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The delight of Christmas shoppers at the unveiling of a London department store’s famous window display turns to horror when one of the mannequins is discovered to be a dead body...
First published by Collins in 1928, this was the first of 22 mystery novels by Vernon Loder, one of the most popular British mystery-thriller writers of his generation.
Book 50 in the Detective Club Crime Classics series is Carolyn Wells’ Murder in the Bookshop, a classic locked room murder mystery which will have a special resonance for lovers and collectors of Golden Age detective fiction. Includes a bonus murder story: ‘The Shakespeare Title-Page Mystery’.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.
Discover the captivating treasures buried in the British Library's archives. Largely inaccessible to the public until now, these enduring crime classics were written in the golden age of detective fiction. With an introduction by Martin Edwards and featuring the Dickson Carr short story "The Shadow of the Goat" We are thrilled to welcome John Dickson Carr into the Crime Classics series with his first novel, a brooding locked room mystery in the gathering dusk of the French capital. In the smoke-wreathed gloom of a Parisian salon, Inspector Bencolin has summoned his allies to discuss a peculiar case. A would-be murderer, imprisoned for his attempt to kill his wife, has escaped and is known to have visited a plastic surgeon. His whereabouts remain a mystery, though with his former wife poised to marry another, Bencolin predicts his return. Sure enough, the Inspector's worst suspicions are realized when the beheaded body of the new suitor is discovered in a locked room of the salon, with no apparent exit. Bencolin sets off into the Parisian night to unravel the dumbfounding mystery and track down the sadistic killer. Penned during the golden age of mysteries, this thrilling investigation brings a detective face to face with the darkest parts of Paris. And after the thrilling conclusion of the locked room mystery, sit back and enjoy the short story "The Shadow of the Goat", also included in this exclusive British Library crime classic.
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
The first in a charming, joyful crime series set in 1920s Bangalore, featuring sari-wearing detective Kaveri and her husband Ramu. Perfect for fans of Alexander McCall Smith’s The No. 1 Ladies Detective Agency. When clever, headstrong Kaveri moves to Bangalore to marry handsome young doctor Ramu, she's resigned herself to a quiet life. But that all changes the night of the party at the Century Club, where she escapes to the garden for some peace and quiet—and instead spots an uninvited guest in the shadows. Half an hour later, the party turns into a murder scene. When a vulnerable woman is connected to the crime, Kaveri becomes determined to save her and launches a private investigation to find the killer, tracing his steps from an illustrious brothel to an Englishman's mansion. She soon finds that sleuthing in a sari isn't as hard as it seems when you have a talent for mathematics, a head for logic, and a doctor for a husband . . . And she's going to need them all as the case leads her deeper into a hotbed of danger, sedition, and intrigue in Bangalore's darkest alleyways.
When a spiritual medium is murdered in a locked hut on a haunted estate, Sir Henry Merrivale seeks a logical solution to a ghostly crime. Plague Court is old and crumbling, long neglected after its lord, hangman’s assistant Louis Playge, fell victim to the black death hundreds of years before. Famously haunted by Playge’s ghost, the property finally has a new owner and banishing the spirit is the first order of business. And when the medium employed with this task is found stabbed to death in a locked stone hut on the grounds, surrounded by an untouched circle of mud, the other guests at Plague Court have every reason to fear an act of supernatural violence—for who among them would be diabolical and calculating enough to orchestrate such an impossible execution? Enter Sir Henry Merrivale, an amateur sleuth of many talents with deductive powers strong enough to unspool even the most baffling crimes. But in the creepy, atmospheric setting of Plague Court, where every indication suggests intervention from the afterlife, he encounters a seemingly-illogical murder scene unlike anything he’s ever encountered before . . . Reissued for the first time in years, The Plague Court Murders is the first novel in the Sir Henry Merrivale series. Originally published under the name Carter Dickson, it is a masterful example of the “impossible crime” novel for which John Dickson Carr is known. “Very few detective stories baffle me nowadays, but Mr. Carr’s always do.” —Agatha Christie