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Illustrated edition of the best-known poems of the Yukon poet Robert Service.
More Than 100 Of His Poems From The Yukon Ballads To Bohemian Paris And The World War.
Originally published in 1986. Ted Harrison use his signature broad brushstrokes and unconventional choice of colour to bring this gritty narrative poem by Robert Service to life. Evoking both the spare beauty and the mournful solitude of the Yukon landscape, Harrison's paintings proved the perfect match for Service's masterpiece about a doomed prospector adrift in a harsh land. Harrison's Illustrator's Notes on each page enhanced both poem and illustrations by adding valuable historical background. Upon its original publication, many recognised the book as an innovative approach to illustrating poetry for children. For years THE CREMATION OF SAM MCGEE has stood out as a publishing landmark, losing none of its appeal both as a read-aloud and as a work of art This twentieth anniversary edition is a deluxe hardcover-- complete with a spot-varnished cover, new cover art and heavy coated stock -- of a book that remains as entrancing as a night sky alive with the vibrant glow of the Northern Lights. AGES: All ILLUSTRATIONS: Colour artwork
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Robert Service's time in the Yukon, at first as a transplanted bank clerk and later living off the royalties of poems like "The Shooting of Dan McGrew" and "The Cremation of Sam McGee," is the core of a fascinating life. Starving in Mexico, residing in a
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Over 100 poems portray the trials and tribulations of Gold Rush pioneers, as well as Service's days in France and his experiences serving in World War I in the American Ambulance Corps. Some favorites include, The Cremation of Sam McGee, The Law of the Yukon, The Shooting of Dan McGrew and Bessie's Boil.
Set against the Klondike Gold Rush of the 1890s, The Man from the Creeks is a gripping tale of three entrepreneurs desperate to strike it rich. Fourteen-year-old Peek and his mother, Lou, join up with cooper Benjamin Redd and embark on a treacherous journey to fabled Dawson City. First published in 1998, this is a witty and ribald retelling of Robert Service’s incomparable “The Shooting of Dan McGrew.” From the Trade Paperback edition.
Barbara La Marr's (1896–1926) publicist once confessed: "There was no reason to lie about Barbara La Marr. Everything she said, everything she did was colored with news-value." When La Marr was sixteen, her older half-sister and a male companion reportedly kidnapped her, causing a sensation in the media. One year later, her behavior in Los Angeles nightclubs caused law enforcement to declare her "too beautiful" to be on her own in the city, and she was ordered to leave. When La Marr returned to Hollywood years later, her loveliness and raw talent caught the attention of producers and catapulted her to movie stardom. In the first full-length biography of the woman known as the "girl who was too beautiful," Sherri Snyder presents a complete portrait of one of the silent era's most infamous screen sirens. In five short years, La Marr appeared in twenty-six credited films, including The Prisoner of Zenda (1922), Trifling Women (1922), The Eternal City (1923), The Shooting of Dan McGrew (1924), and Thy Name Is Woman (1924). Yet by 1925—finding herself beset by numerous scandals, several failed marriages, a hidden pregnancy, and personal prejudice based on her onscreen persona—she fell out of public favor. When she was diagnosed with a fatal lung condition, she continued to work, undeterred, until she collapsed on set. She died at the age of twenty-nine. Few stars have burned as brightly and as briefly as Barbara La Marr, and her extraordinary life story is one of tempestuous passions as well as perseverance in the face of adversity. Drawing on never-before-released diary entries, correspondence, and creative works, Snyder's biography offers a valuable perspective on her contributions to silent-era Hollywood and the cinematic arts.