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A radically simple and universally flattering system for getting dressed, from the Emmy Award–winning stylist who turned Fran Drescher of The Nanny into a fashion icon “Brenda’s capsule wardrobe system is a lifesaver. I will never look at my clothes the same way again!”—Fran Drescher, star and co-creator of The Nanny Using your existing clothes plus a splash of something new, The Silhouette Solution provides a method that transforms how you’ll view your wardrobe, your style, and ultimately, yourself. With just four tops, four bottoms, and a few pairs of shoes, Brenda Cooper shows you how to create the foundation for a fabulously functional wardrobe. Regardless of your age, size, body type, or budget, you’ll have a set of modern, versatile, mix-and-match pieces that work for every occasion of your life. Learn how to effortlessly: • Coordinate comfortable, stylish outfits • Discover your true style ID • Accept your body with loving kindness • Reinvent your wardrobe • Know exactly what to shop for • And enjoy a newfound fashion freedom With The Silhouette Solution’s strategy, you’ll get out the door in a fraction of the time, feeling beautiful and at home in your body. That kind of empowerment is always in style!
That Same Old Feeling by Judith Duncan released on May 25, 1994 is available now for purchase.
After the death of her mother, seventh-grader Serena finds herself facing the day-to-day challenges of caring for herself and her younger brother, Henry, all while attempting to lead a normal pre-teen life. Seventh-grader Serena Shaw is trying to keep up at school while rehearsing for the lead role in the spring musical and dealing with a father so "blue" he is nearly catatonic. With the aid of a not-so-secret admirer, as well as a growing sense of self-confidence, she faces the challenges of caring for herself and her ball-of-charm younger brother—all while attempting to lead the life of a normal pre-teen. Readers will be drawn into this convincing portrait of a vivacious young person who is on a path to discovering that taking on responsibility sometimes means finding the best way to ask for help.
"Daddy, what is a white lie?" My father put down his spoon and looked at me thoughtfully. "Why'd you ask, Princess?" "I heard you talking yesterday and you said 'one more white lie isn't going to make a difference.' I just want to know what you meant." "You heard that, huh?" My father tilted his head to study me. "It's just a small lie you tell when you don't want to hurt someone's feelings. It's nothing for you to worry about." My eyes grew wide. "Like when you told Aunt Rena that her pie was good even though it tasted icky?" "Exactly." He smiled. "Or when you told the man last week that you hadn't seen Uncle Bruno and you had?" The Smile fell from his face and he straightened in his chair. "No, Princess, that was a different kind of lie." Scrunching up my nose, I asked, "What kind of lie was that?" My father swallowed hard before replying. "That's the kind of lie where you have to have a real good memory." As an inquisitive child, the woman known as Clarissa Solano, could never have imagined how significant those words would become. That she would spend years twisting the truth: hoping and praying that she would not contradict herself and expose the secrets she keeps locked inside. Most of the people in her life don't really know her at all. She forces them to swallow her lies, but she is the one who feels the bitter aftertaste of deception. When Lane Hunter sweeps into her life, she finds herself opening up in ways she never thought possible. He sees beyond the facade to the woman beneath and knows instantly that he wants her. However, all is not as it seems and when secrets and lies are exposed, it threatens to destroy them all. This is the first book in a series of standalone HEAs"
THE SILHOUETTE MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE SILHOUETTE MCQ TO EXPAND YOUR SILHOUETTE KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.
In 1850, Mellicent "Mellie" Blanchard takes a job at a mill in Manchester, New Hampshire, to help support her family. In search of additional earning opportunities, she approaches a daguerreotype shop owner with the proposal that he hire her to make paper cuttings or silhouette portraits for those who can't afford an expensive daguerreotype. When a particularly charming customer--whose broad smile and twinkling eyes catch her off guard--asks to escort her home, the seeds of romance begin to blossom. All the pieces of her new life seem to have fallen perfectly into place, but when her new venture brings her an unexpected opportunity, she is confronted with the truth that all is not as it seems. Will Mellie, who is keeping secrets of her own, find happiness in the new life she has carved out for herself in the busy mill town?
Can other people notice our affects more easily than we do? In Spaces of Feeling, Marta Figlerowicz examines modernist novels and poems that treat this possibility as electrifying, but also deeply disturbing. Their characters and lyric speakers are undone, Figlerowicz posits, by the realization that they depend on others to solve their inward affective conundrums—and that, to these other people, their feelings often do not seem mysterious at all. Spaces of Feeling features close readings of works by Virginia Woolf, James Baldwin, John Ashbery, Ralph Ellison, Marcel Proust, F. Scott Fitzgerald, Sylvia Plath, and Wallace Stevens. Figlerowicz points out that these poets and novelists often place their protagonists in domestic spaces—such as bedrooms, living rooms, and basements—in which their cognitive dependence on other characters inhabiting these spaces becomes clear. Figlerowicz highlights the diversity of aesthetic and sociopolitical contexts in which these affective dependencies become central to these authors' representations of selfhood. By setting these novels and poems in conversation with the work of contemporary theorists, she illuminates pressing and unanswered questions about subjectivity.
Grade level: 1, 2, 3, 4, 5, 6, t.
From one of our most astute contemporary writers, Amy Wilentz, comes an irreverent, inventive portrait of the state of California and its unlikely governor, Arnold Schwarzenegger. The prizewinning author, a lifelong easterner and an outsider in the West, takes the reader on a picaresque journey from exclusive Hollywood soirees to a fantasy city in the Mojave desert, from the La Brea Tar Pits to celebrity-besotted Sacramento, from the tents of Skid Row to surf-drunk Malibu, from a snowbird retreat near Mexico to the hippie preserve of tide-beaten Big Sur, along the way offering up sharp observations on politics, fund-raising, the water supply, the Beach Boys, earthquake preparedness, home economics, catastrophism, movie-star politicians, political movie stars, Charlie Manson, and location scouts who want to rent your house in order to make television commercials for bathroom wall cleansers or Swedish banks. Wilentz moved to Los Angeles from a Manhattan wounded by September 11, only to discover a paradise marred by fire, flood, and mudslides. In what seemed like a joke to her, a Democratic governor nicknamed Gumby was about to be ousted by an Austrian muscleman in a bizarre election promoted by a millionaire whose business was car alarms. Intrigued, she set out to find the essence of the quirky, trailblazing state. During her travels, she spots celebrities but can't quite place them, drops in on famous salons with habitués like Warren Beatty and Arianna Huffington, and visits the neglected office of one very special 9,000-year-old woman. Plunging into the traffic of California, Wilentz noodles out meaning in some of the least likely of places; she sees the political in the personal and the personal in the political. By now an expert on tremors real and imagined, she offers readers on both coasts insights into where California stands today, and America as well.