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Damon Runyon was born Alfred Damon Runyan on October 4th, 1880, in Manhattan, Kansas. When Runyon was two his father was forced to sell his newspaper, and the family moved further west, eventually settling in Pueblo, Colorado in 1887, where Runyon spent the rest of his youth. By most accounts, he attended school only through the fourth grade and then, seeking a career, moved into the newspaper trade working for his father. In 1898, still a teenager, Runyon sought to broaden his horizons and enlisted in the U.S. Army to fight in the Spanish-American War. After his service he returned to Colorado and worked for several local newspapers. Runyon's expertise was covering the semi-professional teams in Colorado; for a man who would become indelibly linked to sports he endured a notable failure in an attempt to organize a Colorado minor baseball league. It lasted less than a week. In 1910 Runyon moved to New York City to work for the William Randolph Hearst newspaper chain, writing a daily column in The New York American. Here, in his first New York byline, his name was changed once more. The editor decided to drop the "Alfred" and run with the soon to be famous moniker "Damon Runyon." Promoted to be the Hearst newspapers' baseball columnist he developed his trademark knack of spotting the eccentric and the unusual, on the field or in the stands, and Runyon generally re-wrote and revolutionized the way baseball was covered in newspapers and shared this style with its adoring millions of fans. But Runyon was more than a great sports writer. His plays and essays became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in gathering info and actually getting something written just before the deadline hits. And, that pretty much was Runyon's life. In 1938, Runyon developed throat cancer which eventually would leave him unable to speak but not unable to work, which he continued to do so at a ferocious pace. From 1939 to 1943, Runyon pursued a Hollywood career as a writer and producer at MGM, Universal and RKO studios. The work continued to follow from Runyon's pen. Not only some fabulous short stories in his famous "Runyonesque" filled with characters as funny and gritty as anything that could be written but classic books that would endure long after he was gone. Guys & Dolls being merely one; a book, a film, a musical. Alfred Damon Runyon died in New York City on December 10th, 1946 from throat cancer, at age 66.
This volume contains a collection of Damon Runyon's often simultaneously hilarious, sentimental, and horrifying short stories. Full of memorable characters and masterfully composed narrative, these short stories constitute a wonderful addition to any personal library, and are not to be missed by discerning collectors of Runyon's work. The stories contained herein include: Beach of Promise, Romance in the Roaring Forties, Dream Street Rose, The Old Doll's House, Blood Pressure, The Bloodhounds of Broadway, Tobias the Terrible, The Snatching of Bookie Bob, The Lily of St. Pierre, Earthquake, and more. Alfred Damon Runyon (1880 – 1946) was an American newspaperman and author, best remembered for his short stories about the world of Broadway in New York City that resulted from the Prohibition era. This volume is being republished now in an affordable, modern edition complete with a specially commissioned new biography of the author.
This book is about the bond between two legendary journalists, Walter Winchell and Damon Runyon, during the unforgettable era of World War II and the years following. Winchell was a popular radio personality and Runyon was a popular Broadway personality, best known for having written the show 'Guys and Dolls.'
Slick, upbeat and funny, these stories inspired the popular musical and film Guys and Dolls. 'Of all the high players this country ever sees, there is no doubt but that the guy they call the Sky is the highest. He will bet all he has, and nobody can bet any more than this'.
Two New York City street photographers develop a deadly get-rich-quick scheme in this novel from “the grand dame of mystery mixed with screwball comedy” (Ed Gorman). Resourceful Bingo Riggs and his partner, Handsome Kusak, are in the sucker-bait business, snapping candid pics of tourists off Central Park. Their fly-by-night enterprise can be irresistible to souvenir lovers, but with one camera in a pawnshop and their developing room in the bathtub of a two-room dump near Hell’s Kitchen, their venture is wretchedly underexposed—until they stumble upon an insurance fraud scheme between the allegedly dead eccentric Mr. S. S. Pigeon and his business partner and beneficiary. There’s only one way for Bingo and Handsome to muscle in on that half-million-dollar claim: Kidnap Pigeon and blackmail his coconspirator. Unfortunately, their foolproof plan comes with mobsters, a dodgy chorus girl, multiple murders, a refrigerated corpse, and the strange Mr. Pigeon himself, who, it seems, likes being a hostage. In fact, he has no intention of escaping. It’s the surest way to protect his own secret—which could be Bingo and Handsome’s biggest threat. The first mystery writer ever to make the cover of Time magazine, Craig Rice is a “composite of Agatha Christie’s ingenuity, Dashiell Hammett’s speed, and Dorothy Sayers’s wit” (Louis Untermeyer, Gold Medal Award–winning poet). The Sunday Pigeon Murders is the 1st book in the Bingo Riggs and Handsome Kusak Mysteries, but you may enjoy reading the series in any order.
The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children's books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.
"Read this comic... or die. ...The art is beautiful and the slightly off the beaten path story is s#!tloads of fun. put down that superhero book and pick this up!" - Sequential Tart
Classic reprints from: Edith Wharton, Stephen Crane, O. Henry, Irwin Shaw, Jerome Weidman, Damon Runyon, Evan Hunter, Jerrold Mundis, Edgar Allan Poe, Horace Gregory, Geoffrey Bartholomew, Cornell Woolrich, Barry N. Malzberg, Clark Howard, Jerome Charyn, Donald E. Westlake, Joyce Carol Oates, Lawrence Block, Susan Isaacs, and others. Lawrence Block has won most of the major mystery awards and has been called the quintessential New York writer. His series characters--Matthew Scudder, Bernie Rhodenbarr, Evan Tanner, Chip Harrison, and Keller--all live in Manhattan; like their creator, they would not really be happy anywhere else.
When the New York Dolls' bassist died suddenly at age 55 in 2004, he left behind not only their timeless music--and many thousands of fans and friends--but a memoir of the Dolls' early years. This distinctive and extroverted voice of an undisciplined showman is presented with an introduction and epilogue by his widow, Barbara. This up close and personal perspective of the band's early days and late nights--including an instance where he locks himself out of the studio in full drag while tripping on LSD--chronicles the glorious, glamorous era of high times, high drama, and low comedy that captures the music, the style, and the life of the all-too-brief existence of the New York Dolls.