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The Singing Whakpapa is a tale for our time - a compelling historical detective story in which the truth is stranger than any fiction, and in which the present becomes a backseat driver to the past. What is the truth of history, what are the facts - and how are we to know them? This powerful novel is the story of John Flatt - missionary agriculturalist, witness to Waharoa's war of the 1830s against the Arawa, to the murder of the young woman Tarore and to the signing of the Treaty of Waitangi - and his great-great-grandson Hugh Grady, who more than a hundred-and-fifty years later tried to make sense of his own life by exploring all that has gone before. It is a story laced with passion, betrayal and revenge, at many levels, as greed overtakes good intentions and the cloak of history is pulled aside. The Singing Whakapapa won the New Zealand Book Awards in 1995.
"The story of John Flatt - missionary agriculturalist, witness to Waharoa's war of the 1830s against the Arawa, to the murder of the young woman Tarore and to the signing of the Treaty of Waitangi - and his great-great-grandson Hugh Grady, who more than a hundred-and-fifty years later tried to make sense of his own life by exploring all that has gone before"--Publisher information.
Winner of the New Zealand Book Awards, 1995.
opinion, the Guide offers a discriminating - and sometimes controversial - view of a broad range of contemporary literatures.
An old friend, a new character &– C. K. Stead is scribe to love and grief in this beautiful new collection.In two sequences the poet plays with the lines of history and love, the fictional and the autobiographical. Reflecting on a long career and familiar faces, the first sequence walks the reader from classical Rome to contemporary Aotearoa. Then in the shade of Parnell begins a tender address to a new character, Kezia, lover and friend just lost.Lyrical and deeply moving, In the Half Light of a Dying Day is a late-career masterpiece.
The Campus Novel elucidates the intercultural exchange between the well-established Western canon of British and American academic fiction and its more recent regional response outside the Anglo-American territory.
Australia and New Zealand, united geographically by their location in the South Pacific and linguistically by their English-speaking inhabitants, share the strong bond of hope for cultural diversity and social equality--one often challenged by history, starting with the appropriation of land from their Indigenous peoples. This volume explores significant themes and topics in Australian and New Zealand literature. In their introduction, the editors address both the commonalities and differences between the two nations' literatures by considering literary and historical contexts and by making nuanced connections between the global and the local. Contributors share their experiences teaching literature on the iconic landscape and ecological fragility; stories and perspectives of convicts, migrants, and refugees; and Maori and Aboriginal texts, which add much to the transnational turn. This volume presents a wide array of writers--such as Patrick White, Janet Frame, Katherine Mansfield, Frank Sargeson, Witi Ihimaera, Christina Stead, Allen Curnow, David Malouf, Les Murray, Nam Le, Miles Franklin, Kim Scott, and Sally Morgan--and offers pedagogical tools for teachers to consider issues that include colonial and racial violence, performance traditions, and the role of language and translation. Concluding with a list of resources, this volume serves to support new and experienced instructors alike.
Having left the university to write full-time at the end of volume two, Stead throws himself into his work. In novels like Sister Hollywood and My Name Was Judas, criticism in the London Review of Books and the Financial Times, poetry and memoir, Stead establishes his international reputation as novelist, poet and critic. It is also a period when Stead's fearless lucidity on matters literary and political embroil him in argument &– from The Bone People to the meaning of the Treaty to the controversy over a London writer's flat.What was it like to be Allen Curnow's designated &‘Critic across the Crescent'; or alternatively to be labelled &‘the Tonya Harding of NZ Lit'? How did poems emerge from time and place, sometimes as naturally as &‘leaves to a tree', sometimes effortfully? And how did novels about individual men and women retell stories of war (World War II, Yugoslavia, Iraq) and peace?Covering Stead's travels from Los Angeles to Liguria, Croatia and Crete to Caracas and Colombia, as New Zealand poet laureate and Kohi swimmer, What You Made of It takes us deep inside the mind and experience of one of our major writers &– and all in Stead's famously lucid &‘story-telling' prose.
This collection of poetry culls Karl Stead’s most lasting and memorable works into a single volume. Drawn from previously published works though his distinguished career, from his debut collection Whether the Will is Free to his recent publication The Black River, this resource also contains 22 previously unpublished poems from his early days.