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Prabha Sinha, an IT professional in Chennai, is plunged into a murky world of idol theft, murder, and betrayal after she gets a mysterious phone call one night from her old friend Sneha Pillai. As she races to find answers before the people she loves get hurt, she seeks the help of Jai Vadehra, a troubled young man with a tragic past, and the gorgeous DSP Gerard Ratnaraj of the Idol Wing, CID, whom she can't help but be drawn to. Their search takes them from Chennai's newsrooms and universities to the abandoned sepulchral shrine of a Chola queen in the heartland of Tamil Nadu, and nothing, and no one, is as they seem.
This is an edited volume of approximately 17 essays that deal with various types of spontaneous shrines and other, related public memorializations of death. The articles address events such as New York after 9/11; roadside crosses, and the use of 'Day of the Dead' altars to bring attention to deceased undocumented immigrants.
Cole and his friends finally reach the fourth of the five kingdoms, Necronum, land of the dead, where they confront unexpected dangers and meet new allies.
R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has attracted millions of devotees over the past decade. Although condemned by mainstream churches, this folk saint's supernatural powers appeal to millions of Latin Americans and immigrants in the U.S. Devotees believe the Bony Lady (as she is affectionately called) to be the fastest and most effective miracle worker, and as such, her statuettes and paraphernalia now outsell those of the Virgin of Guadalupe and Saint Jude, two other giants of Mexican religiosity. In particular, Chesnut shows Santa Muerte has become the patron saint of drug traffickers, playing an important role as protector of peddlers of crystal meth and marijuana; DEA agents and Mexican police often find her altars in the safe houses of drug smugglers. Yet Saint Death plays other important roles: she is a supernatural healer, love doctor, money-maker, lawyer, and angel of death. She has become without doubt one of the most popular and powerful saints on both the Mexican and American religious landscapes.
What if you really were transported to a fantasy world and expected to kill monsters to survive? No special abilities, no OP weapons, no status screen to boost your stats and no cheat mode. Never mind finding the dragon's treasure or defeating the Demon Lord, you only need to worry about one thing-how to stay alive. A group of teenagers wake up in a strange, fantastical land with creatures from myth and legend. They are given archaic weapons they don't know how to use and told to do their best. Convinced it has to be some kind of virtual reality RPG, all the people summoned form parties and set off on their adventures, leaving behind the people nobody wants in their group. Story of my life, thinks Colin. 'How to Avoid Death on a Daily Basis: Collection One' brings together the first three books in the series. Also contains the bonus short story 'The Glorious Princess.'
Personal and yet utterly universal, inevitable and yet unknowable, death has been a dominant theme in all cultures, since earliest times. Different societies address death and the act of dying in culturally diverse ways; yet, remarkably, across the span of several millennia, we can recognize in the customs of ancient Greece and Rome ceremonies and rituals that have enduring present-day resonance. For example, preparing the corpse of the deceased, holding a memorial service, the practice of cremation and of burial in 'resting places' are all liminal processes that can trace their origin to ancient practices. Such rites - described by Cicero and Herodotus, among others - have defined traditional modern funerals. Yet of late there has been a shift away from classical ritual and sombre memorialization as the dead are transformed into spectacles. Ad hoc roadside shrines, 'virtual' burials, online guest-books and even jazz memorial processions and firework displays have come to the fore as new modes of marking, even celebrating, bereavement. What is causing this change, and how do urbanisation, economic factors and the rise of individualism play a part? Mario Erasmo creatively explores the nexus between classical and contemporary approaches to dying, death and interment. From theme funerals in St Louis to Etruscan sarcophagi, he offers a rich and insightful discussion of finitude across the ages.
Deliberately considering relevant theories put forward by earlier writers and examining them in the light of the research for this particular book, the author spent over 100 days attending funeral ceremonies and he attended 25 burial services. First published in 1962.
Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.
This volume is a study of mortuary customs of the LoDagaa of West Africa, in research for this project the author spent over 100 days attending funeral ceremonies and attended 25 burial services.