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In eloquent prose accompanied by illustrations reminiscent of both Native American pictographic style & European influences, this fictional sketchbook details the journey of Thomas Blue Eagle, of the Lakota tribe, beginning in 1885 when he was 18 years old, as he travels across the big water with Buffalo Bill Cody's Wild West Show. From performing for royalty with the legendary Annie Oakley to becoming famous in Paris, from losing all of his hard-earned money to a thief in Venice & winning it all back again in a suspenseful horse challenge to his sweet return home, Blue Eagle's adventures will excite & enlighten readers of all ages. Afterword by Arthur Amiotte, a Sioux elder & noted historian. A compelling portrait of Native American history.Ó
A visually stunning fictional account of a young nineteenth-century Sioux warrior's quest for knowledge that takes him from the plains of his childhood to a far-off boarding school where he learns the ways of the white world--and the value of his own traditions. A hand-calligraphed tribute to the narrative pictographs recorded by Plains artists in the ruled ledgerbooks they acquired in trade, the weaving of Cvijanovic's richly detailed original illustrations in the "ledger" style into a simply written story inspired by actual events holds appeal for young readers and those who wish to learn more about Native American art and history.
A Broken Flute is a book of reviews that critically evaluate children's books about Native Americans written between the early 1900s and 2003, accompanied by stories, essays and poems from its contributors. The authors critique some 600 books by more than 500 authors, arranging titles A to Z and covering pre-school, K-12 levels, and evaluations of some adult and teacher materials. This book is a valuable resource for community and educational organizations, and a key reference for public and school libraries, and Native American collections.
The largest known collection of ledger art ever acquired by one individual is Mark Lansburgh’s diverse assemblage of more than 140 drawings, now held by the Hood Museum of Art at Dartmouth College and catalogued in this important book. The Cheyennes, Crows, Kiowas, Lakotas, and other Plains peoples created the genre known as ledger art in the mid-nineteenth century. Before that time, these Indians had chronicled the heroic achievements of their warriors and chiefs on rock, buffalo robes, and tipi covers. As they came into increasing contact with American traders, the artists recorded their experiences in pencil and crayon drawings on paper bound in ledger or account books. The drawings became known as ledger art. This volume presents in full color the Lansburgh collection in its entirety. The drawings are narratives depicting Plains lifeways through Plains eyes. They include landscapes and scenes of battle, hunting, courting, ceremony, incarceration, and travel by foot, horse, train, and boat. Ledger art also served to prompt memories of horse raids and heroic exploits in battle. In addition to showcasing the Lansburgh collection, Ledger Narratives augments the growing literature on this art form by providing seven new essays that suggest some of the many stories the drawings contain and that look at them from innovative perspectives. The authors—scholars of art history, anthropology, history, and Native American studies—touch on such themes as gender, social status, sovereignty, tribal and intertribal politics, economic exchange, and confinement and space in a changing world. The Lansburgh collection includes some of the most arresting examples of Plains Indian art, and the essays in this volume help us see and hear the multiple narratives these drawings relate.