Download Free The Sleepy Lagoon Murder Case Book in PDF and EPUB Free Download. You can read online The Sleepy Lagoon Murder Case and write the review.

The notorious 1942 "Sleepy Lagoon" murder trial in Los Angeles concluded with the conviction of seventeen young Mexican American men for the alleged gang slaying of fellow youth Jose Diaz. Just five months later, the so-called Zoot Suit Riot erupted, as white soldiers in the city attacked minority youths and burned their distinctive zoot suits. Eduardo Obregon Pagan here provides the first comprehensive social history of both the trial and the riot and argues that they resulted from a volatile mix of racial and social tensions that had long been simmering. In reconstructing the lives of the murder victim and those accused of the crime, Pagan contends that neither the convictions (which were based on little hard evidence) nor the ensuing riot arose simply from anti-Mexican sentiment. He demonstrates instead that a variety of pre-existing stresses, including demographic pressures, anxiety about nascent youth culture, and the war effort all contributed to the social tension and the eruption of violence. Moreover, he recovers a multidimensional picture of Los Angeles during World War II that incorporates the complex intersections of music, fashion, violence, race relations, and neighborhood activism. Drawing upon overlooked evidence, Pagan concludes by reconstructing the murder scene and proposes a compelling theory about what really happened the night of the murder.
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
"Surveys the political events, social trends, and racial attitudes that contributed to a week-long outbreak of violence in Los Angeles in 1943 by white servicemen and civilians against young Mexican-American 'zoot suiters.' Includes a narrative overview,biographies, primary sources, chronology, glossary, bibliography, and index"--Provided by publisher.
Iva Ikuku Toguri (1916-2006) was an American citizen, born on the 4th of July. Her parents, first-generation Japanese Americans, embraced their new nation and raised Iva to think, talk, and act like a patriotic American. But, despite her allegiance to the United States, she was forced to spend most of her adult life denying that she was a traitor or that she was World War II's infamous Tokyo Rose. When the Japanese attacked Pearl Harbor, Iva was nursing an ailing aunt in Japan. Prevented from returning to home, she was viewed with suspicion by the Japanese authorities. They hounded her to renounce her American citizenship, which she adamantly refused to do. Pressured to find employment, she joined Radio Tokyo. Known as Orphan Ann, she did nothing more than emcee brief music segments on "The Zero Hour" during the war's last two years. She was never called "Tokyo Rose" by anyone and was but one of only a dozen or so English-speaking females heard on Japanese airwaves. In need of money to return home after the war, she made the mistake of allowing herself to be interviewed by two ambitious journalists who were certain that she was the Tokyo Rose, even though she denied it. The published story brought Iva to the attention of American authorities who tried and convicted Iva for treason, despite the lack of evidence and a reluctant jury. She was then stripped of her citizenship and sent to prison. Yasuhide Kawashima's account of Toguri's trials are deeply rooted in Japanese language sources, American legal archives, and the cultures of both nations. He identifies heroes and villains in both the United States and Japan and also highlights broader concerns: the internment of thousands of loyal Japanese Americans, the meaning of citizenship, the nation's commitment to the idea of fair trial, the impact of tabloid journalism, and the very concept of treason. Iva was eventually pardoned in 1977 by President Gerald Ford—she was the first person in U.S. history to be pardoned for treason—and had her citizenship restored. Yet when she died in 2006, obituaries continued to identify her as Tokyo Rose. Kafkaesque in its telling, Kawashima's tale provides a harsh reminder that the law does not always render justice.
The D. A.'s brass, a sheriff's deputy, and a rough-and-tumble bagman are unknowingly chasing a nightmare in this thrilling novel from the author of "some of the most powerful crime novels ever written" (New York Times). Los Angeles, 1950 Red crosscurrents: the Commie Scare and a string of brutal mutilation killings. Gangland intrigue and Hollywood sleaze. Three cops caught in a hellish web of ambition, perversion, and deceit. Danny Upshaw is a Sheriff's deputy stuck with a bunch of snuffs nobody cares about; they're his chance to make his name as a cop...and to sate his darkest curiosities. Mal Considine is D.A.'s Bureau brass. He's climbing on the Red Scare bandwagon to advance his career and to gain custody of his adopted son, a child he saved from the horror of postwar Europe. Buzz Meeks-bagman, ex-Narco goon, and pimp for Howard Hughes-is fighting communism for the money. All three men have purchased tickets to a nightmare.
