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This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
Milbank and Mitchell, dissimilar in size and separated by more than two hundred miles, have more in common than might appear at first glance. In the first half of the twentieth century towns such as Milbank and Mitchell formed hubs for commerce, social activities, and culture. Eric Fowler and Sheila Delaney looked at their communities from different viewpoints, but their childhood and young adult memories of South Dakota share common themes.
This volume, organized from "addiction" to "Ghost stories," features articles on works, ideas, genres, aesthetics, events, places, societal values, and the history of publishing from 1870 to 1920.
This book, first published in 2007, offers a bold new interpretation of American business history during the formative years 1870-1920, which mark the dawn of modern big business. It focuses on four major revolutions that ushered in this new era: those in power, transportation, communication, and organization. Using the metaphor of America as an economic hothouse uniquely suited to rapid economic growth during these years, it analyzes the interplay of key factors such as entrepreneurial talent, technology, land, natural resources, law, mass markets, and the rise of cities. It also delineates the process that laid the foundation for the modern era, in which virtually every human activity became a business, and, in most cases, a big business. The book also profiles numerous major entrepreneurs whose careers and activities illustrate broader trends and themes. It utilizes a wide variety of sources, including novels from the period, to produce a lively narrative.
The city's 'Americanness' has been disputed throughout US history. Pronounced dead in the late twentieth century, cities have enjoyed a renaissance in the twenty-first. Engaging the history of urban promise and struggle as represented in literature, film, and visual arts, and drawing on work in the social sciences, The City in American Literature and Culture examines the large and local forces that shape urban space and city life and the street-level activity that remakes culture and identities as it contests injustice and separation. The first two sections examine a range of city spaces and lives; the final section brings the city into conversation with Marxist geography, critical race studies, trauma theory, slow/systemic violence, security theory, posthumanism, and critical regionalism, with a coda on city literature and democracy.
This book places major literary works within the context of thetopics that engaged a great number of American writers in theperiod from the end of the Civil War to the beginning of the GreatDepression Topics include Civil War memory, the virtual re-enslavement ofAfrican-Americans after Reconstruction, and radical socialmovements Draws on a range of documents from magazine and newspaperaccounts to government reports and important non-fiction Presents a contemporary history as writers might haveunderstood it as they were writing, not as historians haveinterpreted it. Designed to be compatible with the major anthologies ofliterature from the period Equips students and general readers with the necessaryhistorical context needed to understand the writings from thisperiod and provides original and useful readings that demonstratehow context contributes to meaning Includes a historical timeline, featuring key literary works,American presidents, and historical events
Witnessing the end of a war that nearly terminated the nation, the abolition of racial slavery and rise of legal segregation, the rise of Modernism and Hollywood, the closing of the frontier and two World Wars, the literary historical period represented in this volume constitutes the crucible of American literary history. Here, 35 essays by top researchers in the field detail how considerations of race and citizenship; immigration and assimilation; gender and sexuality; nationalism and empire; all reverberate throughout novels written in the United States between 1870 and 1940. Contributors discuss the professionalization of literary production after the Civil War alongside legal and political debates over segregation and citizenship; while chapters on journalism, geography, religion, and immigration offer discussions on everything from the lasting role of literary realism in American fiction to the Spanish-American War's effect on developing theories of aesthetics and popular culture. The volume offers thorough coverage of the emergence of serial fiction, children's fiction, crime and detective fiction, science fiction, and even cinema and comics, as new media and artistic revolutions like the Harlem Renaissance helped usher in the new international aesthetic movement of Modernism. The final chapters in the volume explore the relationship of the novel to the emergence of "American literature" as a category in the academy, in public criticism and journalism, and in mass culture.
Isaiah Berlins response to the Soviet Union was central to his identity, both personally and intellectually. Never before collected, Berlins writings about the USSR include his accounts of his famous meetings with Russian writers shortly after the Second World War; the celebrated 1945 Foreign Office memorandum on the state of the arts under Stalin; his account of Stalins manipulative artificial dialectic; portraits of Osip Mandelshtam and Boris Pasternak; his survey of Soviet Russian culture written after a visit in 1956; a postscript stimulated by the events of 1989; and more.