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A Straightforward and Solid Way to Meet 1.e4 With all the many books and articles on the Sicilian Defense, there is surprisingly little about the Four Knights Variation. Its starting position is reached after 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6. It may also be reached after 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e6. Some prefer 2...e6 to 2...Nc6 because it avoids 3.Bb5. The fundamentals of the Sicilian Four Knights are not hard to learn. Black reaches the middlegame quickly and safely, with lively piece play in the dynamic positions which arise. There is no easy ride for White here, and, in particular, if he gets over-ambitious, he can find himself on the receiving end of a powerful attack very quickly. The material is very well structured, and the assessments are objective and backed with accurate analysis which will not cause the reader fatigue by becoming exceedingly elaborate ... But, above all, this is an opening that is definitely sound and this work proves it. It will improve your ability to score against both weaker and stronger opposition, offering clear-cut and occasionally bold play. Author David Willis has done a fine job of clearly presenting the analysis, providing us with comprehensive explanations and sound lines in an opening that deserves more attention and popularity. I can wholeheartedly recommend the Four Knights to all levels of players. – From the Foreword by Vassilios Kotronias About the Author Correspondence senior master David Willis is one of the strongest American correspondence chessplayers. He is also a master in over-the-board play and has been relying on the Sicilian Four Knights as his go-to defense against 1.e4 for years. He lives with his family in San Diego. This is his first book for Russell Enterprises.
A Straightforward and Solid Way to Meet 1.e4 With all the many books and articles on the Sicilian Defense, there is surprisingly little about the Four Knights Variation. Its starting position is reached after 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6. It may also be reached after 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e6. Some prefer 2...e6 to 2...Nc6 because it avoids 3.Bb5. The fundamentals of the Sicilian Four Knights are not hard to learn. Black reaches the middlegame quickly and safely, with lively piece play in the dynamic positions which arise. There is no easy ride for White here, and, in particular, if he gets over-ambitious, he can find himself on the receiving end of a powerful attack very quickly. The material is very well structured, and the assessments are objective and backed with accurate analysis which will not cause the reader fatigue by becoming exceedingly elaborate ... But, above all, this is an opening that is definitely sound and this work proves it. It will improve your ability to score against both weaker and stronger opposition, offering clear-cut and occasionally bold play. Author David Willis has done a fine job of clearly presenting the analysis, providing us with comprehensive explanations and sound lines in an opening that deserves more attention and popularity. I can wholeheartedly recommend the Four Knights to all levels of players. - From the Foreword by Vassilios Kotronias About the Author Correspondence senior master David Willis is one of the strongest American correspondence chessplayers. He is also a master in over-the-board play and has been relying on the Sicilian Four Knights as his go-to defense against 1.e4 for years. He lives with his family in San Diego. This is his first book for Russell Enterprises.
Why is this repertoire called simple? For the simple reason that the variations are straightforward, easy to remember and require little or no maintenance. International Master Christof Sielecki has created a reliable set of lines for chess players of almost all levels. The major objective is to dominate Black in the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines. Unless Black plays something stupid, when tactics are the simplest punishment. Sielecki developed this repertoire working with students who were looking for something that was easy to understand and to learn. Most of the lines he selected are occasionally played by grandmasters, but on the whole they lie outside the mainstream of opening theory. That means that there is hardly any need to monitor theoretical developments. Sielecki always clearly explains the plans and counterplans and keeps you focussed on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.
Fed up having to defend with Black?Annoyed by all those irritating white systems?Then this is the book for you!Russian International Master Alexander Raetsky draws upon his wealth of experience gained playing on the tough international tournament circuit to supply you with an all-in-one solution to your problems. The reader is provided with a complete repertoire for Black against 1 e4, based on the ever-reliable Sicilian Defense. Lines suggested are dependable and promise Black dynamic counterplay. The variations are also easy to learn: this book is especially useful for players who have neither the time nor inclination to learn reams and reams of the latest opening theory. (6 1/4 x 9 1/4, 178 pages, diagrams)
Experienced grandmaster Sergey Kasparov presents a surprising way to combat The Sicilian Defence, Black’s most popular choice against 1.e4. White unbalances the position of his opponent right from the start, gains space and prepares to steamroll his way to victory. This repertoire is complete and contains many new ideas and improvements on existing opening theory. Kasparov writes lively, personal and highly instructive prose, and includes many exercises to test the amateur reader. ,
The Sicilian Defense is the most popular chess opening at every level of tournament play. Here, a multinational line-up of leading experts gives recommendations against their own pet lines in the Sicilian Defense. The authors are all either Grandmasters or International Masters, and readers now have a complete guide to playing with White against the Sicilian.
Learn how to attack in the sharpest lines of the most widely played chess opening! Against most Sicilian variations, White’s sharpest and often best weapon is queenside castling, a strategy that frequently leads to spectacular fireworks. Regrettably, these powerful charges have never been properly categorized. Until this book. In Sicilian Attacks, Grandmaster Yuri Yakovich, who has more than thirty years of experience with complex Sicilian systems, analyses the Najdorf, the Scheveningen, the Dragon, the Taimanov and the Richter-Rauzer Variations. He teaches how their pawn structures dictate typical methods of attack for White, but he also gives the best defending techniques for Black. This book provides cutting-edge analysis full of original ideas, but also contains useful verbal guidelines to help you to recognize typical Sicilian plans and counterplans. An abundance of highly instructive games illustrate the various strategic and tactical themes. At the end of each chapter you will find practical conclusions.
After Mario Puzo wrote his internationally acclaimed The Godfather, he has often been imitated but never equaled. Puzo's classic novel, The Sicilian, stands as a cornerstone of his work—a lushly romantic, unforgettable tale of bloodshed, justice, and treachery. . . . The year is 1950. Michael Corleone is nearing the end of his exile in Sicily. The Godfather has commanded Michael to bring a young Sicilian bandit named Salvatore Guiliano back with him to America. But Guiliano is a man entwined in a bloody web of violence and vendettas. In Sicily, Guiliano is a modern day Robin Hood who has defied corruption—and defied the Cosa Nostra. Now, in the land of mist-shrouded mountains and ancient ruins, Michael Corleone's fate is entwined with the dangerous legend of Salvatore Guiliano: warrior, lover, and the ultimate Siciliano. Praise for The Sicilian “Puzo is a master storyteller.”—USA Today “The Balzac of the mafia.”—Time “An accomplished and imaginative writer.”—Los Angeles Times