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Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 1,7 (A-), University of Hamburg (Anglistics Seminar), course: Seminar 1b, 7 entries in the bibliography, language: English, abstract: The Short Story "On Saturday Afternoon" by Alan Sillitoe is a highly complex piece of literature. It does not merely represent the description of the experiences the narrator has made on one Saturday afternoon but it contains far more: It implies information about the social system the speaker lives in, his family background and his psychology. It would therefore not be very appropriate to make use of only one of the approaches that have so far been developed in order to interpret literature. Thus, in the case of this story it is not the question whether the reader "should" relate the author's biography to the text, consider its intertextuality or try to interpret the text on the basis of its words alone1. For some stories it may be possible to pose and answer this question clearly, but with respect to "On Saturday Afternoon" it is not. Here a "mixture" of different methods offers the best access to the text because it covers more aspects of the story than one single approach does. Consequently, in this term paper I am going to deal with the Short Story "On Saturday Afternoon" by Alan Sillitoe considering the following aspects: The contents of the story, its inner structure and its relation to Sillitoe ́s biography and some of his other works. In doing so I am aware of the fact that it is necessary and inevitable only to focus on certain aspects of the approaches - as the scope of this term paper is restricted- and therefore it is impossible to develop an interpretation which covers every aspect each one of these methods offers. Nevertheless I am convinced that the way I have chosen gains by the interplay of the accesses what it lacks from completeness.
Understanding Alan Sillitoe offers a lucid appraisal of the life and works of the well-known contemporary British writer hailed by critics as the literary descendent of D.H. Lawrence. Known primarily for his novels Saturday Night and Sunday Morning and The Loneliness of the Long-Distance Runner, Sillitoe has written more than 50 books over the last 40 years, including novels, plays, collections of short stories, poems, and travel pieces, as well as more than four hundred essays. In this comprehensive study of the major novels and short stories, Hanson reveals Sillitoe's artistic influences and the dominant thematic concerns of his works.
Out of print for many years, and republished in this new edition, this is the autobiography of the formative years of one of our finest writers. Alan Sillitoe has been critically acclaimed for his many novels and short stories, including the bestsellers 'Saturday Night and Sunday Morning' and 'The Loneliness of the Long Distance Runner'. Sillitoe's early years of council-house penury in Nottingham, followed by evacuation, life in the army, tuberculosis, his rebirth as a polemical angry young man, and the publication of his first books are told with emotion and dexterity. The strong sense of place, whether the Malayan jungle or seedy post-war England, is vivid and enduring, and the story of his life is told in a masterful and poignant yet unsentimental prose. Sillitoe was described by the 'Observer' as a 'master storyteller', and this is the evocative and memorable telling of the physical and mental coming of age of one of our finest and most enduring authors.
Nine classic short stories portraying the isolation, criminality, morality, and rebellion of the working class from award-winning, bestselling author Alan Sillitoe The titular story follows the internal decisions and external oppressions of a seventeen-year-old inmate in a juvenile detention center who is known only by his surname, Smith. The wardens have given the boy a light workload because he shows talent as a runner. But if he wins the national long-distance running competition as everyone is counting on him to do, Smith will only vindicate the very system and society that has locked him up. “The Loneliness of the Long-Distance Runner” has long been considered a masterpiece on both the page and the silver screen. Adapted for film by Sillitoe himself in 1962, it became an instant classic of British New Wave cinema. In “Uncle Ernest,” a middle-aged furniture upholsterer traumatized in World War II, now leads a lonely life. His wife has left him, his brothers have moved away, and the townsfolk treat him as if he were a ghost. When the old man finally finds companionship with two young girls whom he enjoys buying pastries for at a café, the local authorities find his behavior morally suspect. “Mr. Raynor the School Teacher” delves into a different kind of isolation—that of a voyeuristic teacher who fantasizes constantly about the women who work in a draper’s shop across the street. When his students distract him from his lustful daydreams, Mr. Raynor becomes violent. The six stories that follow in this iconic collection continue to cement Alan Sillitoe’s reputation as one of Britain’s foremost storytellers, and a champion of the condemned, the oppressed, and the overlooked. This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate.
Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human evil. In "The Head of Caesar" he is "formerly priest of Cobhole in Essex, and now working in London." He makes his first appearance in the story "The Blue Cross" published in 1910 and continues to appear throughout forty-eight short stories in five volumes, with two more stories discovered and published posthumously, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau. Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross," when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," Father Brown responds: "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states how he knew Flambeau was not really a priest: "You attacked reason. It's bad theology." The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent," "The Oracle of the Dog," "The Blast of the Book" and "The Dagger with Wings," poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, but Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout but considerably educated and "civilised" clergyman. That can be traced to the influence of Roman Catholic thought on Chesterton. Father Brown is characteristically humble and is usually rather quiet, except to say something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural as the greatest reason of all.
Oscar Husson is a young man with an overdeveloped sense of pride. His mother, who has pampered him excessively, places him on a coach to go spend time with a friend of hers to see if Oscar’s prospects can be improved, but Oscar proceeds to make a fool of himself. Suffering the consequences of his humiliation, his mother pulls other strings to land him a lesser job, where Oscar eventually falls flat again. Forced into the military by his circumstances and his lack of other prospects, he finally redeems himself. At its core a bildungsroman, A Start in Life is filled with the types of side characters that inhabit every Balzac story: the rich, the pretenders striving to be rich, the everyman and woman. The novel opens with an extended journey on a French carriage and the claustrophobic conversation that takes place between the passengers; it closes with another, similar, journey years later that includes most of the same travelers. In between are multiple intrigues involving Oscar, written in the vivid style for which Balzac is known. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Written in the sparse, plain language that Sillitoe has made his own, this novel is a mesmerising portrait of an extraordinary individual, aware that he is, in many ways, the last of a dying breed. Originally published: London: Flamingo, 2004.
A post-WWII adventure from the bestselling author of The Loneliness of the Long-Distance Runner. A top-secret mission sends a crew of Royal Air Force veterans from South Africa to the subarctic Kerguelen Islands in this suspense-packed tale of lawlessness, piracy, obsession, and greed. At the helm of the Aldebaran, a huge flying boat, sits the monomaniacal Captain Bennett, a man hell-bent on unearthing a treasure buried by the Germans in the final days of World War II. And on the seaplane’s radio is the young wireless operator Adcock, a man who listens to everything and tries to make sense of it all. The rest of the ex-soldiers on board seek either riches or adventure—but all are fleeing the frustrations and disappointments of their postwar lives. As the voyage takes dangerous turns toward natural and manmade threats, it becomes clear that Captain Bennett is keeping secrets and the Aldebaran is not alone on her quest. Adcock’s morals are soon put to the test, machine guns are mounted on the flying boat’s turrets, and the thirst for gold may cost the crew their lives. Classic kitchen sink realism meets high-flying adventure in this British thriller that goes beyond action and into the depths of human values and motivations in a war-damaged world. Drawing upon Alan Sillitoe’s own wartime experiences as a wireless operator, The Lost Flying Boat is full of aerial heroics, coded messages, shattered dreams, and the will to persevere.