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This is the annotated edition including a rare biographical essay on the life and works of the author. This compilation of Thomas Hardy's short stories is one of the most complete on the book market. Every single story was tracked down and integrated into this book. Hours of enjoyable reading lies ahead of you because Hardy was a real genius among the English fiction writers. From the contents: A Changed Man The Waiting Supper Alicia's Diary The Grave By The Handpost Enter A Dragoon A Tryst At An Ancient Earth Work What The Shepherd Saw: A Tale Of Four Moonlight Nights A Committee-Man Of 'The Terror' Master John Horseleigh, Knight The Duke's Reappearance—A Family Tradition A Mere Interlude The First Countess Of Wessex Barbara Of The House Of Grebe The Marchioness Of Stonehenge Lady Mottisfont The Lady Icenway Squire Petrick's Lady Anna, Lady Baxby The Lady Penelope The Duchess Of Hamptonshire The Honourable Laura The Son's Veto For Conscience' Sake A Tragedy Of Two Ambitions On The Western Circuit To Please His Wife The Melancholy Hussar Of The German Legion The Fiddler Of The Reels A Tradition Of Eighteen Hundred And Four A Few Crusted Characters Tony Kytes, The Arch-Deceiver The History Of The Hardcomes The Superstitious Man's Story Andrey Satchel And The Parson And Clerk Old Andrey's Experience As A Musician Absent-Mindedness In A Parish Choir The Winters And The Palmleys Incident In The Life Of Mr. George Crookhill Netty Sargent's Copyhold An Imaginative Woman The Three Strangers ... and many more ...
This is a short story written by Thomas Hardy was published in Wessex. This tells of a woman, a wife and a mother who aspires to be a poet and who falls in love with a male poet she never meets. As a Victorian realist in the tradition of George Eliot, Thomas Hardy was influenced both in his novels and in his poetry by Romanticism. He was highly critical of much in Victorian society, though Hardy focused more on a declining rural society.
This selection was the third that Hardy collected together himself for publication as a single volume. It reflects the experiences of a novelist who was at the height of his creative powers. The stories are thematically linked by a concern with the diverse problems of marriage.
"See if she is dark or fair, and if you can, notice if her hands be white; if not, see if they look as though she had ever done housework, or are milker's hands like mine." So Rhoda Brook, the abandoned mistress of Farmer Lodge, is jealous to discover details of his new bride in 'The Withered Arm', the title story in this selection of Hardy's finest short stories. Hardy's first story, 'Destiny and a Blue Cloak' was written fresh from the success of Far From the Madding Crowd. Beautiful in their own right, these stories are also testing-grounds for the novels in their controversial sexual politics, their refusal of romance structures, and their elegiac pursuit of past, lost loves. Several of the stories in The Withered Arm were collected to form the famous volume, Wessex Tales (1888), the first time Hardy denoted 'Wessex' to describe his fictional world. The Withered Arm is the first of a new two-volume selection of Hardy's short stories, edited with an introduction and notes by Kristin Brady.
The Golden Age of the English short story lies from its first wide acceptance in the middle of the 19th century until the middle of the 20th. This book celebrates this period through some of the most widely known writers of the time.
From the master of Victorian tragedy, the surprisingly comic adventures of a man caught between romance and religion. When young Mr. Stockdale arrives in a small village to fill in for the Methodist minister, he finds himself pining for his comely new landlady. But she leads a mysterious life, keeping odd hours and speaking in hushed tones. As his love for her grows, he’s soon at the center of a hilarious high-stakes adventure, complete with slapstick, hijinks, and a marauding band of cross-dressers. And he’s forced to choose: follow his heart or his higher purpose? *** This is a Hybrid Book. Melville House HybridBooks combine print and digital media into an enhanced reading experience by including with each title additional curated material called Illuminations — maps, photographs, illustrations, and further writing about the author and the book. The Melville House Illuminations are free with the purchase of any title in the HybridBook series, no matter the format. Purchasers of the print version can obtain the Illuminations for a given title simply by scanning the QR code found in the back of each book, or by following the url also given in the back of the print book, then downloading the Illumination in whatever format works best for you. Purchasers of the digital version receive the appropriate Illuminations automatically as part of the ebook edition.
CHAPTER I. It was half-past four o’clock (by the testimony of the land-surveyor, my authority for the particulars of this story, a gentleman with the faintest curve of humour on his lips); it was half-past four o’clock on a May morning in the eighteen forties. A dense white fog hung over the Valley of the Exe, ending against the hills on either side. But though nothing in the vale could be seen from higher ground, notes of differing kinds gave pretty clear indications that bustling life was going on there. This audible presence and visual absence of an active scene had a peculiar effect above the fog level. Nature had laid a white hand over the creatures ensconced within the vale, as a hand might be laid over a nest of chirping birds. The noises that ascended through the pallid coverlid were perturbed lowings, mingled with human voices in sharps and flats, and the bark of a dog. These, followed by the slamming of a gate, explained as well as eyesight could have done, to any inhabitant of the district, that Dairyman Tucker’s under-milker was driving the cows from the meads into the stalls. When a rougher accent joined in the vociferations of man and beast, it would have been realized that the dairy-farmer himself had come out to meet the cows, pail in hand, and white pinafore on; and when, moreover, some women’s voices joined in the chorus, that the cows were stalled and proceedings about to commence.