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From the author of The Spirits of America, an energetic history of tobacco use.
This study of Hindu mythology explores the significance of the most prominent Hindu deities as they are envisioned by the Hindus themselves, Referred to by its adherents as the "eternal religion" Hinduism recognizes for each age and each country a new form of revelation-and for each person, according to his or her stage of development, a different path of realization. This message of tolerance and adaptability, the very heart of Hindu polytheism, resounds clearly throughout Alain Danielou's work. Photographic plates by Raymond Burnier further illustrate the many facets of Hindu teaching and grace the significance of the Gods of the Vedas, as well as Vishnu, Shiva, Brahma, Kali, Shakti, and other deities.
The story of Abraham smashing his father's idols might be the most important Jewish story ever told and the key to how Jews define themselves. In a work at once deeply erudite and wonderfully accessible, Rabbi Jeffrey K. Salkin conducts readers through the life and legacy of this powerful story and explains how it has shaped Jewish consciousness. Offering a radical view of Jewish existence, The Gods Are Broken! views the story of the young Abraham as the "primal trauma" of Jewish history, one critical to the development of a certain Jewish comfort with rebelliousness and one that, happening in every generation, has helped Jews develop a unique identity. Salkin shows how the story continues to reverberate through the ages, even in its connection to the phenomenon of anti-Semitism. Salkin's work--combining biblical texts, archaeology, rabbinic insights, Hasidic texts (some never before translated), philosophy, history, poetry, contemporary Jewish thought, sociology, and popular culture--is nothing less than a journey through two thousand years of Jewish life and intellectual endeavor.
Our origins as a slave species and the Anunnaki legacy in our DNA • Reveals compelling new archaeological and genetic evidence for the engineered origins of the human species, first proposed by Zecharia Sitchin in The 12th Planet • Shows how the Anunnaki created us using pieces of their own DNA, controlling our physical and mental capabilities by inactivating their more advanced DNA • Identifies a recently discovered complex of sophisticated ruins in South Africa as the city of the Anunnaki leader Enki Scholars have long believed that the first civilization on Earth emerged in Sumer some 6,000 years ago. However, as Michael Tellinger reveals, the Sumerians and Egyptians inherited their knowledge from an earlier civilization that lived at the southern tip of Africa and began with the arrival of the Anunnaki more than 200,000 years ago. Sent to Earth in search of life-saving gold, these ancient Anunnaki astronauts from the planet Nibiru created the first humans as a slave race to mine gold--thus beginning our global traditions of gold obsession, slavery, and god as dominating master. Revealing new archaeological and genetic evidence in support of Zecharia Sitchin’s revolutionary work with pre-biblical clay tablets, Tellinger shows how the Anunnaki created us using pieces of their own DNA, controlling our physical and mental capabilities by inactivating their more advanced DNA--which explains why less than 3 percent of our DNA is active. He identifies a recently discovered complex of sophisticated ruins in South Africa, complete with thousands of mines, as the city of Anunnaki leader Enki and explains their lost technologies that used the power of sound as a source of energy. Matching key mythologies of the world’s religions to the Sumerian clay tablet stories on which they are based, he details the actual events behind these tales of direct physical interactions with “god,” concluding with the epic flood--a perennial theme of ancient myth--that wiped out the Anunnaki mining operations. Tellinger shows that, as humanity awakens to the truth about our origins, we can overcome our programmed animalistic and slave-like nature, tap in to our dormant Anunnaki DNA, and realize the longevity and intelligence of our creators as well as learn the difference between the gods of myth and the true loving God of our universe.
