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Hui-neng (638–713) is perhaps the most beloved and respected figure in Zen Buddhism. An illiterate woodcutter who attained enlightenment in a flash, he became the Sixth Patriarch of Chinese Zen, and is regarded as the founder of the "Sudden Enlightenment" school. He is the supreme exemplar of the fact that neither education nor social background has any bearing on the attainment of enlightenment. This collection of his talks, also known as the Platform or Altar Sutra, is the only Zen record of its kind to be generally honored with the appellation sutra, or scripture. The Sutra of Hui-neng is here accompanied by Hui-neng's verse-by-verse commentary on the Diamond Sutra—in its very first published English translation ever.
The knowledge and vision of the Buddha is just your own mind; there is no other Buddha. Such is the teaching of Master Huineng (638 713), the most important and most revered figure in the Chan (Zen) School of East Asian Buddhism. Huineng left no written record, but his students compiled accounts of his public lectures and one-on-one exchanges, together with the dramatic story of his life. The resulting volume was Liu zu fa bao tan jing , The Sixth Patriarch's Dharma Jewel Platform Sutra, sixth, because Master Huineng is counted as the sixth generation of patriarchal succession from the first Chan patriarch Bodhidharma. Master Huineng's Platform Sutra is so highly regarded in Buddhist Asia that it is called a Sutra, a term otherwise reserved for texts spoken by the Buddha himself. In presenting this entirely new English translation of The Sixth Patriarch's Dharma Jewel Platform Sutra, the editors, Professors Heng Sure and Martin Verhoeven of Dharma Realm Buddhist University, have aimed above all to bring across into English Master Huineng's plain-spoken, forthright style. As Professor Verhoeven writes, "Readers inclined to see Buddhist writings as abstruse metaphysical treatises will find The Platform Sutra refreshingly artless and spare. Those expecting a sutra to delve into the supernatural and otherworldly will be surprised at how down-to-earth and here-and-now this text is. The Platform Sutra is humanistic to its core." As Huineng says in a verse, 'The Buddha Dharma is right here in the world,/There is no awakening apart from this world.' The essence of the Sixth Patriarch's philosophy is that all beings have the buddha-nature; all can become Buddha. Full awakening is not a future state or a distant place, but exists right within your own mind,' directly and immediately available. The text presents a powerful and resounding vision of unbounded human potential waiting to be fully realized if only we could see it.
One of the most popular scriptures, the Vajra Sutra explains how the Bodhisattva relies on the perfection of wisdom to teach and transform beings. Then Subhutti, upon hearing the Sutra spoken, and deeply understanding its purport, wept and said to the Buddha, "How rare, World Honored One, is this Sutra so profoundly spoken by the Buddha. From the time I obtained the Wisdom Eye until the present I have never before heard such a Sutra. World Honored One, if someone hears the Sutra with a pure heart of faith then he realizes the real mark. That person should be known to have accomplished the foremost and most rare merit and virtue."
"The Six Gates to the Sublime" is a classic Buddhist meditation instruction manual explaining the six practices crucial to success in traditional Indian Buddhist breath-focused meditation (anapana) and calming-and-insight meditation (samatha-vipasyana). Correctly implemented, these six "gates" lead the meditator to realization of the fourth of the four truths (cessation), of which the "sublimity" referenced in the title is one of the four canonically-described practice aspects. This classic was written by the sixth-century monk and meditation master, Shramana Zhiyi (Chih-i), one of the most illustrious figures in the history of Chinese Buddhism. Master Zhiyi is famous for his role in the founding of the Tiantai teachings lineage and for his authorship of a quartet of meditation manuals of which this is one. The translator of this volume is the American monk, Bhikshu Dharmamitra, a translator of numerous classic works from the Indian and Chinese Buddhist traditions.
A masterful translation of one of the most influential Buddhist sutras—the Avatamsaka Sutra—by one of the greatest translators of Buddhist texts of our time Known in Chinese as Hua-yen and in Japanese as Kegon-kyo, the Avatamsaka Sutra, or Flower Ornament Scripture, is held in the highest regard and studied by Buddhists of all traditions. Through its structure and symbolism, as well as through its concisely stated principles, it conveys a vast range of Buddhist teachings. This one-volume edition contains Thomas Cleary’s definitive translation of all thirty-nine books of the sutra, along with an introduction, a glossary, and Cleary’s translation of Li Tongxuan’s seventh-century guide to the final book, the Gandavyuha, “Entry into the Realm of Reality.”
