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"A rapturous, witty, and passionate memoir ... Violin Dreams is not only the story of a man becoming an artist, it’s a history of twentieth-century music.” -- John Guare, Tony Award-winning playwright Arnold Steinhardt, for more than forty years an international soloist and the first violinist of the Guarneri String Quartet, brings warmth, wit, and fascinating insider details to the story of his lifelong obsession with the violin, that most seductive and stunningly beautiful instrument. His story is rich with vivid scenes: the terror inflicted by his early violin teachers, the sensual pleasure involved in the pursuit of the perfect violin, the charged atmosphere of high-level competitions. Steinhardt describes Bach’s Chaconne as the holy grail for the solo violin, and he illuminates, from the perspective of an ardent owner of a great Storioni violin, the history and mysteries of the renowned Italian violinmakers. Violin Dreams includes a remarkable CD recording of Steinhardt performing Bach’s Partita in D Minor as a young violinist forty years ago and playing the same piece especially for this book. A conversation between the author and Alan Alda on the differences between the two performances is included in the liner notes.
“The Secrets of Violin Playing” is a classic guide to playing the violin, dealing with every aspect from care and maintenance of the instrument to mastering the basics and avoiding common problems. It contains a wealth of timeless information that will be of considerable utility to novice players, and it is not to be missed by collectors of vintage violin literature. Contents include: “The Purpose of the Work”, “Violin Players”, “The Trifler”, “The Showy Player”, “The Model Player”, “Holding the Violin”, “Chin-Rests (illustrated)”, “The Spoon, Double Ridge, Spohr, Adjustable Voigt's Shoulder, and New Vulcanite Chin-Rests”, “Their Advantages and Disadvantages Analysed and Explained”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of the violin.
The Genius of Simplicity was written in 1982 by Linda Wickes, an orchestral violinist, educator, lecturer and dedicated string teacher who uses the Suzuki Method®. Her book, the author herself claims, is a rebuttal or answer to the implication from skeptics that the Suzuki Method® is a "shallow simplistic gimmick." She accomplishes her goal, but succeeds in doing considerably more! Wickes begins her book with an analysis of Suzuki's philosophy, and continues with chapters entitled: Start Young * Step-by-Step Mastery * Learning by Listening * Group Lessons and Performances * Pedagogy and Technique * Parents and Practicing * Psychology. This book's most wonderful feature is the depth and breadth of research which has gone into each facet. The culmination of this research is a bibliography of such wealth as to be a required reading list for all interested in early childhood education. This book should be read and studied by all teachers, parents, and students of Suzuki as well as all people interested in the growing field of early childhood education.
An in depth study of the most superlative violin performers and teachers in history. The result of more than eleven years of deep investigation on the subject, this New History is by far the best available in the 21st century. It studies specifically the vibrato and its evolution. A study of the main violin schools of the world, with special emphasis in their evolution, and the direct conexión teacher-pupil. In the course of this history we will see how the great performers became, often, the great masters of new great violinists, who, in their turn, became the teachers of new superlative performers, and so on, in an uninterrupted chain of teacher-pupil intercommunication, the interrelation of whom is carefully studied, to higlight the evolution of the main violin playing schools. For each violinist we give a list of all the valuable instruments they owned and played, i.e. Stradivarius, Guarneri del Gesu, etc.. Such a complete and interesting information is not available in any other history. Contains a list of cassettes we have gathered for the better understanding of our players. Designed to be easily read by everyone, it has not complicated esoteric terms, but is written in plain words that everybody will understand. There is no need to be a professional musican to enjoy it. All you need to be is a music lover. But the main novelty is the sensational discovery of the real founder of the modern-vibrato violin school, with all kind of evidence, even written authentic letters that attest to it. This violinst is unknown in the present time. Contains very useful graphs of all the main schools, for an easy understanding of their evolution. Contains an encyclopaedia of all terms and names of the book that are not sufficently explained in it. Here the reader will be acquainted with the meaning of many musical terms that, although well know to musicians, are not so much known to others, who not being musicians, are, nevertheless, music lovers. But the encyclopaedia contains much more than that: men of letters, politicians, personalities, singers, pianists, composers, painters, etc. are duly explained in it. Done with loving care it sometimes surpasses its parent the book. Contains five sensational, unpublished, autographed letters by Kreisler, that will make readers tremble, plus the contentent of many other unpublished ones, by the most important musicians of the second half of the XIX century. Contains a series of very captivating collateral disquisitions on Modern abstract art; composer versus interpreter; the use of ornamentation; the easiness to reed music; Ingres and his violi; lisztomania and others. In a word, this "New history" is new because: It studies in depth the vibrato and its evolution. Links teachers to pupils, who become teacher in their turn, in a comprehensive general outlook of schools' evolution. It provides us with the list of all the valuable instruments of all our fiddlers. Contains a list of recommended cassettes, as musical examples. Easy to understand by every one, it avoids esoteric, pedantic terminology, and is written in plain laguage. It discovers, for the first time in history, the true founder of the vibrato, with all sort of evidence. With useful graphs of the main schools. Contains an encyclopaedia, which no other book of the genre has. The autographed unpublished letters of Kreisler will give the creeps to the reader. Contains a series of disquisitions on ornamentations; easiness to read music; composer versus interpreter; abstracat art; Ingres and his violin; Lisztomania and others, plus abundant, moving, anecdotes that distract and relax the attention of the reader.
A revolutionary new understanding of the mind is transforming the field of performance psychology, making it easier than ever before for musicians to bring out the best in themselves and make music as nature intended. Not only that, but it offers renewed hope for sufferers of anxiety, depression and a whole host of other psychological disorders.
This book/CD set is the first method ever for learning Gypsy Jazz Violin in the style of Stéphane Grappelli. Have you, too, often listened to Grappelli's solos thinking "I wish I could do that, but it is way over my head?" Here is the answer. Simple theory, licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations, which you can try out with the swinging guitar-bass playalong CD rhythm section. Then prepare to tackle six classic Stéphane Grappelli solos, annotated and analyzed for your understanding. to grasp the finesses of sound and timing, there are many sample licks and solos by Tim Kliphuis on the CD as well. It is assumed the student reads music and has a basic command of the instrument.•