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Epicoene, or The silent woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. It was originally performed by the Blackfriars Children or Children of the Queen's Revels, a group of boy players, in 1609. It was, by Jonson's admission, a failure on its first presentation; however, John Dryden and others championed it, and after the Restoration it was frequently revived-indeed, a reference by Samuel Pepys to a performance on 6 July 1660 places it among the first plays legally performed after Charles II's ascension. The play takes place in London. Morose, a wealthy old man with an obsessive hatred of noise, has made plans to disinherit his nephew Dauphine by marrying. His bride Epic ne is, he thinks, an exceptionally quiet woman; he does not know that Dauphine has arranged the whole match for purposes of his own. The couple are married despite the well-meaning interference of Dauphine's friend True-wit. Morose soon regrets his wedding day, as his house is invaded by a charivari that comprises Dauphine, True-wit, and Clerimont; a bear warden named Otter and his wife; two stupid knights, La Foole and Daw; and an assortment of "collegiates," vain and scheming women with intellectual pretensions. Worst for Morose, Epic ne quickly reveals herself as a loud, nagging mate."
Ben Jonson (1572?1637), actor, playwright, satirist, and lyric poet, studied under William Camden at Westminster, worked as a bricklayer, served in the army, and was imprisoned twice--once for sedition and once for murder. Epicoene: or, The Silent Woman (1609) is considered one of his greatest comedies, upon which, along with Volpone (1607), The Alchemist (1610), and Bartholomew Fair (1614), his reputation rests. At his death, he was regarded as the leading man of letters in England, and was a major influence on the Cavalier poets, including Robert Herrick, Sir John Suckling, Thomas Carew, and Richard Lovelace. Lester A. Beaurline was professor of English at the University of Virginia. He was an editor of Studies in Bibliography, the works of John Suckling, and (with Fredson Bowers) the plays of Ben Jonson.
This authoritative new edition of "Epicene" locates it precisely in the world of Jacobean wit, court, commerce sexual ambiguity and theatrical innovation which are its own subject-matter.
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These much-studied and frequently performed comedies by the great Elizabethan playwright satirize the greed, mendacity, gullibility, and pretension that Jonson saw rampant in 17h-century London society. Both plays feature colorful characters, ingenious plotting, biting wit, and sharp insight into human nature. This is the only edition to include both plays in one, inexpensive volume.