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"The 1800s for Black Americans was a time of forced servitude, anguish, heartbreak, and strength of faith. John, a wealthy Richmond, Virginia slave owner's son, and Hannah, the Negro daughter of a protective and loving mother, grew up as playmates, sharing their lives and dreams. Soon a sweet and tumultuous love affair began that grew so strong John would risk everything before relinquishing it. With his reputation in jeopardy, Hannah in his heart, and a father and country firmly against him, John must overcome innumerable obstacles, some involving incredible violence and cruelty. Along the way he discovers shocking family secrets, buried for years. This historic romance raises the question--can the love between a beautiful, young slave woman and a wealthy Confederate slave master's son endure the prevailing ideology of their time?"--Cover.
The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.
First published in 1854, The Slave Son is a dramatic tale of love and slavery, set against the vibrant and volatile background of Trinidad in the days before emancipation. Inspired by Harriet Beecher Stowe's abolitionist writing, the central romance of Belfond and Laurine is played out in a world of repression and freedom, ships captains and slaves. Little known and for a long time unavailable, this powerful work occupies an important position in a literary tradition longer and deeper than has been widely realized.
When the New Testament speaks of slaves and masters, is it affirming an institution that we find reprehensible? Biblical scholars across the theological and political spectrum generally conclude that the answer is "yes." And in the same passages the Bible seems to affirm male dominance in marriage, if not in society at large. This book meticulously places these passages, the Bible's "household codes," in their historical and literary context, focusing on 1 Peter's extensive code. A careful side-by-side reading with Rome's cultural equivalent (Aristotle's household code) reveals both the brilliance of the biblical author and the depth of 1 Peter's antipathy toward slavery and misogyny.
Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author The Ball family hails from South Carolina—Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"
This story of Thomas Jefferson's children by one of his slaves, Sally Hemings, tells a darker piece of America's history from an often unseen perspective-that of three of Jefferson's slaves-including two of his own children. As each child grows up and tells his story, the contradiction between slavery and freedom becomes starker, calliing into question the real meaning of "life, liberty, and the pursuit of happiness." This poignant story sheds light on what life was like as one of Jefferson's invisible offspring.
Winner of the Booker Prize A historical novel set in the eighteenth century, Sacred Hunger is a stunning, engrossing exploration of power, domination, and greed in the British Empire as it entered fully into the slave trade and spread it throughout its colonies. Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.
Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book—based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers—opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves—and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children—in his ledgers they are recast as money—while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce." Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?
Free Boy is the story of a 13-year-old slave who escaped from Washington Territory to freedom in Canada on the West's underground railroad. When James Tilton came to Washington Territory as surveyor-general in the 1850s he brought with his household young Charles Mitchell, a slave he had likely received as a wedding gift from a Maryland cousin. The story of Charlie's escape in 1860 on a steamer bound for Victoria and the help he received from free blacks reveals how national issues on the eve of the Civil War were also being played out in the West. Written with young adults in mind, the authors provide the historical context to understand the lives of both Mitchell and Tilton and the time in which the events took place. The biography explores issues of race, slavery, treason, and secession in Washington Territory, making it both a valuable resource for teachers and a fascinating story for readers of all ages. A V Ethel Willis White Book