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Southern Cunning is a journey through the folklore of the American South and a look at the power these stories hold for modern witches. Through the lens of folklore, animism, and bioregionalism the book shows how to bring rituals in folklore into the modern day and presents a uniquely American approach to witchcraft born out of the land and practical application.
Witchcraft and magic in America is an inherently multicultural experience and the folklore of our ancestors from every country converges here at a crossroads. It’s a complicated history; one of uncertainty and fear, displacement and enslavement, merging and migration. Our ancestors may not have agreed on how they saw the world or the magic that inhabits the world, but they shared a very real fear of Witches. Hags, Devils, charms and spells; witchery is rooted in our deepest superstitions and folklore. The traditions of people and their cultures stretch and intersect across the country and this is where the unique traditions of American witchcraft and magic are born. As practitioners seek to revive and reconstruct the paths of our ancestors, we’ve begun to trace the interconnected roots of witchcraft folklore as it emerged in the Americas, from the blending of people and their faiths. For multiracial practitioners, this is part of our identity as Americans and as witches of this country. Folkloric American Witchcraft and the Multicultural Experience is an exploration of the folklore, magic and witchcraft that was forged in the New World.
Expanded and revised, this comprehensive guide features magical uses of over 400 herbs and plants from all parts of the world. With over 500,000 copies in print, this reference book is a must for all who perform natural magic. It features illustrations for easy identification of every herb, in addition to common names, use, and rulership.
Is there magic in your junk drawer or in the pieces of a broken china plate? In Conjuring the Commonplace, Laine Fuller and Cory Thomas Hutcheson answer with a resounding, “Yes!” and deftly show you how to incorporate that magic into your everyday. They also point to other hidden treasures in places in your home you may have never thought to look. As the hosts of the long-running podcast New World Witchery, Cory and Laine have shared the folklore and magic of North America and their own magical journeys with listeners. Conjuring the Commonplace continues that conversation, highlighting the folklore of the common objects and the practical ways they have each incorporated these small magics into their lives and how you might too. If you’ve ever questioned whether to toss out that bit of string from a sewing project or wondered what you should know before picking up that shiny penny on the sidewalk, this book is for you.
"Lesley Bannatyne's fascinating book . . . will be widely appealing to anyone who ever wondered where witches, trick-or-treating, and jack-o-lanterns really came from. It is by far the best book on the history of Halloween available today."--Alison Guss, senior producer,"The Haunted History of Halloween," The History Channel"An excellent resource for research into the history of holidays...in the United States...Highly Recommended."--The Book Report"Deserves attention as a recommended library acquisition with years of 'life' to its information."--The Midwest Book Review"Overflows with rich and provocative details of ritual, feasts, superstition, and devilment." --North Carolina Historical ReviewHalloween has evolved from the Celtic celebrations of 2,000 years ago to become today the fastest-growing holiday in the country. This, the only book to completely cover All Hallow's Eve, from its beginnings to the present, examines the ancient origins as well as its traditions and celebrations, from costuming to bobbing for apples. Jack-o-lanterns, black cats, and witches are explained. Ghosts, ghouls, and goblins lurk behind every page.The book traces the contributions of America's immigrants to the holiday, documenting the beliefs each ethnic group has added to the mix. Related recipes, poems, songs, and photos perfectly complement the meticulously documented text. The result is the most educational and entertaining examination of Halloween, its myths, and its truths.
Hoodoo Blues is a Role Playing Game of supernatural beliefs from America's Old South. Players play the ageless, those who have lived through (sometimes suffered through) decades or centuries of Southern history.
The people who live in the Ozark country of Missouri and Arkansas were, until very recently, the most deliberately unprogressive people in the United States. Descended from pioneers who came West from the Southern Appalachians at the beginning of the nineteenth century, they made little contact with the outer world for more than a hundred years. They seem like foreigners to the average urban American, but nearly all of them come of British stock, and many families have lived in America since colonial days. Their material heirlooms are few, but like all isolated illiterates they have clung to the old songs and obsolete sayings and outworn customs of their ancestors. Sophisticated visitors sometimes regard the “hillbilly” as a simple child of nature, whose inmost thoughts and motivations may be read at a glance. Nothing could be farther from the truth. The hillman is secretive and sensitive beyond anything that the average city dweller can imagine, but he isn’t simple. His mind moves in a tremendously involved system of signs and omens and esoteric auguries. He has little interest in the mental procedure that the moderns call science, and his ways of arranging data and evaluating evidence are very different from those currently favored in the world beyond the hilltops. The Ozark hillfolk have often been described as the most superstitious people in America. It is true that some of them have retained certain ancient notions which have been discarded and forgotten in more progressive sections of the United States. It has been said that the Ozarker got his folklore from the Negro, but the fact is that Negroes were never numerous in the hill country, and there are many adults in the Ozarks today who have never even seen a Negro. Another view is that the hillman’s superstitions are largely of Indian origin, and there may be a measure of truth in this; the pioneers did mingle freely with the Indians, and some of our best Ozark families still boast of their Cherokee blood. My own feeling is that most of the hillman’s folk beliefs came with his ancestors from England or Scotland. I believe that a comparison of my material with that recorded by British antiquarians will substantiate this opinion.