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Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.
The result of over a decade of study, this work presents in 423 pages a vast range of new material on a super-series of coins which uniquely bridges Hindu and Islamic India from the 7th century CE onwards; its interpretations open a whole new horizon in the numismatic history of early medieval India. The book comprehensively examines the nature and historical context of the earliest native tiny silver dammas as well as all their various Islamic and Hindu descendants, traversing the early coinages of Sindh, Punjab and ancient Gandhara, as well as the later Sindhi, Multani and Ghaznavid types, and subsequent coins from north-western and central India, covering the period from about 600 to 1100 CE. A survey of later coins from western, central and south India is included in the Addendum to the main work for the sake of completeness and to demonstrate the pervasiveness of the tiny silver damma over time and throughout India. Comprehensive descriptions, translations and historical notes are provided for every one of the hundreds of coin types, together with illustrations of one or more specimens of each, including line drawings where appropriate. Selected reviews: "This book opens up a whole new horizon in early medieval monetary history... a key resource, of interest to a wide range of numismatic, historical and economic researchers and writers... It offers a wealth of new information, a most impressive corpus that will serve to guide and inform us for many years." - John S. Deyell, author of "Living Without Silver" "Fishman and Todd lead us along the difficult trail of the silver damma of western India, an important coinage series that brought together the worlds of India and the Middle East in the medieval period. In thirteen dense chapters, they offer a significant description and understanding of the complex numismatics, especially the three dot coinage of Multan, but their study also raises important issues concerning the socioeconomic foundations of this critical period when major portions of India participated as equal partners in the maritime and overland commerce of the Caliphates. The book is highly recommended for professional numismatists, collectors, and scholars of the medieval period." - Derryl N. MacLean, author of "Religion and Society in Arab Sind," Simon Fraser University "Fishman and Todd have produced an analysis and catalog of silver dammas that would have been unthinkable just a decade or two ago. These once obscure and poorly understood gems have a wealth of meaningful history attached, sure to entice the interest of coin collectors and historians." - Stephen Album, author of "Checklist of Islamic Coins"
This book examines knowledge traditions that held together the fluid and overlapping maritime worlds of the Indian Ocean in the premodern period, as evident in the material and archaeological record. It breaks new ground by shifting the focus from studying cross-pollination of ideas from textual sources to identifying this exchange of ideas in archaeological and historical documentation. The themes covered in the book include conceptualization of the seas and maritime landscapes in Sanskrit, Arabic and Chinese narratives; materiality of knowledge production as indicated in the archaeological record of communities where writing on stone first appears; and anchoring the coasts, not only through an understanding of littoral shrines and ritual landscapes, but also by an analysis of religious imagery on coins, more so at the time of the introduction of new religions such as Islam in the Indian Ocean around the eighth century. This volume will be of great interest to researchers and scholars of archaeology, anthropology, museum and heritage studies, Indian Ocean studies, maritime studies, South and Southeast Asian studies, religious studies and cultural studies.
This volume focuses on Latin America, since it was mainly there that Europeans (or their colonial descendants) actually engaged in mining in the 16th-19th centuries; elsewhere they traded metals mined by others. The principal metals produced, and in prodigious quantities, were silver, in the Spanish colonies, and gold, mainly in Brazil in the 18th century. These articles analyse the volume and pattern of production and the forms of labour found in mining. Particular attention is given to the technologies of extraction and refining, notably the adoption of the mercury amalgamation process: this had a major impact, driving down silver production costs; because the mercury mines were a royal monopoly, it also handed control to the Spanish crown.
This volume is the first tangible result of an international project initiated by the International Institute for Asian Studies (IIAS) with the aim of compiling a bibliographic database documenting publications on South and Southeast Asian art and archaeology. The bibliographic information, over 1,300 records extracted from the database, forms the principal part of this publication. It is preceded by a list of periodicals consulted and followed by three types of indexes which help users to find their way in the ABIA South and Southeast Asian Art and Archaeology Index (ABIA Index). The detailed bibliographic descriptions, controlled keywords and many elucidating annotations make this reference work into an indispensable guide to recent scholarly work on the prehistory and arts of South/Southeast Asia.