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City of Refuge is a story of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities. In his examination of life, commerce, and social activity in the Great Dismal Swamp, Marcus P. Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.
Dive into this fun steampunk fantasy featuring quirky characters, snappy banter, and set in a world that's a cross between Victorian London and the tropics. A complicated mission. A team of misfits that just don’t get along. What could possibly go wrong? The team: A skinny pickpocket with dreadlocks and a big attitude. A foppish assassin with a fear of blood An elite fighter, master of the sardonic raised eyebrow. A smuggler with a drinking problem and a propensity for brawling. And a no-nonsense, heavily tattooed machinist, trying to keep them all in line. The mission: Free a Damsian inventor kept prisoner in the distant city of Azyr. Spark a rebellion to remove the half-mad tyrant ruling the place, and while they’re at it, end slavery in Azyr. And do it all without getting killed, shackled into slavery, or arguing. The latter is proving most problematic. This latest instalment of The Viper and the Urchin series will make you have fun. Lots of fun. Scroll back up to buy it now. ★ ★ ★ ★ ★“Like a story from the Arabian Nights the vision of Palanquins and mechanised elephants, with richly dressed people served by slaves, is beautifully described, as is the horrific scene in the bloodstained arena. This is a thrilling, frightening adventure.” – Elizabeth Lloyd, Goodreads ★ ★ ★ ★ ★“I wouldn’t hesitate to recommend it to readers looking for a fantasy quest with complex characters, a fantastically imagined world, a quirky team, and plenty of humor.” – Barb Taub, Goodreads ★ ★ ★ ★ ★“So much intrigue, so much action, so much danger. So much fun!” – Riley, Goodreads The Slave City is book 3 in a complete 9 book steampunk fantasy series. Other books in the series: #1 The Bloodless Assassin #2 The Black Orchid #3 The Slave City #4 The Doll Maker #5 The White Hornet #6 The Shadow Palace #7 The Opium Smuggler #8 The Veiled War #9 The Rising Rooks Keywords: Fantasy Books, Top Rated Books, Epic Fantasy Books, Epic Fantasy, Steampunk Books, Best Rated Steampunk Books, Fantasy action adventure, quirky characters, banter, snarky fantasy, fantasy humor, Strong female lead, fantasy steampunk, snappy banter, funny fantasy, fantasy with strong female lead, magic, original world-building, full length fantasy, humorous fantasy books, steampunk, gaslamp fantasy, historical fantasy, humorous fantasy, funny fantasy, quirky fantasy, quirky characters, Fantasy female lead, Fantasy female character, fantasy female protagonist, fantasy strong female character, unlikely friendship, banter, snark, snarky, humour, alchemist, fantasy assassin, fun read, fast read. Perfect for fans of: Lindsay Buroker, Terry Pratchett, Gail Carriger, Shelley Adina, Joseph Lallo, Tilly Wallace, CJ Archer
Chronicling the story of the last Africans brought illegally to America in 1860, African Town is a powerful and stunning novel-in-verse. Cover may vary. In 1860, long after the United States outlawed the importation of enslaved laborers, 110 men, women and children from Benin and Nigeria were captured and brought to Mobile, Alabama aboard a ship called Clotilda. Their journey includes the savage Middle Passage and being hidden in the swamplands along the Alabama River before being secretly parceled out to various plantations, where they made desperate attempts to maintain both their culture and also fit into the place of captivity to which they'd been delivered. At the end of the Civil War, the survivors created a community for themselves they called African Town, which still exists to this day. Told in 14 distinct voices, including that of the ship that brought them to the American shores and the founder of African Town, this powerfully affecting historical novel-in-verse recreates a pivotal moment in US and world history, the impacts of which we still feel today.
the albion gallery, london presents a large show of ink on canvas drawings made by joep van lieshout, the founder of atelier van lieshout, along with several large models, made by atelier van lieshout. the show is all about life and work in slavecity, a dystopian metropolis. joep van lieshout has been developing this project since 2005.together with the exhibition a publication of new and recent drawings of joep van lieshout will be presented. it is the first publication of drawings of joep van lieshout (19 color and 64 b&w illustrations). the book features a conversation between joep van lieshout and winy maas, architect and one of the founders of architect office MVRDV, based in rotterdam.
This is one of the first specialised treatments of an Anglophone Caribbean port-town by a contemporary historian. Having adeptly mined the existing archival data and statistics on Bridgetown, Pedro Welch shares with the reader these nuggets of information that contribute immensely to our understanding of the way slave societies functioned in the Caribbean. This book shows how life in the urban slave society departed significantly from that of the rural plantation. There is considerable evidence indicating that slaves and freed persons found and utilised 'room to manoeuvre options' in that urban context, which allowed some of them to amass small fortunes and landholdings, act relatively freely and independently and occasionally be acknowledged almost as the equal of their white counterparts. Several areas of urban social formation are analysed in the study. Demographic, trade and free coloured communities receive detailed treatment. Publication of this work is timely, coinciding as it does with the 375th anniversary of the founding of Bridgetown, Barbados
A stunning behind-the-curtain look into the last years of the illegal transatlantic slave trade in the United States Long after the transatlantic slave trade was officially outlawed in the early nineteenth century by every major slave trading nation, merchants based in the United States were still sending hundreds of illegal slave ships from American ports to the African coast. The key instigators were slave traders who moved to New York City after the shuttering of the massive illegal slave trade to Brazil in 1850. These traffickers were determined to make Lower Manhattan a key hub in the illegal slave trade to Cuba. In conjunction with allies in Africa and Cuba, they ensnared around two hundred thousand African men, women, and children during the 1850s and 1860s. John Harris explores how the U.S. government went from ignoring, and even abetting, this illegal trade to helping to shut it down completely in 1867.
Focuses on enslaved families and their social networks in the city of Puebla de los Ángeles in seventeenth-century colonial Mexico.
Today most Americans, black and white, identify slavery with cotton, the deep South, and the African-American church. But at the beginning of the nineteenth century, after almost two hundred years of African-American life in mainland North America, few slaves grew cotton, lived in the deep South, or embraced Christianity. Many Thousands Gone traces the evolution of black society from the first arrivals in the early seventeenth century through the Revolution. In telling their story, Ira Berlin, a leading historian of southern and African-American life, reintegrates slaves into the history of the American working class and into the tapestry of our nation. Laboring as field hands on tobacco and rice plantations, as skilled artisans in port cities, or soldiers along the frontier, generation after generation of African Americans struggled to create a world of their own in circumstances not of their own making. In a panoramic view that stretches from the North to the Chesapeake Bay and Carolina lowcountry to the Mississippi Valley, Many Thousands Gone reveals the diverse forms that slavery and freedom assumed before cotton was king. We witness the transformation that occurred as the first generations of creole slaves--who worked alongside their owners, free blacks, and indentured whites--gave way to the plantation generations, whose back-breaking labor was the sole engine of their society and whose physical and linguistic isolation sustained African traditions on American soil. As the nature of the slaves' labor changed with place and time, so did the relationship between slave and master, and between slave and society. In this fresh and vivid interpretation, Berlin demonstrates that the meaning of slavery and of race itself was continually renegotiated and redefined, as the nation lurched toward political and economic independence and grappled with the Enlightenment ideals that had inspired its birth.
A history of slavery in New York City is told through contributions by leading historians of African-American life in New York and is published to coincide with a major exhibit, in an anthology that demonstrates how slavery shaped the city's everyday experiences and directly impacted its rise to a commercial and financial power. Original. 10,000 first printing.