Michael Shaara reinvented the war novel with his Pulitzer Prize–winning masterpiece of Gettysburg, The Killer Angels. Jeff Shaara continued his father’s legacy with a series of centuries-spanning New York Times bestsellers. Together at last in eBook form, this volume assembles three Civil War novels from America’s first family of military fiction: Gods and Generals, The Killer Angels, and The Last Full Measure. Gods and Generals traces the lives, passions, and careers of the great military leaders—Thomas “Stonewall” Jackson, Winfield Scott Hancock, Joshua Chamberlain—from the gathering clouds of war. The Killer Angels re-creates the fight for America’s destiny in the Battle of Gettysburg, the four most bloody and courageous days of our nation’s history. And The Last Full Measure brings to life the final two years of the Civil War, chasing the escalating conflict between Robert E. Lee and Ulysses S. Grant—complicated, heroic, and deeply troubled men—through to its riveting conclusion at Appomattox. Contains a preview Jeff Shaara’s new novel of the Civil War, A Blaze of Glory. Praise for Michael Shaara and Jeff Shaara’s Civil War trilogy “Brilliant does not even begin to describe the Shaara gift.”—The Atlanta Journal-Constitution “Shaara’s beautifully sensitive novel delves deeply in the empathetic realm of psycho-history, where enemies do not exist—just mortal men forced to make crucial decisions and survive on the same battlefield.”—San Francisco Chronicle, on Gods and Generals “Remarkable . . . a book that changed my life . . . I had never visited Gettysburg, knew almost nothing about that battle before I read the book, but here it all came alive.”—Ken Burns, on The Killer Angels “The Last Full Measure is more than another historical novel. It is rooted in history, but its strength is the element of humanity flowing through its characters. . . . The book is compelling, easy to read, well researched and written, and thought-provoking. . . . In short, it is everything that a reader could ask for.”—Chicago Tribune
The Gods of Pegāna (1905) is a short story collection by Lord Dunsany. Published at the beginning of his career, The Gods of Pegāna would influence such writers as J. R. R. Tolkein, Ursula K. Le Guin, and H. P. Lovecraft. Recognized as a pioneering author of fantasy and science fiction, Dunsany is a man whose work, in the words of Lovecraft, remains “unexcelled in the sorcery of crystalline singing prose, and supreme in the creation of a gorgeous and languorous world of incandescently exotic vision.” “Whether the season be winter or whether it be summer, whether it be morning among the worlds or whether it be night, Skarl still beateth his drum, for the purposes of the gods are not yet fulfilled.” The Gods of Pegāna, Dunsany’s debut collection of stories, contains some of his finest tales of fantasy and adventure. The Mana-Yood-Sushai created the gods of Pegāna before falling asleep in the middle of Time. The only thing keeping him from creating new gods and worlds is the drummer Skarl, who can never cease his playing. In their creator’s absence, dozens of small gods and a thousand local deities have free reign to create the worlds and realities they want. As they compete to outdo one another, the order and peace of Pegāna hangs in the balance. Humorous and inventive, Dunsany’s tales of high fantasy continue to delight over a century after they first appeared in print. With a beautifully designed cover and professionally typeset manuscript, this edition of Lord Dunsany’s The Gods of Pegāna is a classic of Irish fantasy fiction reimagined for modern readers.
Did Moses borrow ideas from his cultural neighbors when he wrote the Pentateuch? Scholars disagree on the relationship between portions of the Old Testament and similar ancient Near Eastern accounts. Following in the footsteps of higher critics, some evangelical scholars now argue that Moses drew significantly from the worldview of his pagan contemporaries. Respected Old Testament scholar John Currid, however, pushes back against this trend by highlighting the highly polemical nature of Moses' writings. From the Genesis creation account to the story of Israel's exodus from Egypt, Currid shows how the biblical author's continually emphasized the futility of paganism in contrast with the unparalleled worldview of the Hebrews. Currid's penetrating analysis and thoughtful argumentation make this a ground-breaking resource for anyone interested in this ongoing discussion.
PITUS PESTON AND THE GODS OF OMAN is the fi rst book in the PEREGRINATIONS OF PITUS PESTON adventure series. PITUS PESTON AND THE GODS OF OMAN is about a dreamer of cosmic adventure who turned his dreams into reality. He was born into an unlikely time for space fl ight. When Thomas Jefferson was President the frontier was still east of Buffalo. The only way to reach this distant land was afoot or by horse. But there were other worlds whose time lines of development were not like our own. On some of these worlds the present state of Earth was in their dim past. About the time of the Mayfl ower, three travelers, exiles from the planet Oman, a world on the opposite spiral arm of Caleeron, their name for the Milky Way, crash land their craft atop a butte in what later became Monument Valley. They were unable to leave Earth and dispersed among humanity to live out their lives. The year is now 1805, and Pitus Peston, an eighteen year old farmer's son endowed with a linguistic genius, discovers an old wampum belt bearing a strange image. It stirs his soul and he believes that the image on the belt is otherworldly and he determines to uncover its secret. Through an accumulation of clues he works his way toward solving the secret of the gods of Oman.