Download Free The Short Fiction Of Ambrose Bierce 1887 To 1893 Book in PDF and EPUB Free Download. You can read online The Short Fiction Of Ambrose Bierce 1887 To 1893 and write the review.

Ambrose Bierce (1842-1914?) has been a widely read, often controversial, author for more than a hundred years, but until now there has been no exhaustive collection of his short fiction. This new edition, both comprehensive and chronological, reveals the broad range of fiction that Bierce mastered. Volume II covers the years 1887 to 1893 and collects nearly 60 pieces, including "A Horseman in the Sky," "Chickamauga," "A Son of the Gods," and "An Occurrence at Owl Creek Bridge."
"Bierce's fables are distinguished for their biting wit and their cynical reflection of the political and social events of his time. Local and national political figures; corrupt lawyers, judges, and clergymen; and even incidents in the Spanish-American War are all mercilessly lampooned. The fables not only testify to Bierce's hatred of "hypocrisy, cant, and all sham" but provide a window into late nineteenth-century American society. S. T.
Ambrose Bierce (1842–1914?) has been a widely read, often controversial, author for more than a hundred years, but until now there has been no exhaustive collection of his short fiction. This new edition, both comprehensive and chronological, reveals the broad range of fiction that Bierce mastered. Readers who expect to find only a writer of grim and shocking stories of war and other horrors will discover that he excelled at other types of tales—humorous, mystical, Gothic, satirical, sentimental, mystery, science fiction, and even love stories. This collection gives readers the opportunity to observe the growth of characteristic themes and techniques in Bierce’s short fiction. A number of the early sketches evidence both the thoughtful moral focus and the technical brilliance of his best work, and here they also can be seen as training exercises for the young writer on his way to the better-known stories of his artistic peak. Although several previous books purport to provide accurate collections of Bierce’s work, none does more than uncritically re-assemble the tales in the heretofore standard Collected Works (1909-1912). This edition will be the new standard. It is the first to include all his known and rediscovered short fiction. Of the 249 items collected in this edition, 1 story (“Alasper”) is unpublished, 58 have not been previously reprinted from the newspapers and magazines in which they originally appeared, and 74 have not been reprinted since their appearance in Bierce’s early volumes. It is also the only edition to be based upon consultation of manuscripts and early printed sources. As a result, textual corrections have been made to some of Bierce’s stories, including two of his best known. Volume III covers the years 1895 to 1910 and includes more than 70 pieces, with “Moxon’s Master,” “Beyond the Wall,” and “The Eyes of a Panther.” A model of careful scholarship, this edition includes selected textual variants, a bibliography of all appearances of the story in Bierce’s lifetime, introductory comments and extensive annotations that provide biographical and other background information, and citations to important works of criticism.
Investigating the relations between American literature of the late nineteenth and early twentieth centuries and the sciences of the brain and the nervous system, this volume shows how literary authors investigated, used and challenged this emerging neurophysiology.
Twenty-four grotesque horror tales written by Ambrose Bierce, the nineteenth-century journalist known for his cynicism
Sixteen dark and vivid tales by great satirist: "A Horseman in the Sky," "An Occurrence at Owl Creek Bridge," "Chicakamauga," "A Son of the Gods," "What I Saw of Shiloh," more. Note.
Donald T. Blume rejects the view that In the Midst of Life, the second volume of Bierce's collected works, is his most important literary work. Instead, he posits that Bierce's original 1892 collection is his most definitive and authoritative opus.
"This is a wonderful collection of authors from America and around the world. Centuries are covered, making this a great resource for English teachers and any lover of literature." — Life Community Church This treasury of one hundred tales offers students and other readers of short fiction a splendid selection of stories by masters of the form. Contributors from around the world include Edgar Allan Poe, Harriet Beecher Stowe, Guy de Maupassant, Charles Dickens, Anton Chekhov, Mark Twain, Saki, Luigi Pirandello, Kate Chopin, and Ring Lardner. The stories, which are arranged chronologically, begin with tales by Daniel Defoe ("The Apparition of Mrs. Veal," 1705), Benjamin Franklin ("Alice Addertongue," 1732), and Washington Irving ("The Devil and Tom Walker," 1824). Highlights from the nineteenth century include Ivan Turgenev's "The District Doctor" (1852), Sarah Orne Jewett's "A White Heron" (1886), Thomas Hardy's "Squire Petrick's Lady" (1891), and Rudyard Kipling's "Wee Willie Winkie" (1899). From the twentieth century come James Joyce's "Araby" (1914), Franz Kafka's "The Judgment" (1916), Virginia Woolf's "The Mark on the Wall" (1921), "The Broken Boot" (1923) by John Galsworthy, and many others. "A fabulous collections of stories sure to please any reader! The chronological layout is perfect for those looking to explore the development of stories over time and their relation to society." — Whitchurch-Stouffville Public Library
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.