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The Silence Living in Houses unlocks the doors to houses of secrets and dreams where ghosts of the past are more real than the living. In unsettling poems rich with intrigue, Esther Morgan traces the presence of those whose stories are fading like the wallpaper: the servant girl who smashed the dinner service and disappeared; the sisters whose macabre end is still spoken of in whispers; the mistress who breathes sweet nothings from behind the roses. At the heart of the book is the darkest of interiors where the threat and practice of violence forges a bond as unbreakable as the Mafia's code. But not all these houses are unsafe: the final poems summon up the haunted blood of family, revealing how what remains unspoken is as much concerned with love as it is with loss.
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
Written by a young human rights worker, "Silence on the Mountain" is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala's 36-year internal war, a conflict that claimed the lives of more than 200,000 people.
Who hasn't had the fanthasy of leaving his or her old life behind to start over? What would happen if you gave up your job, city, state, and routine to move to another part of the world? Critically acclaimed writer and aspiring painter James Morgan does just that. Risking everything, he and his wife shed their old, settled life in a lovingly restored house in Little Rock, Arkansas, to travel in the footsteps of Morgan's hero, the painter Henri Matisse, and to find inspiration in Matisse's fierce struggle to live the life he knew he had to live. Part memoir, part travelogue, and part biography of Matisse, Chasing Matisse proves that you don't have to be wealthy to live the life you want; you just have to want it enough. Morgan's riveting journey of self-discovery takes him, and us, from the earthy, brooding Picardy of Matisse's youth all the way to the luminous Nice of the painter's final years. In between, Morgan confronts, with the notebook of a journalist and the sketchpad of an artist, the places that Matisse himself saw and painted: bustling, romantic Paris; windswept Belle-île off the Brittany coast; Corsica, with its blazing southern light; the Pyrénees village of Collouire, where color became explosive in Matisse's hands; exotic Morocco, land of the secret interior life; and across the sybaritic French Riviera to spiritual Vence and the hillside Villa Le Rêve -- the Dream -- where the mature artist created so many of his masterpieces. A journey from darkness to light, Chasing Matisse shows us how we can learn to see ourselves, others, and the world with fresh eyes. We look with Morgan out of some of the same windows through which Matisse himself found his subjects and take great heart from Matisse's indomitable, life-affirming spirit. For Matisse, living was an art, and he never stopped striving, never stopped creating, never stopped growing, never stopped reinventing himself. "The artist," he said, "must look at everything as though he were seeing it for the first time." That's the inspiring message of renewal that comes through on every page of Chasing Matisse. Funny, sad, and defiantly hopeful, this is a book that restores our faith in the possibility of dreams.
This story begins when I was much older, worlds away from those early years, and I had a daughter of my own. Im Miranda, and Im living a life Ive prepared myself. But that life never came. My parents worried about me. So did my teachers. Though the safe path was always right in front of me, I kept veering off it into something which did not seem unknown or perilous until it was too late to prevent the damage. My aunts and uncles referred to me as a free spirit and exchanged glances, which suggested in an adult way that they were a little worried about how I was going to turn out. Despite my mothers many attempts at reeducation, I never quite got over that impulse toward wandering and adventure that got me into so much troublenot until the events which form the basis of this story, anyway.
Winner of the PEN Center USA Literary Award for Creative Nonfiction • From the celebrated bestselling author of The House on Mango Street: "This memoir has the transcendent sweep of a full life.” —Houston Chronicle From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her. In this jigsaw autobiography, made up of essays and images spanning three decades—and including never-before-published work—Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.
Winner of the Scott O'Dell Award for Historical Fiction, The Game of Silence is the second novel in the critically acclaimed Birchbark House series by New York Times bestselling author Louise Erdrich. Her name is Omakayas, or Little Frog, because her first step was a hop, and she lives on an island in Lake Superior. One day in 1850, Omakayas’s island is visited by a group of mysterious people. From them, she learns that the chimookomanag, or white people, want Omakayas and her people to leave their island and move farther west. That day, Omakayas realizes that something so valuable, so important that she never knew she had it in the first place, could be in danger: Her way of life. Her home. The Birchbark House Series is the story of one Ojibwe family’s journey through one hundred years in America. The New York Times Book Review raved about The Game of Silence: “Erdrich has created a world, fictional but real: absorbing, funny, serious and convincingly human.”
‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.
THE SILENT SUNSET is a biography of Sirayo Yona Nyeko, born and raised in colonial Uganda, during the middle of the twentieth century. With the advent of the brutal regime of Idi Amin in Uganda, 1971-79, Sirayo sought sanctuary in his own innocence and his faith in mankind, a faith that would be sorely tested with ultimately tragic consequences. His story is just one of the over 300,000 victims of Amin's tyranny, one of the most evil despots of modern history. This book is unique in that it breaks away from the current trend of writing about Amin and instead depicts the brutal real life consequences of the dictator's rule. A first-hand account of one of the victims of Idi Amin. The news about my father first appeared as a headline in the Sunday Times of London in June 1977. The news altered mine and my family's life forever.....