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Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life--the Day of the Dead, 1938--his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical. Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.
Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.
I am going to write every single day and tell you about my life here in Spitalfields at the heart of London... Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London.
Colorful, bright, and eerily still, Tristram Hillier’s (b. 1905) paintings present a world of deserted seashores strewn with boats and debris, empty streets in far-off places, and lonely country lanes where it is forever winter. Jenny Pery examines Hillier’s career from the early years, when he was associated with Surrealism and the international avant-garde, to the asceticism that marked his later life. This extensively illustrated biography
A deep dive into the history of the illustrated book jacket, tracing its development across the twentieth century, reflecting some of the most iconic designs of the era
'Ravilious in Pictures: The War Paintings' celebrates and commemorates the wartime career of Eric Ravilious, who died on active service in Iceland at the age of 39. One of a series of books, it creates a vivid portrait both of the artist himself and of life in wartime Britain.
John Minton (1917-57) was an artist, a Bohemian and, in his own lifetime, a myth. During the 1940s and early 1950s he become a central figure within Soho, an intimate friend of, among many others, Michael Ayrton, Robert Colquhoun, Lucian Freud and the poet W.S. Graham. He enjoyed early success as a painter and was associated in the 1940s with the English Neo-Romantics. By the early 1950s he had become the most admired and influential illustrator of his day.Frances Spalding's sensitive account of Minton's life and work makes use of letters, articles and revue sketches by Minton himself, as well as many interviews with the artist's friends and acquaintances. She brings out the many conflicts within him, and shows how these were reflected in his art through its combination of romantic imagery and taut severities of style. His deep melancholy was for the most part kept hidden behind a euphoric generosity and a wild restlessness. But gradually, like his alcoholism, it became all-pervasive, and tragic and embittered he took his own life, aged thirty-nine.This new edition incorporates a new preface by the author and a new appendix featuring lists of public collections, exhibitions, illustrated books and book jackets, and a select bibliography. It will be widely welcomed by art historians, curators, dealers and all those interested in this fascinating period in British art and culture.
Geoffrey Clarke (1924-2014) was a pioneer in a golden age of British sculpture, whose fearless experimentation with new materials and processes saw him create works that epitomise the vibrancy of the post-war British art scene. This fully-illustrated catalogue raisonn�, the first of its kind, confirms Clarke's position among the leading lights of a generation, which included Lynn Chadwick, Reg Butler and Kenneth Armitage. There are few familiar with the full scope of Clarke's prolific output - how it transgressed from early iron pieces, indicative of the 'geometry of fear', to elegant aluminium works and later wooden abstract pieces of the 1990s. Spanning nearly five decades of making, Clarke's impressive body of sculptural work is detailed alongside other elements of his diverse oeuvre - stained glass (including pieces created for Coventry Cathedral), silver, medals and textiles also feature. With catalogue entries accompanied by an exhibition history, list of public collections as well as a comprehensive bibliography, this book will be the definitive resource for curators, collectors, dealers and enthusiasts seeking a detailed overview of Clarke's important artistic contribution.