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Twelve light-years from civilization, Nova's planet is dying...Abandoned by Earth and condemned by ever-expanding solar flares, the colony world of Carbide has fallen into war. Nova, a member of the military's elite Sirens, enforces the rule of a dictator, convinced that violence is the only way to keep order on their doomed planet.But, while assassinating a traitorous general who threatened their precious stability, Nova learns that the wormhole that closed 50 years ago has just reactivated. More colonists are coming, bringing with them a way to save Carbide... and all the evils of Earth.The Sirens are ordered to infiltrate this incoming ship and take charge of the technology that will make their world self-sufficient. But in doing so, Nova can't help but learn about the planet of her ancestors.And wonder how much she really understands about her own.
The forest is a dangerous place, where siren song lures men and women to their deaths. For centuries, a witch has harvested souls to feed the heartless tree, using its power to grow her domain. When Owen Merrick is lured into the witch’s wood, one of her tree-siren daughters, Seren, saves his life instead of ending it. Every night, he climbs over the garden wall to see her, and every night her longing to become human deepens. But a shift in the stars foretells a dangerous curse, and Seren’s quest to become human will lead them into an ancient war raging between the witch and the king who is trying to stop her.
How are cultural boundaries created, conceived, and experienced? On the public level, the political practices of (sub-)nationalism have been revitalized by contemporary ideologies of multiculturalism providing new rhetorical forms which ultimately deny the legitimacy of indeterminacy. Yet, on the private level, the creation of new intersubjectivities is a normal consequence of movement, mixing, and living together, resulting in novel repertoires of individual and collective experiences. This book seeks to connect both the public and the private within the same frame of analysis. Reginald Byron is professor of sociology and anthropology, University of Wales, Swansea (UK). Ullrich Kockel holds a chair in European Studies at Bristol University of the West of England (UK), where he leads the European Ethnological Research Unit.
“An insightful and varied view of Kentucky’s lush landscape. . . . [Will] appeal to hunters, anglers, environmentalists.” —Kentucky Monthly From the moment Daniel Boone first “gained the summit of a commanding ridge, and . . . beheld the ample plains, the beauteous tracts below,” generations of Kentuckians have developed rich and enduring relationships with the land that surrounds them. Of Woods & Waters: A Kentucky Outdoors Reader is filled with loving tributes offered in celebration of Kentucky’s widely varied environmental wonders that nurture both life and art. Ron Ellis, an outdoors enthusiast and noted writer, has gathered art, fiction, personal essays and poetry from many of Kentucky’s best-known authors for this comprehensive collection. Beginning with famed illustrator John James Audubon’s eloquent account of extracting catfish from the Ohio River and progressing through over fifty contributions by both established and emerging writers, Of Woods & Water covering two hundred years of hunting, fishing, camping, cooking, hiking, and canoeing in Kentucky’s wilderness. With contributions from Barbara Kingsolver, Wendell Berry, Janice Holt Giles, Bobbie Ann Mason, Jesse Stuart, James Still, Robert Penn Warren, James Baker Hall, Silas House, and other esteemed authors. “No other state offers such a variety of topics for its writers and this [anthology], which incorporates love of the land and the love of nature, is special.” —James C. Claypool, Northern Kentucky University, author of Our Fellow Kentuckians “Takes your mind outside. Read enough of it and you might get out of the chair and follow.” —Lexington Herald-Leader “A superb collection.” —Louisville Courier-Journal “Reading Of Woods & Waters is a sensory experience. Its fine, down-home musings stay with you long after the last page is turned.” —Murray Ledger and Times
Emeline's quiet village has three important rules: Don't look at the shadows. Don't cross the river. And don't enter the forest. An illustrated fantasy filled with beauty and power, Between the Water and the Woods sweeps you into a world where forests are hungry; knights fight with whips; the king is dying; and a peasant girl's magic will decide the future of the realm . . . When Emeline's little brother breaks all three of their village's rules, she is forced to use her family's forbidden magic to rescue him from the dark things he awakens, the Ithin. Now that the Ithin are afoot in the land, she must, by law, travel to the royal court and warn the king. But the only way she and her family can make the journey to the capital is with the protection of a sour magister and a handsome, whip-wielding Lash Knight. Will Emeline survive in a city where conspiracies swirl like smoke and her magic is all but outlawed? Seven full-page black-and-white illustrations accompany Between the Water and the Woods, a lush, fairy-tale-style fantasy perfect for readers of Karen Cushman and Shannon Hale.
#1 New York Times bestseller A sweeping stand-alone fantasy romance from Kiera Cass, author of the bestselling, beloved Selection series. Kahlen is a Siren—bound to serve the Ocean by luring humans to their watery graves with her voice, which is deadly to any human who hears it. Akinli is human—a kind, handsome boy who’s everything Kahlen ever dreamed of. Falling in love puts them both in danger… but will Kahlen risk everything to follow her heart? This star-crossed YA romance is sure to captivate readers who grew up loving The Little Mermaid or fans of Jennifer Donnelly’s Waterfire Saga. Originally self-published, The Siren has been completely rewritten for this edition. Don’t miss The Betrothed, a glittering royal romance sure to captivate Kiera Cass’s legion of loyal readers and lovers of courtly intrigue alike!
In 1881, Mark Twain described Montreal as a city “where you couldn’t throw a brick without breaking a church window.” Today, we might describe Montreal as a city where you can’t throw a brick without hitting something beautiful. Seriously, you can’t even walk to the pharmacy, on a warm June night, to pick up some garbage bags, without being left speechless again and again and again. The beauty of this great city isn’t the natural, and thus accidental, beauty of BC or Banff; it’s deliberate. Vanity’s a virtue here in Montreal, and the city’s beautiful because it wants to be. Something wonderful is happening in this city. Despite corruption scandals that would make a Latin American dictator blush. Despite crumbling municipal infrastructure that’s made much of downtown look like the perfect place to shoot a post-apocalyptic disaster movie. Despite all of these things, and against all odds, there’s a buzz of creativity here right now unlike anything I’ve seen before in my lifetime.
God only knows what possessed Bill Bryson, a reluctant adventurer if ever there was one, to undertake a gruelling hike along the world's longest continuous footpath—The Appalachian Trail. The 2,000-plus-mile trail winds through 14 states, stretching along the east coast of the United States, from Georgia to Maine. It snakes through some of the wildest and most spectacular landscapes in North America, as well as through some of its most poverty-stricken and primitive backwoods areas. With his offbeat sensibility, his eye for the absurd, and his laugh-out-loud sense of humour, Bryson recounts his confrontations with nature at its most uncompromising over his five-month journey. An instant classic, riotously funny, A Walk in the Woods will add a whole new audience to the legions of Bill Bryson fans.