Los Angeles, 1943. It's the era of the Zoot Suit Riots, and Flaca and Cuata have a problem. It's bigger than being grounded by their strict mother. It's bigger than tensions with the soldiers stationed nearby. And it's shaped like a five-foot-tall lizard. When a lost member of an unknown underground species needs help, the sisters must scramble to keep their new friend away from a corrupt military scientist—but they'll do it in style. Cartoonist Marco Finnegan presents Lizard in a Zoot Suit, an outrageous, historical, sci-fi graphic novel. "[Lizard in a Zoot Suit] is both a politically charged drama and a pulpy sci-fi story all in one, and an ideal graphic novel for Young Adults."—Comicon.com "A new YA graphic novel [that] takes a moment in real world history and turns it into the basis for a thrilling adventure that is never anything less than stylish."—The Hollywood Reporter
What began as a neighborhood party during the summer of 1942 led to the largest mass murder trial in California's history. After young Jose Diaz was found murdered near Los Angeles' Sleepy Lagoon reservoir, 600 Mexican Americans were rounded up by the police, 24 were indicted, and 17 were convicted. But thanks to the efforts of crusading lawyers, Hollywood celebrities, and Mexican Americans throughout the nation, all 17 convictions were thrown out in an appellate decision that cited lack of evidence, coerced testimony, deprivation of the right to counsel, and judicial misconduct. Mark Weitz chronicles the Sleepy Lagoon case (People v. Zammora) from the streets of the L.A.'s Mexican-American neighborhoods to the criminal courts, through the appeals process, and to the ultimate release of the convicted. In the process, Weitz opens a window on the uneasy world of Hispanic-Anglo relations, which, exacerbated by an influx of Mexican immigrants, had simmered beneath the surface in California for a century and reached the boiling point by 1942. By demonstrating how an environment of hostility and fear had fostered a breakdown in the legal protections that should have been afforded to the Sleepy Lagoon defendants, Weitz also illuminates a vital episode in the evolution of defendants' rights-including the right to counsel and a fair and impartial trial. As the case unfolded, the prosecution and local media drew ominous comparisons between the supposed dangers posed by the Mexican-American defendants and the threat allegedly posed by thousands of Japanese Americans, whose sympathies had been called into question after Pearl Harbor. Weitz shows how Zammora demonstrates what it is like to literally be tried in the court of public opinion where the "opinion" has been shaped before the trial even begins. Now, as Americans once again feel threatened by outsiders-whether Islamic jihadists or illegal immigrants—Zammora provides a mirror showing us how we acted then compared to how we respond now. While much of what occurred in 1942 L.A. was unique to its time and place, Weitz's compelling narrative shows that many of the social, political, and culture issues that dominated America then are still with us today.
“The most incisive analytic study yet produced by a Chicano scholar . . . Mazón looks at the bloody incidents that erupted in Los Angeles during June, 1943.” —California History Los Angeles, the summer of 1943. For ten days in June, Anglo servicemen and civilians clashed in the streets of the city with young Mexican Americans whose fingertip coats and pegged, draped trousers announced their rebellion. At their height, the riots involved several thousand men and women, fighting with fists, rocks, sticks, and sometimes knives. In the end none were killed, few were seriously injured, and property damage was slight and yet, even today, the zoot-suit riots are remembered and hold emotional and symbolic significance for Mexican Americans and Anglos alike. The causes of the rioting were complex, as Mazón demonstrates in this illuminating analysis of their psychodynamics. Based in part on previously undisclosed FBI and military records, this engrossing study goes beyond sensational headlines and biased memories to provide an understanding of the zoot-suit riots in the context of both Mexican American and Anglo social history. “The latest scholarly work to probe the significance of the brawls that erupted in Los Angeles between uniformed servicemen and young Mexican-Americans in June, 1943 . . . Mazon’s contribution is a psychohistory of the riots in which he concludes that they were not as dangerous, or even riotous, as often portrayed.” —Los Angeles Times “In the nascent field of Chicano history psychohistorical studies are not abundant. Thus Mazón makes an immense contribution to the study of the Mexican American.” —American Historical Review