing revolutionary hard-boiled novels, used the genre to explore the changing political significance of race that accompanied the rise of the Civil Rights movement in the late 1950s and the 1960s. Combining a striking reinterpretation of the hard-boiled crime story with a fresh view of the political complications and cultural legacies of the New Deal, Gumshoe America will interest students and fans of the genre, and scholars of American history, culture, and government.
In an attempt to save her family farm, Iris Steele explores generations of family history and lore, piecing together the story of her family's past, and the events that fostered fear and distrust between early homesteaders and Native Americans, and is still felt by their descendants today.
From the author of "The Beast in Him" and "Beast Behaving Badly" comes an action-packed, blazingly sensuous novel featuring an irresistible shape-shifter hero.
Before Raymond Chandler's The Big Sleep, Before Dashiell Hammett's The Red Harvest, there was Carroll John Daly's The Snarl of the Beast, the first true hard-boiled detective novel. Featuring Race Williams, a private detective afraid of no man, it is a complex story of murder and inheritance in which Williams must outwit not only the police and a beautiful blonde cat burglar, but a homicidal maniac reputed to be bullet proof. Will his ready fists and forty-four revolvers be up to the task of confronting his foes against the background of deceit, double-crossing, and gunplay? And ultimately will he silence . . . The Snarl of the Beast?
Even the Philosophical Strangler's Hands are Tied when the King's Dreams Became Nightmares ... The youthful artist-swordsman Benvenuti Sfondrati-Piccolomini arrived in the city of Goimr just in time for disaster to strike. The evil sorcerer Zulkeh had driven the King of the realm insane, then fled from the city! So much for Benvenuti's plans to become the Royal Artist .... Injury was added to insult when Benvenuti was immediately arrested by the Secret Police. Then, after barely managing to escape the clutches of the authorities, he found himself embroiled with a revolutionary agitator and a gigantic madman. Things were not as they seemed. The wizard Zulkeh and his apprentice Shelyid were, in fact, guiltless. Zulkeh had been summoned to interpret the King of Goimr's mysterious dream, which the sorcerer came to realize foretold an impending catastrophe for civilization. Zulkeh and Shelyid had actually left Goimr to discover the really important implications of the dream, beyond the trifle of the dynasty's destruction. Much to the artist's dismay, his adventures and those of the sorcerer were hopelessly intertwined. Soon, Benvenuti and his two companions were off in pursuit of Zulkeh, trying to save the entire sub-continent of Grotum from conquest by the Ozarean Empire. Benvenuti was swept up in a whirlwind of revolutionary plotting and perilous wizardry as he traveled across the vast sub-continent. The only certainty was that he was on a quest the end of which he could not possibly fathom, accompanying a female revolutionary whose beauty was only outdone by her ferocity. It didn't help that he'd fallen in love with her, especially since her brother's help would be vital to the success of their enterprise. Gwendolyn's brother Greyboar was the world's greatest professional strangler. And they didn't call him the Thumbs of Eternity for nothing .... At the publisher's request, this title is sold without DRM (Digital Rights Management).
Billy Ed and Dory Barnes left the honky-tonk in Tombley's Walk on a warm Texas night. They were looking for a little privacy. They never returned. Billy Ed's body was found soon after, ripped to pieces by a savage, wolf-like creature that walked on two legs. Dory survived the brutal attack. But she has been changed into something horribly, inexplicably ... different. As a full moon bathes the town in terror, the residents bolt their doors in fear of the night. But no lock will keep out the unspeakable horror that has infected the once-sleepy Texas community—a gruesome evil that won't be sated until the last drop of human blood is drained from Tombley's Walk.