The Record of the Dharma-Jewel Through the Generations (Lidai fabao ji) is a little-known Chan/Zen Buddhist text of the eighth century, rediscovered in 1900 at the Silk Road oasis of Dunhuang. The only remaining artifact of the Bao Tang Chan school of Sichuan, the text provides a fascinating sectarian history of Chinese Buddhism intended to showcase the iconoclastic teachings of Bao Tang founder Chan Master Wuzhu (714–774). Wendi Adamek not only brings Master Wuzhu's experimental community to life but also situates his paradigm-shifting teachings within the history of Buddhist thought. Having published the first translation of the Lidai fabao ji in a Western language, she revises and presents it here for wide readership. Written by disciples of Master Wuzhu, the Lidai fabao ji is one of the earliest attempts to implement a "religion of no-religion," doing away with ritual and devotionalism in favor of "formless practice." Master Wuzhu also challenged the distinctions between lay and ordained worshippers and male and female practitioners. The Lidai fabao ji captures his radical teachings through his reinterpretation of the Chinese practices of merit, repentance, precepts, and Dharma transmission. These aspects of traditional Buddhism continue to be topics of debate in contemporary practice groups, making the Lidai fabao ji a vital document of the struggles, compromises, and insights of an earlier era. Adamek's volume opens with a vivid introduction animating Master Wuzhu's cultural environment and comparing his teachings to other Buddhist and historical sources.
The Platform Sutra comprises a wide range of important Chan/Zen Buddhist teachings. Purported to contain the autobiography and sermons of Huineng (638–713), the legendary Sixth Patriarch of Chan, the sutra has been popular among monastics and the educated elite for centuries. The first study of its kind in English, this volume offers essays that introduce the history and ideas of the sutra to a general audience and interpret its practices. Leading specialists on Buddhism discuss the text's historical background and its vaunted legacy in Chinese culture. Incorporating recent scholarship and theory, chapters include an overview of Chinese Buddhism, the crucial role of the Platform Sutra in the Chan tradition, and the dynamics of Huineng's biography. They probe the sutra's key philosophical arguments, its paradoxical teachings about transmission, and its position on ordination and other institutions. The book includes a character glossary and extensive bibliography, with helpful references for students, general readers, and specialists throughout. The editors and contributors are among the most respected scholars in the study of Buddhism, and they assess the place of the Platform Sutra in the broader context of Chinese thought, opening the text to all readers interested in Asian culture, literature, spirituality, and religion.
The larger sutra on Amitāyus (Taishō volume 12, number 360) -- The sutra on contemplation of Amitāyus (Taishō volume 12, number 365) -- The smaller sutra on Amitāyus (Taishō volume 12, number 366).
The tradition of Chan Buddhism—more popularly known as Zen—has been romanticized throughout its history. In this book, John R. McRae shows how modern critical techniques, supported by recent manuscript discoveries, make possible a more skeptical, accurate, and—ultimately—productive assessment of Chan lineages, teaching, fundraising practices, and social organization. Synthesizing twenty years of scholarship, Seeing through Zen offers new, accessible analytic models for the interpretation of Chan spiritual practices and religious history. Writing in a lucid and engaging style, McRae traces the emergence of this Chinese spiritual tradition and its early figureheads, Bodhidharma and the "sixth patriarch" Huineng, through the development of Zen dialogue and koans. In addition to constructing a central narrative for the doctrinal and social evolution of the school, Seeing through Zen examines the religious dynamics behind Chan’s use of iconoclastic stories and myths of patriarchal succession. McRae argues that Chinese Chan is fundamentally genealogical, both in its self-understanding as a school of Buddhism and in the very design of its practices of spiritual cultivation. Furthermore, by forgoing the standard idealization of Zen spontaneity, we can gain new insight into the religious vitality of the school as it came to dominate the Chinese religious scene, providing a model for all of East Asia—and the modern world. Ultimately, this book aims to change how we think about Chinese Chan by providing new ways of looking at the tradition.