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September 1905. At the heart of the Ottoman Empire, in the ancient city of Smyrna, Scheherazade is born to an opium-dazed mother. At the very same moment, an Indian spy sails into the golden-hued, sycamore-scented city with a secret mission from the British Empire. When he leaves, 17 years later, it will be to the smell of kerosene and smoke as the city, and its people, are engulfed in flames. Told through the intertwining fates of a Levantine, a Greek, a Turkish and an Armenian family, this unforgettable novel reveals a city, and a culture, now lost to time. 'Fiercely intelligent, finely textured and achingly beautiful' Elif Shafak 'Utterly delightful' Buki Papillon 'This rich tale of love and loss gives voice to the silenced, and adds music to their histories' Maureen Freely, Chair, English PEN 'A must-read' Ayse Arman, Hu ̈rriyet 'A symphony of literature' Açik Radyo 'Defne Suman is a story-teller. She tells the story of how love, emotions and identities are influenced by socio-political events of a lifetime' Cumhuriyet Newspaper 'A wonderfully braided story of family secrets set in the magical city of Smyrna, told in luminous prose' Lou Ureneck, author of Smyrna, September 1922
On an orange-tinted evening in September 1905, Scheherazade is born to an opium-dazed mother in the ancient city of Smyrna. At the very same moment, a dashing Indian spy arrives in the harbour with a secret mission from the British Empire. He sails in to golden-hued spires and minarets, scents of fig and sycamore, and the cries of street hawkers selling their wares. When he leaves, seventeen years later, it will be to the heavy smell of kerosene and smoke as the city, and its people, are engulfed in flames. But let us not rush, for much will happen between then and now. Birth, death, romance and grief are all to come as these peaceful, cosmopolitan streets are used as bargaining chips in the wake of the First World War.
At the heart of the Ottoman Empire, in the ancient city of Smyrna, a devastating moment determines the fates of four families. On an orange-tinted evening in September 1905, Scheherazade is born to an opium-dazed mother in the ancient city of Smyrna. At the very same moment, a dashing Indian spy arrives in the harbour with a secret mission from the British Empire. He sails in to golden-hued spires and minarets, scents of fig and sycamore, and the cries of street hawkers selling their wares. When he leaves, seventeen years later, it will be to the heavy smell of kerosene and smoke as the city, and its people, are engulfed in flames. But let us not rush, for much will happen between then and now. Birth, death, romance and grief are all to come as these peaceful, cosmopolitan streets are used as bargaining chips in the wake of the First World War.
Told from four different perspectives, At the Breakfast Table is a story of hidden histories and family secrets, from the author of The Silence of Scheherazade. Buyukada, Turkey, 2017. In the glow of a late summer morning, family gather for the 100th birthday of the famous artist Shirin Saka. It ought to be a time of fond reminiscence, looking back on a long and fruitful artistic career, on memories spanning almost a century. But the deep past is something Shirin has spent a lifetime trying to conceal. Her grandchildren, Nur and Fikret, and great-grandchild, Celine, do not know what she's hiding, though they are intimately aware of the secret's psychological consequences. The siblings invite family friend and investigative journalist Burak along to interview Shirin – in celebration of her centenary, and also in the hope of persuading her to open up. Eventually Shirin begins to express her pain the only way she knows how. She paints a story onto her dining room wall, revealing a history wiped from public consciousness and generations of her family's history. 'Fiercely intelligent, finely textured and achingly beautiful.' Elif Shafak
The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
"Denied by his father, abandoned by his mother, Adam has been in flight from his past for twenty years--until he returns to investigate the possible murder of his father by one of the church members."--Jacket.
“Paul Tran’s debut collection of poems is indelible, this remarkable voice transforming itself as you read, eventually transforming you.” —Alexander Chee, author of How to Write an Autobiographical Novel “This powerful debut marshals narrative lyrics and stark beauty to address personal and political violence.” —New York Times Book Review A profound meditation on physical, emotional, and psychological transformation in the aftermath of imperial violence and interpersonal abuse, from a poet both “tender and unflinching” (Khadijah Queen) Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.
A Goodreads Choice Awards Finalist for Best Fiction and Best Debut • BookBrowse's Best Book of the Year • A Marie Claire Best Women's Fiction of the Year • A Real Simple Best Book of the Year • A PopSugar Best Book of the Year • A New York Times Book Review Editors’ Choice • A Washington Post 10 Books to Read in March • A Newsweek Best Book of the Summer • A USA Today Best Book of the Week • A Washington Book Review Difficult-To-Put-Down Novel • A Refinery 29 Best Books of the Month • A Buzzfeed News 4 Books We Couldn't Put Down Last Month • A New Arab Best Books by Arab Authors • An Electric Lit 20 Best Debuts of the First Half of 2019 • A The Millions Most Anticipated Books of the Year “Garnering justified comparisons to Khaled Hosseini’s A Thousand Splendid Suns... Etaf Rum’s debut novel is a must-read about women mustering up the bravery to follow their inner voice.” —Refinery 29 The New York Times bestseller and Read with Jenna TODAY SHOW Book Club pick telling the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community. "Where I come from, we’ve learned to silence ourselves. We’ve been taught that silence will save us. Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of—dangerous, the ultimate shame.” Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children—four daughters instead of the sons Fareeda tells Isra she must bear. Brooklyn, 2008. Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family—knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.
A rich exploration of the importance of books and libraries in the ancient world that highlights how humanity’s obsession with the printed word has echoed throughout the ages • “Accessible and entertaining.” —The Wall Street Journal Long before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of earth to bring them back. When Mark Antony wanted to impress Cleopatra, he knew that gold and priceless jewels would mean nothing to her. So, what did her give her? Books for her library—two hundred thousand, in fact. The long and eventful history of the written word shows that books have always been and will always be a precious—and precarious—vehicle for civilization. Papyrus is the story of the book’s journey from oral tradition to scrolls to codices, and how that transition laid the very foundation of Western culture. Award-winning author Irene Vallejo evokes the great mosaic of literature in the ancient world from Greece’s itinerant bards to Rome’s multimillionaire philosophers, from opportunistic forgers to cruel teachers, erudite librarians to defiant women, all the while illuminating how ancient ideas about education, censorship, authority, and identity still resonate today. Crucially, Vallejo also draws connections to our own time, from the library in war-torn Sarajevo to Oxford’s underground labyrinth, underscoring how words have persisted as our most valuable creations. Through nimble interpretations of the classics, playful and moving anecdotes about her own encounters with the written word, and fascinating stories from history, Vallejo weaves a marvelous tapestry of Western culture’s foundations and identifies the humanist values that helped make us who we are today. At its heart a spirited love letter to language itself, Papyrus takes readers on a journey across the centuries to discover how a simple reed grown along the banks of the Nile would give birth to a rich and cherished culture.
"[Savaş] writes with both sensuality and coolness, as if determined to find a rational explanation for the irrationality of existence..." -- The New York Times "I fell in love with this book." -- Katie Kitamura, author of A Separation A mesmerizing novel set in Paris and a changing Istanbul, about a young Turkish woman grappling with her past and her complicated relationship with a famous British writer. After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories. A wise and unguarded glimpse into a young woman's coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can't escape.