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This study on the genesis and evolution of a cluster of disorders (called sitapitta, i.e, urticaria and syndromes resembling it) and their treatment in Indian medical literature from early times to the present day is the first of its kind.It deals with antecedent concepts in the classical sa?hit's and the sudden appearance of a well-defined nosological entity in a later period, together with the therapeutic measures developed.The fate of this entity in a large number of medical treatises is systematically explored. Continuity and change in both theory and therapy are thus seen to be present until our own times.
Verse work on mercury and its uses in the ayurvedic system in Indian medicine.
"This kind of systematic work is exactly what is needed for people to help bridge traditional Ayurvedic practice with modern science." Venkatraman Ramakrishnan, Nobel laureate, current president of the Royal Society and group leader at the Medical Research Council Laboratory of Molecular Biology, Cambridge Biomedical Campus, UKAyurvedic Pharmacopoe
Sanskrit text on ayurvedic system in Indic medicine with English translation.
What drives the drug trade, and how has it come to be what it is today? A global history of the acquisition of progressively more potent means of altering ordinary waking consciousness, this book is the first to provide the big picture of the discovery, interchange, and exploitation of the planet’s psychoactive resources, from tea and kola to opiates and amphetamines.
Volume 2 of eJIM, the eJournal of Indian Medicine. eJIM is a multidisciplinary periodical that publishes studies on South Asian medical systems by qualified scholars in philology, medicine, pharmacology, botany, anthropology and sociology.
In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings to appeal to consumers seduced by North American modernity. At the same time, the transnational marketplace encouraged these producers to compete by marketing "authentic" Argentine culture. Domestic filmmakers, radio and recording entrepreneurs, lyricists, musicians, actors, and screenwriters borrowed heavily from a rich tradition of popular melodrama. Although the resulting mass culture trafficked in conformism and consumerist titillation, it also disseminated versions of national identity that celebrated the virtue and dignity of the poor, while denigrating the wealthy as greedy and mean-spirited. This anti-elitism has been overlooked by historians, who have depicted radio and cinema as instruments of social cohesion and middle-class formation. Analyzing tango and folk songs, film comedies and dramas, radio soap operas, and other genres, Karush argues that the Argentine culture industries generated polarizing images and narratives that provided much of the discursive raw material from which Juan and Eva Pern built their mass movement.