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This authoritative and vividly written book brings readers into the heart of Italian literary culture from the 1690s to the present. It probes the work of major authors in their broad cultural context, traces the history of audiences and publishers, explores the shifting relationship between public and private, assesses the impact of significant historical trends and events on creative processes, and establishes the continuities as well as the discontinuities of the Italian literary tradition. A synoptic overview at the beginning of the volume is designed to help the reader get her or his bearings in the detail of the nine chapters which follow. Using an essentially chronological framework, the book is divided into three major cultural time-spans: the long eighteenth century, the decades of national identity formation and the creation of modern', industrial Italy between 1816 and 1900, and the twentieth century with its constant renegotiation of national cultural identity. A final epilogue provides a snapshot of Italian literary culture in the near-present. This is a book which will be readily accessible to students and all those interested in Italian culture, and at the same time is based on the most up-to-date scholarship. New readings of the canonical authors rub shoulders with a refreshing attention to standard and popular writing, gender issues, and the interaction between written and oral forms, producing a history of modern Italian literature which is new in its conception and its scope.
This book shows how Dante Alighieri has been represented in the Italian collective imagination from the late eighteenth century to the present day. Often held to be a precursor of Italian unity, the author of the Divine Comedy has been put forward both as a standard-bearer of a secular, anti-clerical Italy and the embodiment of the concept of a deeply religious and Catholic nation; while he was later adopted by nationalist and fascists as well as a pop icon in the age of the internet and globalization. The book describes this long and fascinating history from a completely original point of view: the centuries-old myth of Dante is analysed from the perspective of cultural history. The sources employed include Dante commemorations, festivals and monuments, pilgrimages to his tomb, films and other media productions about Dante, as well as comic strips, advertisements and other cultural items dedicated to him.
This collection of essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late eighteenth century through to the early twentieth and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.