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The work of a highly significant figure in the renaissance of Gaelic poetry in the twentieth century is gathered together for the first time in one authoritative volume. George Campbell Hay's complete original poems, in Gaelic, Scots, English, French, Italian and Norwegian, are presented chronologically with accompanying English translations and annotations to each poem. This edition also includes a detailed biography, drawing on Hay's own correspondence, which sheds new light on the social, political and literary context of his work; an outline of Hay's main poetic concerns in theme and in form; and some of Hay's own musical settings.Hardback still available in deluxe 2-volume set
The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.
Critics hailed the first edition of The Literature of Scotland as one of the most comprehensive and fascinatingly readable accounts of Scottish literature in all three of the country's languages - Gaelic, Scots and English. In this extensively revised and expanded new edition, Roderick Watson traces the lives and works of Scottish writers in a beautiful and rugged country that has been divided by political and religious conflict but united, too, by a democratic and egalitarian ideal of nationhood. The Literature of Scotland: The Twentieth Century provides a comprehensive account of the richest ever period in Scottish literary history. From The House with the Green Shutters to Trainspotting and far beyond, this companion volume to The Literature of Scotland: The Middle Ages to the Nineteenth Century gives a critical and historical context to the upsurge of writing in the languages of Scotland. Roderick Watson covers a wide range of modern and contemporary Scottish authors including: MacDiarmid, MacLean, Grassic Gibbon, Gunn, Robert Garioch, Iain Crichton Smith, Alasdair Gray, Edwin Morgan, James Kelman, Irvine Welsh, Alan Warner, A. L. Kennedy, Liz Lochhead, John Burnside, Jackie Kay, Kathleen Jamie and many, many more! Also featuring an extended list of Further Reading and a helpful chronological timeline, this is an indispensable introduction to the great variety of Scottish writing which has emerged since the start of the twentieth century.
This packed anthology contains a vast selection of literature in Scots. From the Renaissance makars to contemporary authors, together with work in translation from a number of different languages, it gathers into one volume writers as diverse as Robert Henryson, William Dunbar, Robert Fergusson, Robert Burns, Jean Elliot, Walter Scott, Hugh MacDiarmid, Liz Lochead, Charles Baudelaire and Feodor Dostoevsky, as well as some of the finest anonymous ballads and songs ever composed. Arranged thematically into topics such as love, home, death, jealousy, pride, ambition, freedom, work and play, it gives teachers and students immense scope both for comparative analysis and exploration of the main concerns of individual authors. It is, therefore, not only a major contribution to the study of Scots literature but a fascinating and enjoyable tour through some of the greatest writing Scotland has ever produced. Ideal for both students at upper secondary level and beyond, as well as anyone wishing to indulge in the best in Scottish literature.
The history of English song from the late nineteenth century to the Second World War.
Digte fra England, Skotland, Wales, Irland, Canada, Australien, New Zealand, Sydafrika, Rhodesia, Ghana, Nigeria, Indien og Pakistan.
What do we mean by 'Scottish literature'? Why does it matter? How do we engage with it? Bringing infectious enthusiasm and a lifetime's experience to bear on this multi-faceted literary nation, Alan Riach, Professor of Scottish Literature at the University of Glasgow, sets out to guide you through the varied and ever-evolving landscape of Scottish literature. A comprehensive and extensive work designed not only for scholars but also for the generally curious, Scottish Literature: an introduction tells the tale of Scotland's many voices across the ages, from Celtic pre-history to modern mass media. Forsaking critical jargon, Riach journeys chronologically through individual works and writers, both the famed and the forgotten, alongside broad overviews of cultural contexts which connect texts to their own times. Expanding the restrictive canon of days gone by, Riach also sets down a new core body of 'Scottish Literature': key writers and works in English, Scots, and Gaelic. Ranging across time and genre, Scottish Literature: an introduction invites you to hear Scotland through her own words.
Uncovering Caledonia: An Introduction to Scottish Studies represents a cultural journey to portray and illustrate the burning cultural issues of modern Scotland and uncover the myriad of Caledonian peculiarities from a non-native point of view. This introduction to Scottish studies operates mostly on the country’s literature, although also explores Scottish folk tales, legends and film. This approach is precisely what makes this book different from the majority of other studies in this academic field: instead of concentrating primarily on a factual approach to various historical and political queries of modern Scotland, it offers an insight into these issues through the interpretation, analysis and comprehension of Scottish folk tales, legends, literature and film. The book is thus divided into five large chapters, each consisting of several segments dealing with contemporary themes relevant for depicting and comprehending modern Scottish culture. In addition to scholars and students interested in the fields of cultural studies and British and Scottish studies, the book will also appeal to the general reader keen on observing and understanding the cultural processes relevant for present-day Scottish society and culture.