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The Snake in the Garden is an explosive depiction of racism in twentieth-century Arkansas, seen through the lens of interracial relationships over four generations. Starting in 1926, and paying homage to Kate Chopin's "Desiree's Baby," the story moves to the turbulent night of the Kennedy assassination in 1963, the Hollywood music scene of the 1970s and '80s, and the still-troubled racial attitudes of 1993. Written by two women, one Black, one white, the novel depicts racism from the point of view of both Blacks and whites - racists, non-racists and victims, alike. The setting is the fictional town of Jefferson Springs, Arkansas, during the Jim Crow era. Lucille Day, a Black woman, worked as a domestic for the family of judge Reuben Whittier in the 1950s and early '60s. Her children, Regina and Clarence, were forbidden to be friends with the judge's daughter, Karen. In 1963, when Regina, Clarence and Karen were teenagers, bigotry prevailed, and it was illegal for Blacks and whites to have relationships or marry. The night President Kennedy was assassinated, three days after a stopover in town, all hell broke loose in Jefferson Springs, with tragic results, including a lynching. Clarence was jailed, and Regina was exiled to California to live with her Aunt Violet. There, she won a singing contest and became a pop star. Karen, meanwhile, was forced to stay home under the cruel thumb of her father. She longed for a true father-daughter bond, but in his eyes, she could do no right. She consoled herself in her boring and barren life with chocolate and English romance novels. Regina had vowed never to return to Arkansas. But when her mother died, she knew she had to attend the funeral. She dreaded going back where she had felt nothing but humiliation, anger and fear. Can the two women now unite to uncover the truth about their families, and finally make things right for Clarence? The Snake in the Garden is a powerful story of transcendence over scars of the past, and the healing that can come when the truth is finally faced.
Questions run the breadth of the Mormon experience, including doctrinal questions as well as questions about the LDS lifestyle.
The most pervasive gods in ancient Rome had no traditional mythology attached to them, nor was their worship organized by elites. Throughout the Roman world, neighborhood street corners, farm boundaries, and household hearths featured small shrines to the beloved lares, a pair of cheerful little dancing gods. These shrines were maintained primarily by ordinary Romans, and often by slaves and freedmen, for whom the lares cult provided a unique public leadership role. In this comprehensive and richly illustrated book, the first to focus on the lares, Harriet Flower offers a strikingly original account of these gods and a new way of understanding the lived experience of everyday Roman religion. Weaving together a wide range of evidence, Flower sets forth a new interpretation of the much-disputed nature of the lares. She makes the case that they are not spirits of the dead, as many have argued, but rather benevolent protectors—gods of place, especially the household and the neighborhood, and of travel. She examines the rituals honoring the lares, their cult sites, and their iconography, as well as the meaning of the snakes often depicted alongside lares in paintings of gardens. She also looks at Compitalia, a popular midwinter neighborhood festival in honor of the lares, and describes how its politics played a key role in Rome’s increasing violence in the 60s and 50s BC, as well as in the efforts of Augustus to reach out to ordinary people living in the city’s local neighborhoods. A reconsideration of seemingly humble gods that were central to the religious world of the Romans, this is also the first major account of the full range of lares worship in the homes, neighborhoods, and temples of ancient Rome.
Featuring chapters that are short enough to be read in one sitting, this illustrated Bible story book imaginatively retells the biblical narrative in one continuous story, helping kids connect the dots from Genesis to Revelation.
The serpent of ancient times was more often associated with positive attributes like healing and eternal life than it was with negative meanings. This groundbreaking book explores in plentiful detail the symbol of the serpent from 40,000 BCE to the present, and from diverse regions in the world. In doing so it emphasizes the creativity of the biblical authors' use of symbols and argues that we must today reexamine our own archetypal conceptions with comparable creativity.--From publisher description.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
The global prominence of snakes in religion, myth, and folklore underscores our deep connection to them—but why, when few of us have firsthand experience? The answer, Isbell suggests, lies in snakes’ singular impact on primate evolution; predation pressure from snakes is ultimately responsible for the superior vision and large brains of primates.
Determined to avenge her father's death, Annella Poley, an assassin for the crown, crosses paths with a brawny Highland captain who helps her uncover secrets of her past. --