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London edition (John Lane) with sloght changes in text and the omission of the last chapter, has title: On the trail; my reminiscences as a cowboy.
Frank Harris (1855/56-1931) was a naturalised American author of British origin, editor, journalist and publisher. He immigrated to the United States in late 1869 and studied at the University of Kansas. Returning to England in 1882, Harris first came to general notice as the editor of a series of London papers including the Evening News, the Fortnightly Review and the Saturday Review. Harris returned to New York during World War I. From 1916 to 1922 he edited the U. S. edition of Pearson s Magazine. In 1922 he travelled to Berlin to publish his best-known work, his autobiography My Life and Loves. Harris also wrote short stories and novels, two books on Shakespeare, a series of biographical sketches in five volumes under the title Contemporary Portraits and biographies of Oscar Wilde and George Bernard Shaw. Amongst his other works are Montes the Matador and Other Stories (1900), The Bomb (1908), The Man Shakespeare (1909) and A Mad Love (1920).
In a collection of personal essays that are “both rip-roaringly funny and sentimental, drawing natural (and justified) comparisons to David Sedaris and David Rakoff” (Esquire), longtime recording artist and actor Sam Harris recounts stories of friendship, love, celebrity, and growing up and getting sober. In sixteen brilliantly observed true stories, Sam Harris emerges as a natural humorist in league with David Sedaris, Chelsea Handler, Carrie Fisher, and Steve Martin, but with a voice uniquely his own. Praised by the Chicago Sun-Times for his “manic, witty commentary,” and with a storytelling talent The New York Times calls “New Yorker– worthy,” he puts a comedic spin on full-disclosure episodes from his own colorful life. In “I Feel, You Feel” he opens for Aretha Franklin during a blizzard. “Promises” is a front-row account of Liza Minnelli’s infamous wedding to “the man whose name shall go unmentioned.” In “The Zoo Story” Harris desperately searches for a common bond with his rough-and-tumble four-year-old son. What better place to find painfully funny material than in growing up gay, gifted, and ambitious in the heart of the Bible belt? And that’s just the first cut: From partying to parenting, from Sunday school to getting sober, these slices of Ham will have you laughing and wiping away salty tears in equal measure with their universal and down-to-earth appeal. After all, there’s a little ham in all of us.
Perfect for family storytime or emergent readers, this affectionate look at the ups and downs of preschoolers in the big city is sure to make you smile. In thirteen brief, illustrated vignettes, young Harris gets into big and little adventures at home, at his best friend Ayana's house, and throughout his diverse city neighborhood. "That's why they call permanent markers permanent," Harris' mother says as she surveys Harris and Ayana's handiwork in his bedroom. Thes short, charming tales-- all inspired by author Amy Schwartz's experiences as a parent-- capture a preschooler's sense of wonder and possibility, as well as the beauty of young friendships. With very short text supported by bright illustrations, this is an excellent storytime choice for young readers beginning to read on their own-- or a great choice to share together with the ones you love. A Junior Library Guild Gold Standard Selection A Bookpage Best Book of the Year A School Library Journal Best Book of the Year A Bank Street Best Childrens Book of the Year!
As it was in Anna Karenina, Madame Bovary, and Othello, so it is in life. Most forms of private vice and public evil are kindled and sustained by lies. Acts of adultery and other personal betrayals, financial fraud, government corruption—even murder and genocide—generally require an additional moral defect: a willingness to lie. In Lying, best-selling author and neuroscientist Sam Harris argues that we can radically simplify our lives and improve society by merely telling the truth in situations where others often lie. He focuses on "white" lies—those lies we tell for the purpose of sparing people discomfort—for these are the lies that most often tempt us. And they tend to be the only lies that good people tell while imagining that they are being good in the process.
A viciously funny and intelligently provocative play about family, friendship and faith, adapted by the author from his Pulitzer-finalist short story. Who in your life would you trust to keep you alive? And who do you know who would risk their own life for yours? Debbie and Lauren were best friends until Lauren became ultra-Orthodox, changed her name and moved to Jerusalem. More than twenty years later, husbands in tow, their Florida reunion descends with painful but hilarious inevitability into an argument about parenthood, marriage, friendship and faith. If you really want to ensure a Jewish future, you should be like me. Good, old-fashioned afraid. Nathan Englander's serious comedy, adapted for the stage from his Pulitzer-finalist short story, received its European premiere at the Marylebone Theatre, London, in October 2024.