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Is it storming in your life? Are you experiencing dark clouds of despair? Does it seem as if you have a few days of sunshine and the majority of your days are full of rain? In reading this book, you will discover that the sky is always blue and it serves as a constant reminder of the faithfulness of God. Right now many people in the world are desperate for hope and this hope can only be found in God. God has provided for each of us to live a good life right here on Earth. It's time for the world to hear that message, believe it, and live it. Trilby McClammy has been in the ministry faithfully serving God for 20 years. She is the co-founder of Love & Power Ministry, a ministry dedicated to breaking the bondage of religion and tradition off the mind of people and bring healing and deliverance to people through the preaching and teaching of the Gospel of Jesus Christ. She is an Associate Minister at New Covenant United Holy Church in Durham, North Carolina where she serves as the Superintendent of Christian Education and the Ministry Director of the Youth Department. Trilby is happily married to Toney McClammy and is blessed with three children, Chanelle, Danielle, Toney Jr. and one foster son, Rodriguez Turrentine."
A child discovers that the sky can be many different colors.
For the first time, Meade reveals her sharp, downward spiral into 15 years of mental illness, and the visions and voices that took her beyond the edge of madness. She reveals the purpose in the pain, the hope she found, and the secret to living in love. (Christian)
This collection represents my journey through life, these poems are written between the ages of seventeen and twenty-three. Throughout this book I have written about my struggle with mental illness, addiction and relationships. I self-published The Sky Is Not Always Blue in July 2020. The proceeds made from publishing this book will be donated to the charity called Mind in Guernsey. They are part of a bigger charity throughout the UK and Wales that help to support people struggling with mental health.
The work of a visionary and iconoclastic feminist cartoonist—available in English for the first time The Sky is Blue with a Single Cloud collects the best short stories from Kuniko Tsurita’s remarkable career. While the works of her male peers in literary manga are widely reprinted, this formally ambitious and poetic female voice is like none other currently available to an English readership. A master of the comics form, expert pacing and compositions combined with bold characters are signature qualities of Tsurita's work. Tsurita’s early stories “Nonsense” and “Anti” provide a unique, intimate perspective on the bohemian culture and political heat of late 1960s and early ‘70s Tokyo. Her work gradually became darker and more surreal under the influence of modern French literature and her own prematurely failing health. As in works like “The Sky is Blue with a Single Cloud” and “Max,” the gender of many of Tsurita's strong and sensual protagonists is ambiguous, marking an early exploration of gender fluidity. Late stories like "Arctic Cold" and "Flight" show the artist experimenting with more conventional narrative modes, though with dystopian themes that extend the philosophical interests of her early work. An exciting and essential gekiga collection, The Sky is Blue with a Single Cloud is translated by the comics scholar Ryan Holmberg and includes an afterword cowritten by Holmberg and manga editor Mitsuhiro Asakawa delineating Tsurita's importance and historical relevance.
Plenty of things make eight-year-old Maddie nervous: her too-small feet, climbing high places, not always knowing what to say, and especially her new home in the Virginia countryside with Sam, her mom's new husband. To her surprise, Sam turns out to understand all those things and more—like how to learn the weather from a cat, what kind of treasure you can find at the dump, and where to find a color called sky-blue pink. Through her growing bond with Sam, Maddie finds the courage to face many of her fears and the wisdom to see things she never believed could be real.
A boy’s nomadic life in Mongolia is under threat in a novel that “captures the mountains, valleys and steppes in all their surpassing beauty and brutality” (Minneapolis Star-Tribune). In the high Altai Mountains of northern Mongolia, a young shepherd boy comes of age, tending his family’s flocks on the mountain steppes and knowing little of the world beyond the surrounding peaks. But his nomadic way of life is increasingly disrupted by modernity. This confrontation comes in stages. First, his older siblings leave the family yurt to attend a distant boarding school. Then the boy’s grandmother dies, and with her his connection to the old ways. But perhaps the greatest tragedy strikes when his dog, Arsylang—“all that was left to me”—ingests poison set out by the boy’s father to protect his herd from wolves. “Why is it so?” Dshurukawaa cries out in despair to the Heavenly Blue Sky, to be answered only by the wind. Rooted in the oral traditions of the Tuvan people, The Blue Sky weaves the timeless story of a boy poised on the cusp of manhood with the story of a people on the threshold. “Thrilling. . . . Tschinag makes it easy for his readers to fall into the beautiful rhythms of the Tuvans’ daily life.” —Los Angeles Times Book Review “In this pristine and concentrated tale of miraculous survival and anguished loss, Tschinag evokes the nurturing warmth of a family within the circular embrace of a yurt as an ancient way of life lived in harmony with nature becomes endangered.” —Booklist
Although he wants to learn all that wise old Donkey knows, Rabbit cannot sit still to listen to the answers to his questions, but in the end he teaches Donkey some new things.
Delightful and intriguing, 'Why the Sky is Blue' shows how the attempt to answer this age-old and deceptively simple question only enhances the magic of the blue sky we see above us.
Ruskin, a Victorian-era British writer whose work had a profound influence on artists, art historians, and writers both during his life and after, wrote Modern Painters in five separate volumes originally published in London between 1843 and 1860, substantially revising the volumes over the years. It is, among other things, an evaluation of individual painters, a religious statement, a discourse on nature, and a splendid example of Victorian prose style.