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He came to collect a debt. He left with a wife. Darius may be an ex-pirate and nameless bastard, but his word is his bond and damsels in distress are his weakness. In order to collect a large debt and rebuild his lost fortune, Darius takes Eliza Penfold as his wife. It’s supposed to be a marriage of convenience, not passion. But from their first encounter, she stirs his blood like no other and Darius wonders if he can truly leave her behind. Deceived into a marriage contract with a dangerous man, Eliza is forced to admit she and her siblings need protection. She needs to let go of her wounded pride and flawed schemes if she’s to survive. But when her protector is a vengeful pirate running a scheme of his own, she may be getting far more trouble than help. They're both hiding something and when one of England’s most notorious and vicious criminals comes to call, lives will be in danger and loyalties will be put to the ultimate test...
As a war begins, four princesses of enemy kingdoms who were raised as sisters must decide where their loyalties lie: to their kingdoms, or to each other.
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.
One reluctant heir If anyone else had asked for his help publishing a naughty novel, Ash would have had the sense to say no. But he’s never been able to deny Verity Plum. Now he has his hands full illustrating a book and trying his damnedest not to fall in love with his best friend. The last thing he needs is to discover he’s a duke’s lost heir. Without a family or a proper education, he’s had to fight for his place in the world, and the idea of it—and Verity—being taken away from him chills him to the bone. One radical bookseller All Verity wants is to keep her brother out of prison, her business afloat, and her hands off Ash. Lately it seems she’s not getting anything she wants. She knows from bitter experience that she isn’t cut out for romance, but the more time she spends with Ash, the more she wonders if maybe she’s been wrong about herself. One disaster waiting to happen Ash has a month before his identity is exposed, and he plans to spend it with Verity. As they explore their long-buried passion, it becomes harder for Ash to face the music. Can Verity accept who Ash must become or will he turn away the only woman he’s ever loved?
In theory, Ellery Dunant is the last woman you'd expect to find on world-renowned playboy Larenz de Luca's to-bed list. Ellery has met Larenz's type before. There's no way a stallion like him would be interested in a plain-Jane housekeeper like her…. So why does Larenz find himself risking his cool and dropping his guard to spend the night with her? Just one night…but for Larenz it doesn't turn out to be enough. Is his unworldly housekeeper going to be his undoing?
The San Francisco Seals were members of baseball's Pacific Coast League from 1903 until 1958. Arguably the most successful minor league franchise ever, the Seals held the minor league attendance record from 1946 until it was broken by Louisville in the 1980s, and remained independently owned until 1956. The Seals were also Joe DiMaggio's first team and many another major league star was on the team's roster on his climb up the ranks. This work is a collection of oral histories of players who took the field for the Seals from 1946 through 1957, just before the Giants came to San Francisco and when the Seals played their final game. Ferris Fain said of the 1946 Seals, "I just think that that was the best ballclub that I've ever played on, including major league. I mean, as a team." Frank Seward, Don Trower, Jack Brewer, Roy Nicely, Neill Sheridan, Joe Brovia, Bill Werle, Con Dempsey, Dario Lodigiani, Lou Burdette, Ed Cereghino, Bill Bradford, Reno Cheso, Nini Tornay, Jerry Zuvela, Leo Righetti, Jim Westlake, Ted Beard, Chuck Stevens, Bob DiPietro, Don Lenhardt, Riverboat Smith, Jack Spring, and Bert Thiel also reminisce about their careers with the Seals.
A National Best Seller! Calling Me Home by Julie Kibler is a soaring debut interweaving the story of a heartbreaking, forbidden love in 1930s Kentucky with an unlikely modern-day friendship Eighty-nine-year-old Isabelle McAllister has a favor to ask her hairdresser Dorrie Curtis. It's a big one. Isabelle wants Dorrie, a black single mom in her thirties, to drop everything to drive her from her home in Arlington, Texas, to a funeral in Cincinnati. With no clear explanation why. Tomorrow. Dorrie, fleeing problems of her own and curious whether she can unlock the secrets of Isabelle's guarded past, scarcely hesitates before agreeing, not knowing it will be a journey that changes both their lives. Over the years, Dorrie and Isabelle have developed more than just a business relationship. They are friends. But Dorrie, fretting over the new man in her life and her teenage son's irresponsible choices, still wonders why Isabelle chose her. Isabelle confesses that, as a willful teen in 1930s Kentucky, she fell deeply in love with Robert Prewitt, a would-be doctor and the black son of her family's housekeeper—in a town where blacks weren't allowed after dark. The tale of their forbidden relationship and its tragic consequences makes it clear Dorrie and Isabelle are headed for a gathering of the utmost importance and that the history of Isabelle's first and greatest love just might help Dorrie find her own way.
The period covered here saw dramatic alterations in the state of the economy; and this account begins with the forming of villages, towns, networks of exchange and the social hierarchy in the ninth and tenth centuries, and ends with the inflation and population rise of the sixteenth century.".