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"Originally published in The Six Million Dollar man: season six #1-6."
This companion to both series explores the shows' histories and influences. Includes interviews with cast members, creators and crew as well as complete episode guide.
Cyborg Steve Austin, linked symbiotically to his own space vehicle, is sent to identify and remedy the inexplicable failure in the USAF reconnaisance satellites monitoring Soviet military installations
“THE $68,004 MAN” Steve Austin’s body is rapidly decreasing in value, due to samurai swords, KGB agents, and lightning. Still, he’s determined to save the world…except that he’s been beaten up and thrown underwater…and the scientists that rebuilt his body didn’t think to make him buoyant… By CHRISTOPHER HASTINGS (The Unbelievable Gwenpool! Secret Agent Deadpool! Adventure Time! I Am Groot!) and DAVID HAHN (Batman ’66! Bombshells: United!)!
Inspired by the television series "The six million dollar man," the character of Steve Austin has been recreated for the twenty-first century.
Is there love in the air? Is that even relevant with the questions facing Steve Austin? Such as… Is Steve losing his humanity? Who can he trust? Are his enemies bringing the world closer to the end times or to the precipice of the singularity? Who exactly ARE those enemies? As the answers start to reveal themselves, the ultimate question remains: Who will survive and what bionic parts will be left of them?
The year is 1979. Iran has seized American hostages. Columbian drug cartels run rampant. Amid this deeply troubled world, Steve Austin - the legendary Six Million Dollar Man - is America's best hope in its fight against innumerable enemies. When Steve discovers disturbing secrets in OSI's past, he uses his cybernetic upgrades to rebel against the agency... but he'll face plenty of threats, like an enemy cyborg, lasers, and ninjas!
Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.