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In February 1999 the tragic New York City police shooting of Amadou Diallo, an unarmed street vendor from Guinea, brought into focus the existence of West African merchants in urban America. In Money Has No Smell, Paul Stoller offers us a more complete portrait of the complex lives of West African immigrants like Diallo, a portrait based on years of research Stoller conducted on the streets of New York City during the 1990s. Blending fascinating ethnographic description with incisive social analysis, Stoller shows how these savvy West African entrepreneurs have built cohesive and effective multinational trading networks, in part through selling a simulated Africa to African Americans. These and other networks set up by the traders, along with their faith as devout Muslims, help them cope with the formidable state regulations and personal challenges they face in America. As Stoller demonstrates, the stories of these West African traders illustrate and illuminate ongoing debates about globalization, the informal economy, and the changing nature of American communities.
These twenty-five short essays demonstrate the beauty of style, the wit, and the sensibility for which Woolf is admired. "This book contains...the same delicious things to read as always....Virginia Woolf was a great artist, one of the glories of our time, and she never published a line that was not worth reading" (Katherine Anne Porter). Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."
Reprint of the original, first published in 1876.
Synoptic textbooks have played a major role in the intellectual advancement of U.S. curriculum studies. William F. Pinar argues for a new synoptic text, summarizing recent and relevant research in the academic disciplines toward the subjective and social reconstruction of the public sphere that is the school classroom. Such a reconceptualization of curriculum development enables teachers to complicate the classroom conversations they themselves will lead. Subsequent essays demonstrate the thematic and methodological forms such curriculum development might take.
A collection of essays, originally published in "The New Yorker," "Esquire," and other periodicals, includes the title piece about a New York artist who invites people to call and leave an apology on his answering machine.
The only collection of Boll's nonfiction prose to be published in English spans over two decades of social, political, literary, and cultural commentary. These twenty-nine essays, reviews, and speeches reflect the same moral passion and deep wisdom that resonate through his fiction. Here is Boll the Nobel laureate and Boll the private man: his compassion for ordinary people, his unblinking view of the tragedies of war, his satiric portrait of modern urban life, and his deeply personal reflections on life and literature.
At a time when the dull rationality of the money calculus seems to be making ground in every sphere, it is perhaps opportune to reopen the question of literature and its relations with a rationality defined according to the logic of economic exchange: what kinds of value flow from such a rationality and what possibilities of resistance are there if we happen not to like the model and its more rebarbative ideological implications? Historically, attempts to reduce the richness of human exchange to utilitarian or economic paradigms have met with counter-cultural expressions of dissent and defiance. And yet the search for an 'authentic community' outside the reifications and repressions of economic exchange presents its own ambiguities and pitfalls, since the attempt to ground value in other spheres can function ideologically to secure and legitimize the very values it seeks to oppose. This is especially true in literature and other expressions of high culture, where mobilizations of the aesthetic (or the textual) as a site of resistance to economic hegemony are frequently recuperated in advance by the dominant discourse. The essays collected here tend, then, to explore in various ways, not only the ideological implications of literary (or more broadly cultural) representations or constructions of economic exchange, but also the often complex mediations that such constructions enter into with different kinds of oppositional discourse.
Based on the award-winning 10-million-plus-hit blog 1000 Awesome Things, The Book of Awesome is an international bestselling high five for humanity and a big celebration of life’s little moments. Sometimes it’s easy to forget the things that make us smile. With a 24/7 news cycle reporting that the polar ice caps are melting, hurricanes are swirling in the seas, wars are heating up around the world, and the job market is in a deep freeze, it’s tempting to feel that the world is falling apart. But awesome things are all around us, like: • Popping Bubble Wrap • Wearing underwear just out of the dryer • Fixing electronics by smacking them • Getting called up to the dinner buffet first at a wedding • Watching The Price Is Right when you’re home sick • Hitting a bunch of green lights in a row • Waking up and realizing it’s Saturday The Book of Awesome reminds us that the best things in life are free (yes, your grandma was right). With laugh-out-loud observations from award-winning comedy writer Neil Pasricha, The Book of Awesome is filled with smile-inducing moments on every page that make you feel like a kid looking at the world for the first time. Read it and you’ll remember all the things there are to feel good about. A New York Times Bestseller • USA Today Bestseller • Globe and Mail Bestseller • Toronto Star Bestseller • Vancouver Sun Bestseller • Macleans Bestseller • Winner of the Forest of Reading Award
REFLECTIONS ON SOLITUDE and other ESSAYS explores a diverse range of topics from Eastern mysticism to mathematics, while blending in an element of fantastic realism. Sameer Grover is one of the eminent voices of our time.
In his "Essay on Tiredness," Handke transforms an everyday experience - often precipitated by boredom - into a fascinating exploration of the world of slow motion, differentiating degrees of fatigue, the types of weariness, its rejuvenating effects, as well as its erotic, cultural, and political implications.