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The Booker Prize-winning author’s final short story collection “shows her at the top of her form…exquisite”—with an introduction by A.S. Byatt (The Guardian, UK). Penelope Fitzgerald was one of the United Kingdom’s most highly-regarded contemporary authors. Her last novel, ‘The Blue Flower’, was the book of its year, garnering extraordinary acclaim around the world. This posthumous collection of her short stories, originally published in anthologies and newspapers, shows Penelope Fitzgerald at her very best. From the tale of a young boy in 17th-century England who loses a precious keepsake and finds it frozen in a puddle of ice, to that of a group of buffoonish amateur Victorian painters on a trip to Brittany, these stories are characteristically wide ranging, enigmatic—and very funny. Each one is a miniature study of human behavior’s endless absurdity.
These very short stories offer a speculative view of the future of love, time travel and life with robots. You can't ignore the trends they suggest or can you?
I’m not the princess they think I am. I fell out of the sky and into a new world only to be attacked by a monster. The people here think I’m the daughter of the Nimali dragon king. When the king assigns me a healer, I learn the truth of this place. Bloody battles rage between the Nimali and the Fai as their war advances. The healer hates me for who he thinks I am. He’s a Fai captive in this land. But a string pulls me to him whenever he’s near. Every touch. Every look. Every stolen moment. The Nimali have no tolerance for outsiders. If they find out I’m not their princess, they will kill me. She is the daughter of my greatest enemy. I’m a Fai warrior, doing the bidding of the Nimali king to heal the princess. This is the penalty of war. Secretly, I work with the rebellion to free my people. Nimali are everything I hate. The princess is everything I despise. Cold. Aloof. Uncaring. Up close, she’s nothing like I thought. I don’t expect to crave her. I don’t expect the spark between us. Our souls calling to one another. I am a prisoner. She is a princess. Our lies are the only thing keeping us alive. Savage City is a dystopian, enemies-to-lovers, portal, shifter fantasy romance with intriguing worldbuilding and thrilling action.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Rebecca of Sunnybrook Series: Rebecca of Sunnybrook Farm New Chronicles of Rebecca The Flag-Raising Penelope Hamilton Series: Penelope's English Experiences Penelope's Experiences in Scotland Penelope's Irish Experiences Penelope's Postscripts The Homespun Trilogy: Rose o' the River The Old Peabody Pew Susanna and Sue Other Novels: A Summer in a Cañon: A California Story Polly Oliver's Problem: A Story for Girls The Birds' Christmas Carol The Romance of a Christmas Card Timothy's Quest Marm Lisa Mother Carey's Chickens The Diary of a Goose Girl A Cathedral Courtship The Story of Waitstill Baxter The Story of Patsy Short Stories: The Village Watch-Tower Tom O' the Blueb'ry Plains The Nooning Tree The Fore-Room Rug A Village Stradivarius The Eventful Trip of the Midnight Cry Ladies-in-Waiting Miss Thomasina Tucker The Turning-Point Huldah the Prophetess Two on a Tour Philippa's Nervous Prostration Anthologies: The Arabian Nights: Their Best Known Tales The Fairy Ring Tales of Wonder Every Child Should Know The Talking Beasts: A Book of Fable Wisdom The Story Hour: A Book for the Home and the Kindergarten Golden Numbers: A Book of Verse for Youth The Posy Ring: A Book of Verse for Children Pinafore Palace Other Works: The Girl and the Kingdom: Learning to Teach The Republic of Childhood: Froebel's Gifts Children's Rights: A Book of Nursery Logic Bluebeard: A Musical Fantasy The Girl Scouts: A Training School for Womanhood Kate Douglas Wiggin (1856-1923) was an American educator and author of children's stories, most notably the classic children's novel Rebecca of Sunnybrook Farm. She devoted her adult life to the welfare of children in an era when children were commonly thought of as cheap labor.
Tall tales of weird wonder and ten-gallon terror, from grizzled outlaws Jackson Lowry (Great West Detective Agency), C, Courtney Joyner (Shotgun), Scott S. Phillips (Squirrel Eyes) and Axel Howerton (Hot Sinatra), alongside furious fiction from young guns like R. Overwater, Allan Williams, Grady Cole and Craig Garrett. TALL TALES OF THE WEIRD WEST only from Coffin Hop Press!
The biggest event in Pebnelope's life was the day her parents sat her down at the kitchen table and told her she would finally be getting her wish to become a GROWN-UP!
The Arts of Penelope: Art-Making and Making Artifacts, by Ellie Rose and Shannon Scrofano -- Who Is a Hero in Your Own Life?, by Jolene Hansen -- Mamie's Story, by Beth Meyer-Arnold -- On Playing the Suitors: In Dialogue, by Daniel Cohen and Rusty Tym -- On Playing Penelope: In Dialogue, by Joyce Heinrich and Nikki Zaleski -- Five Seconds after the Audience Left, by Anne Basting -- The Magic of the Movement, by Anne Basting and Leonard Cruz -- Finding an Ending, by Maureen Towey -- Excerpt from Finding Penelope, Scene 5, by Anne Basting -- Part Five: Evaluation and Evolution -- Beyond Penelope at Luther Manor, by Ellie Rose -- On the Challenges of Continuity in Civic Arts Projects: In Dialogue, by Michael Rohd and Anne Basting -- Making Structural Changes in the Curriculum through Penelope, by Robin Mello and Anne Basting -- What Did the Research Tell Us?, by Robin Mello and Julie Voigts -- The Essential Elements of Penelope, by Robin Mello and Julie Voigts -- The Landscape beyond Penelope, by Anne Basting, Ellie Rose, and Maureen Towey -- Appendices -- Appendix 1. Penelope Project Timeline -- Appendix 2. Penelope Project Team -- Appendix 3. Partnership Agreement -- Appendix 4. Prompts for Penelope Activities and Challenges -- Appendix 5. Storytelling and Playwriting Syllabus -- Appendix 6. A Note on the Program Evaluation, by Robin Mello -- Appendix 7. Funding Partners -- Appendix 8. Survey Questions -- Contributors -- Index
A time-travel story that is both a poignant exploration of human identity and an absorbing tale of suspense. It’s natural to feel a little out of place when you’re the new girl, but when Charlotte Makepeace wakes up after her first night at boarding school, she’s baffled: everyone thinks she’s a girl called Clare Mobley, and even more shockingly, it seems she has traveled forty years back in time to 1918. In the months to follow, Charlotte wakes alternately in her own time and in Clare’s. And instead of having only one new set of rules to learn, she also has to contend with the unprecedented strangeness of being an entirely new person in an era she knows nothing about. Her teachers think she’s slow, the other girls find her odd, and, as she spends more and more time in 1918, Charlotte starts to wonder if she remembers how to be Charlotte at all. If she doesn’t figure out some way to get back to the world she knows before the end of the term, she might never have another chance.
Where the previous collection (Long and Short Stories) ranges from suspense and mystery to whimsical, the present stories (More Long and Short Stories) emphasize the drama and sometimes the comedy of the human condition. Each has a different focus, from the difficulties inherent in encounters between men and women, growing up and aging to the problems of academic life and its frequently unrecognized traumas.