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The first full-length biography of the longtime secret love of the celebrated poet T. S. Eliot, Emily Hale, called "heartbreaking" by Publishers Weekly. In January 2020, the T. S. Eliot estate finally opened the largest and most eagerly awaited cache of new materials written by the Nobel-Prize-winning poet: the 1,131 letters he sent Emily Hale, his little-known American love. But even as Eliot scholars explore Hale’s impact on Eliot’s work, a tantalizing question has not been fully answered: who was Emily Hale? Sara Fitzgerald’s The Silenced Muse: Emily Hale, T. S. Eliot, and the Role of a Lifetime is the first full-length biography devoted to Hale, telling her side of a complicated relationship. Based on the embargoed letters and Fitzgerald’s extensive research into Hale’s life and times, this book brings to light that Hale was much more than just a muse to a literary celebrity. Hale overcame personal hardship to pursue a career as a professor of speech and drama at prominent American women’s colleges and schools. She was a talented amateur actress and director, sharing the stage with others who went on to notable professional careers. Behind the scenes, she also guided Eliot as he began to explore playwriting with works such as Murder in the Cathedral. Hale’s story is challenging to wholly uncover because the Boston clergyman’s daughter was by nature reticent and humble. More critically, Eliot arranged for nearly all of her letters to be destroyed. The Silenced Muse finally reveals that Hale’s story is not that of a lover scorned, but rather a woman who was herself gifted and celebrated by her students and peers.
Examines speech loss across all of Ovid's writings and the ways that motif is explored, developed, and modified in the poet's work after his exile from Rome.
The Silenced Muse is the first full-length biography of Emily Hale, the longtime secret love of celebrated poet T. S. Eliot. This compelling story of the amateur actress and university professor finally tells Hale's side of the relationship, drawing on the 1,131 letters that Eliot sent Hale that were only recently made available to the public.
This book provides the first comprehensive account of multilineage-differentiating stress-enduring (Muse) cells, a pluripotent and non-tumorigenic subpopulation of mesenchymal stem cells (MSCs) that have the ability to detect damage signals, migrate to damaged sites, and spontaneously differentiate into cells compatible with the affected tissue, thereby enabling repair of all tissue types. The coverage encompasses everything from the basic properties of Muse cells to their tissue repair effects and potential clinical applications—for example, in acute myocardial infarction, stroke, skin injuries and ulcers, renal failure, and liver disease. An important technical chapter provides a practical and precise protocol for the isolation of Muse cells, which will enable readers to use Muse cells in their own research. In offering fascinating insights into the strategic organization of the body’s reparative function and explaining how full utilization of Muse cells may significantly enhance the effectiveness of MSC treatment, the book will be of high value for Ph.D. students, postdocs, basic researchers, clinical doctors, and industrial developers.
These essays assess the nature of nuclear war literature from a variety of perspectives. Scholars, activists, novelists, poets, and teachers challenge nuclear ideologies and traditional readings of apocalyptic texts. Included: Holocaust literature of the 1950s, Michael Dorris and Louise Erdrich, poetry and nuclear war, Riddley Walker, Fiskadoro, haiku and Hiroshima, Kopit's End of the World, O'Brien's The Nuclear Age, and Vonnegut's cataclysmic novels.
In the summer of 2016 acclaimed archaeologist Richard Freund and his team made news worldwide when they discovered an escape tunnel from the Ponar burial pits in Lithunia. This Holocaust site where more than 100,000 people perished is usually remembered for the terrible devastation that happened there. In the midst of this devastation, the discovery of an escape tunnel reminds us of the determination and tenacity of the people in the camp and the hope they continued to carry. The Archaeology of the Holocaust takes readers out to the field with Freund and his multi-disciplinary research group as they uncover the evidence of the Holocaust, focusing on sites in Lithuania, Poland, and Greece in the past decade. Using forensic detective work, Freund tells the micro- and macro-histories of sites from the Holocaust as his team covers excavations and geo-physical surveys done at four sites in Poland, four sites in Rhodes, and 15 different sites in Lithuania with comparisons of some of the work done at other sites in Eastern Europe. The book contains testimonies of survivors, photographs, information about a variety of complementary geo-science techniques, and information gleaned from pin-point excavations. It serves as an introduction to the Holocaust and explains aspects of the culture lost in the Holocaust through the lens of archaeology and geo-science.
Throughout history the poetic muse has tended to be (a passive) female and the poet male. This dynamic caused problems for late Victorian and twentieth-century women poets; how could the muse be reclaimed and moved on from the passive role of old? Parker looks at fin-de-siècle and modernist lyric poets to investigate how they overcame these challenges and identifies three key strategies: the reconfiguring of the muse as a contemporary instead of a historical/mythological figure; the muse as a male figure; and an interchangeable poet/muse relationship, granting agency to both.
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
In the neon-drenched Spired City, where artists wield brushes like swords and melodies are weapons of light, a shadow whispers. The Muse, manipulator of minds and weaver of despair, has retreated, but its melody still lingers, a discordant echo in the city's triumphant symphony. Eleanor, the conductor of this luminous defiance, faces a new challenge. Cracks have appeared in the city's once-united front, whispers of doubt slithering through alleyways and studios. Can she rekindle the spark of creativity in each artist's soul, forging a melody of resilience stronger than ever before? Meanwhile, beyond the city's vibrant walls, an enigmatic figure emerges from the shadows. A stranger with eyes like molten gold and a touch that breathes life into forgotten dreams. Is she an ally, drawn by the city's defiant symphony, or something more sinister, a pawn in the Muse's insidious game? Will you venture deeper into the heart of the city, where artists grapple with self-doubt and rediscover their creative fire? Or will you join the enigmatic stranger on a perilous journey into the Muse's domain, unraveling the secrets of its power and facing the darkness head-on? The next movement of the waltz awaits, a thrilling collision of light and shadow, defiance and despair. Choose your path, dear reader, and let the symphony of your imagination guide you forward.