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The thrilling true story of the daring female aviators who helped the United States win World War II--only to be forgotten by the country they served. When Japanese planes executed a sneak attack on Pearl Harbor in December 1941, Cornelia Fort was already in the air. At twenty-two, Cornelia had escaped Nashville's debutante scene for a fresh start as a flight instructor in Hawaii. She and her student were in the middle of their lesson when the bombs began to fall, and they barely made it back to ground that morning. Still, when the U.S. Army Air Forces put out a call for women pilots to aid the war effort, Cornelia was one of the first to respond. She became one of just over 1,100 women from across the nation to make it through the Army's rigorous selection process and earn her silver wings. In The Women with Silver Wings, historian Katherine Sharp Landdeck introduces us to these young women as they meet even-tempered, methodical Nancy Love and demanding visionary Jacqueline Cochran, the trailblazing pilots who first envisioned sending American women into the air, and whose rivalry would define the Women Airforce Service Pilots. For women like Cornelia, it was a chance to serve their country--and to prove that women aviators were just as skilled and able as men. While not authorized to serve in combat, the WASP helped train male pilots for service abroad and ferried bombers and pursuits across the country. Thirty-eight of them would not survive the war. But even taking into account these tragic losses, Love and Cochran's social experiment seemed to be a resounding success--until, with the tides of war turning and fewer male pilots needed in Europe, Congress clipped the women's wings. The program was disbanded, the women sent home. But the bonds they'd forged never failed, and over the next few decades, they came together to fight for recognition as the military veterans they were--and for their place in history.
The Soviet Union was the first country in the world to declare women equal to men. At the same time, cinema was emerging as the newest and most accessible form of popular entertainment, and as a powerful tool in propagandizing the Party line. This book looks at the interaction between these two phenomena: at the extent to which women's new status and roles were reflected and promoted on Soviet screens throughout the country's history. Part I, written by Lynne Attwood, provides an essential framework for readers unfamiliar with Soviet studies. It offers a lucid and lively account of the milestones in Soviet history, the importance of film within this history and the changing images and experiences of Soviet women within both cinema and society. In Parts II and III, women from the former Soviet Union - film critics, directors, camera-operators and script-writers - relate their own experiences in the film industry, and their responses to the images of women portrayed on screen. This crisply-written book, illustrated with evocative photographs from Soviet films, will provide readers with a real insight into the relationship between women and film in the Soviet Union.
The construction of the Panama Canal is typically viewed as a marvel of American ingenuity. What is less visible, and less understood, is the project’s dependence on the labor of Black migrant women. The Silver Women shifts the focus of this monumental endeavor to the West Indian women who travelled to Panama, inviting readers to place women’s intimate lives, choices, grief, and ambition at the center of the economic and geopolitical transformation created by the construction of the Panama Canal and U.S. imperial expansion. Joan Flores-Villalobos argues that Black West Indian women made the canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans. But while also subject to racial discrimination and segregation, West Indian women mostly worked outside the umbrella of U.S. canal authorities. They did not hold contracts, had little access to official services and wages, and received pay in both silver and gold. From this position, they found ways to skirt, and at times subvert, the legal, moral, and economic parameters imperial authorities sought to impose on the migrant workforce. West Indian women developed important strategies of claims-making, kinship, community building, and market adaptation that helped them navigate the contradictions and violence of U.S. empire. In the meantime, these strategies of social reproduction nurtured further West Indian migrations, linking Panama to places like Harlem and Santiago de Cuba. The Silver Women is thus a history of Black women’s labor of social reproduction as integral to U.S. imperial infrastructure, the global Caribbean diaspora, and women’s own survival.
Unearths the female face of heroism and asks: What is the female hero's journey? How do women undertake the twin quests of healing and empowerment? And how can heroic women help reshape our world? Charts the contemporary woman's hero-path through the poignant stories of women she has studied. From their histories, she has fashioned a new framework for understanding life's events, and shows women how to devise new archetypes of heroism out of their own experiences. The women described are young and old, rich and poor, of all races and faiths. They set forth on their journeys in different circumstances: a stifling marriage, single parenthood, and an alcoholic family.
History is full of fascinating stories of colorful characters, but some of the most interesting parts of history are really odd. You have probably seen scenes of government officials with their powdered white wigs, but in 1700s England and high-society in the American colonies, women created towering hairstyles. Decorations such as ships and flowers were sometimes added to their hairdos, especially if attending a big party. Taking hours to create, women used beef tallow and sugar-water to keep their hairdos in place. This fictional account explains a very real fashion trend and the problems it created for women trying to look stylish!
Becca Thornton, divorced, middle-aged, and barely out of the closet, discovers that life can still hold some strange surprises, when she discovers that her body is changing; menopause turns her into a werewolf. Apparently she is not the only one, as a number of women in her town of Wolf's Point seem to have had the same experience. As the newest member of the pack, Becca learns her nights are not spent only protecting the town and running through the woods howling at the moon. There are werewolf hunters in town and they've got Becca in their sights.
A Paranormal Women’s Fiction (PWF) that’ll have you walking on air! Luella Campbell is having the weirdest day ever. Getting fired from her job at the sunscreen factory for no good reason is bad enough, but when a mysterious dog brings a tempest into her former workplace, Luella’s life is completely upended by the sudden gift of wild and windy magical powers. With the help of her ride-or-die best friends, her motorcycle-riding mother, and a romantic blast from the past, Luella must find a way to make ends meet while unlocking the mysteries of her newfound magic... and the secrets hidden in the picturesque town of Sparkle Beach. Sometimes, an empty nest means it’s your turn to fly. For fans of paranormal women’s fiction, paranormal cozy mystery, cozy fantasy, urban fantasy, paranormal romance, magic, witches, friendship, family, animal familiars, and love!
Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.
Enjoy this first book in a paranormal women's fiction later-in-life romance series by USA Today bestselling author Jennifer L. Hart for FREE! A quintessential soccer mom. A motorcycle-riding wild child. With two sisters like that, she could have done without provoking the dark fae… Alys Stevens is running out of familiar road. Approaching the same age as her mother’s death and muddling through a messy divorce, the forty-something home renovator has lost the control she so deeply craves. So when her siblings show up demanding a girl’s night full of fun, the three brew up an ancient family cocktail… and accidentally unleash powerful magic. Baffled as the sisters develop uncanny powers, Alys watches as a sinkhole swallows her vexing ex-husband’s car. Poking around in her family’s witchy tree for answers attracts the attention of a too-sexy, too-young, and much too-sexy for his fur alpha werewolf. Who claims Alys is his destined mate. Can the newest in a long line of witches refurbish her run-down destiny, or will magic tear her to shreds? Witch Way After Forty is the charming first book in the Silver Sisters paranormal women’s fiction romance series. If you like endearing characters, fated mates, and steamy scenes, then you’ll love Jennifer L. Hart’s midlife magical adventure. Read all of the Silver Sisters PWF Series Book 1: Witch Way After Forty Book 2: Witch Way Did She Go Book 3: Witch Way is Up Book 4: Jingle All the Witch Way Book 5: Witch Way Today Book 6: Witch Way Tomorrow Book 7: Witch Way Ever After Fans of the following authors are known to enjoy this later-in-life slow burn pwf romance series: K.F. Breene, Shannon Mayer, and Robyn Peterman.
A fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. Schuler focuses upon the extraordinary lives and work of eight Russian actresses.