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A collection of whimsical illustrations of Edward's adventures as imagined by the illustrator Robin Lucas.
A visual delight and an inspiration for every bibliophile with a growing home library, this dream-and-drool design book features some of the most jaw-dropping book collections of homeowners around the world. NAMED ONE OF JO’S FALL FAVORITES IN MAGNOLIA JOURNAL Interior designer Nina Freudenberger, New Yorker writer Sadie Stein, and Architectural Digest photographer Shade Degges give readers a peek at the private libraries and bookshelves of passionate readers all over the world, including Larry McMurtry, Silvia Whitman of Shakespeare and Co., Gay and Nan Talese, and Emma Straub. Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections. Praise for Bibliostyle “Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as décor.”—New York “Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too.”—The Boston Globe “This is a coffee table book that makes you think as well as admire and desire.”—Sydney Herald “Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most.”—CN “The photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books will inspire readers to live better with their own collections.”—Publishers Weekly “Nina Freudenberger teams with Sadie Stein of The New Yorker and photographer Shade Degges of Architectural Digest to showcase beautiful photographs of the private libraries of book lovers from all over the world.”—BookRiot
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.
This volume contains reproductions of 100 16th-century Master Drawings from the outstanding holding of the Uffizi Gallery in Florence. It provides a broad view of drawing styles and functions in Tuscany ranging from High Renaissance to Early Baroque, and includes works by such artists as Fra Bartolommeo, Vasari, and Michelangelo. The authors provide descriptive accompanying entries throughout.
Acclaimed by some as one of the best portraitists of all time, Italian painter Giovan Battista Moroni (1522-1579) created penetrating images of the aristoc-racy of Bergamo, in which the sitters often gaze at the spectator with an unflinching directness. Admired in Italy since the 16th century, when Titian is said to have praised his portraits, Moroni did not achieve an international reputation until the 19th century and remains relatively little known. This handsome catalog encompasses Moroni's entire career. It includes portraits of all formats and styles, demonstrating not just Moroni's brilliance at capturing the elegance of his sitters and the fashions of the time, but also his realistic representation of Bergamo's society, which became a model for Caravaggio. The volume also includes Moroni's religious paintings, which also incorporate highly accomplished likenesses of their patrons, once again showing the striking psychological insight for which Moroni is acclaimed. Arturo Galansino, curator at the Royal Academy of Arts, has also curated exhibitions for the Louvre and the National Gallery, London. Simone Facchinetti is curator at the Museo Diocesano in Bergamo.
THE FIRST ROYAL SPYNESS MYSTERY! The New York Times bestselling author of the Molly Murphy and Constable Evan Evans mysteries turns her attentions to “a feisty new heroine to delight a legion of Anglophile readers.”* London, 1932. Lady Victoria Georgiana Charlotte Eugenie, 34th in line for the English throne, is flat broke. She's bolted Scotland, her greedy brother, and her fish-faced betrothed. London is a place where she'll experience freedom, learn life lessons aplenty, do a bit of spying for HRH—oh, and find a dead Frenchman in her tub. Now her new job is to clear her long family name...
Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea. James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts. James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.
This sweeping historical novel from a bestselling author follows the lives of two generations of women, the secrets they keep, their sacrifices for love, and the heartbreaking betrayals they encounter--perfect for fans of Kelly Rimmer and Natasha Lester.​ Il Mulino. An old crumbling mill, by a winding river, nestled in the Tuscan mountains. An empty home that holds memories of homemade pasta and Nonna's stories by the fire, and later: the Nazi invasion, and a family torn apart by a heartbreaking betrayal. Anna is distraught when her beloved mother, Ines, passes away. She inherits a box of papers, handwritten in Italian and yellowed with age, and a tantalizing promise that the truth about what happened during the war lies within. The diaries lead Anna to the small village of Rofelle, where she slowly starts to heal as she explores sun-kissed olive groves, and pieces together her mother's past: memories of homemade pasta, Nonna's stories by the fire, and happy days spent herding sheep across Tuscan meadows cruelly interrupted when World War II erupted and the Nazis arrived. Her mother fleeing her home to join the Resistenza and risking everything to protect an injured British soldier who captured her heart. But Anna is no closer to learning the truth . . . What sent Ines running from her adored homeland? When she meets an elderly Italian gentleman living in a deserted hamlet, who flinches at her mother's name and refuses to speak English, Anna is sure he knows more about the devastating secret that tore apart her mother's family. But in this small Tuscan community, some wartime secrets were never meant to be uncovered . . .
Scholarly and innovative with visually stunning line drawings and photographs, this volume provides readers with a compelling record of the unbroken pattern of reciprocal use and exchange between the countryside and the walled city of Florence, from the thirteenth century up to the present day. Defying the traditional and idealized interpretation of the Florentine Villa, the author: analyzes the economic factors that powered the investment in and building of country houses and estates from the early Renaissance times onwards, as well as the ideology and the architectural and literary models that promoted the Florentine villa explores the area between Florence and Sesto in its history, morphology and representation looks at the villas existing in the area. A contribution to the protection of the important cultural heritage of the landscape in the Florentine area and of its historic buildings, villas and gardens, this study makes engaging reading, not only for scholars and students in architecture, landscape design and social history, but also for the well informed reader interested in art, architecture and gardens.