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A collection of some of the words of scripture spoken by Jesus the Christ to the world, put in poetry format, not as narrative as originally given.
Robert Alter's bold new translation of the "wisdom books" of the Old Testament.
Craig G. Bartholomew and Ryan P. O'Dowd provide an informed introduction to the Old Testament wisdom books Proverbs, Ecclesiastes and Job. More than an introduction, however, this is a thoughtful consideration of the hermeneutical implications of this literature.
Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.
In this collection of free-verse poems, inspired by Walt Whitman's I Hear America Singing, Tracie Vaughn Zimmer celebrates workers and the doing of work. The poems are short and direct, with strong, fresh images, and readers can easily imagine themselves in the roles she portrays: welder, librarian, surgeon, retail clerk, camp counselor. The illustrations are as original as the text---amazing multilayered collages made of paper, found objects, ephemera, photographs, dried flowers, and archival images. Steady Hands is sure to inspire discussion, creative writing, art projects, and new answers to the old question: What do you want to do when you grow up?
At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.
"This manual closes a circle which began almost thirty-five years ago (November, 1954) with the beginning of work an a doctoral dissertation defended at the Pontifical Biblical Institute in April, 1957 (published in Spanish in 1962). During three decades of teaching and writing the author has kept an active interest in poetics and stylistics and the resulting accumulated knowledge has been concentrated in the present manual. The primary purpose of the book is not to serve as a source of Information about facts and authors but rather to initiate the reader into the stylistic analysis of poetry. To obtain Information and to classify it the reader can turn to recent works (Watson), earlier works (Knig, Hempel), or reprinted works (Bullinger). Among the poetic techniques discussed are Sound and sonority, rhythm, imagery, figures of Speech, dialogue and monologue, development and composition"--Page 4 of cover.