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An exploration of Bach's motets in the context of the German motet tradition.
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.
This Composer Companion is a unique and definitive guide to the life, music, and legacy of Johann Sebastian Bach. Now available in paperback, it will be an invaluable resource for scholars, students, performers, and all Bach and Baroque-music enthusiasts. With more than 900 entries, arranged in A-Z order for ease of reference, supplemented by illustrations and music examples, and written by more than 40 distinguished contributors, it brings together an unparalleled range of information onone of the greatest composers who has ever lived. It offers detailed information about Bach's life - his family, friends, colleagues, and pupils, his career as a performer, teacher, and composer - and about the historical, cultural, religious, and musical context in which he worked. Individual works are treated at length, as are the genres and conventions from which they grew, and scoring, instrumentation, and performance practice from Bach's day to the present. It also covers the impact Bach's music has had since his death - his growing reputation, famous interpreters of his music, the composers who have been influenced by him, and the festivals devoted to him. The main alphabetical text is supplemented by a map, a family tree, a chronology, a list of works, opening lines of vocal works, and a glossary of specialist terms.
Focusing on the works of J. S. Bach, this invaluable guide surveys the choral-orchestral repertoire.
Book Excerpt: scuss the first English version of Forkel's monograph, published in 1820, with the following title-page:LIFE OF JOHN SEBASTIAN BACH; with a Critical View of his Compositions. By J. N. Forkel, Author of The Complete History of Music, etc., etc. Translated from the German. London: Printed for T. Boosey and Co., Holles-Street, Cavendish-Square. 1820.The book was published in February 1820; it was announced, with a slightly differently worded title-page, in the New Monthly Magazine and Universal Register for March 1820 (p. 341), and the Scots Magazine for the same month ( vol. lxxxv. p. 263). The New Monthly states the price as 5s., the Quarterly Review (vol. xxiii. p. 281) as 6s. The book contains xi+116+3 pages of Music Figures, crown octavo, bound in dark unlettered cloth. It has neither Introduction, notes (other than Forkel's), nor indication of the translator's identity. Much of the translation is so bad as to suggest grave doubts of the translator's comprRead More
For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the chord emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author provides a straightforward introduction to the augmented sixth and its theoretical background. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era.