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Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature,' Coleridge declared, are 'loathsome' and 'disgusting.' The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology - as a reaction not against the rationalism of the Enlightenment but against the visual media age being born.
The bestselling author of No Logo shows how the global "free market" has exploited crises and shock for three decades, from Chile to Iraq In her groundbreaking reporting, Naomi Klein introduced the term "disaster capitalism." Whether covering Baghdad after the U.S. occupation, Sri Lanka in the wake of the tsunami, or New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic "shock treatment," losing their land and homes to rapid-fire corporate makeovers. The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman's free market economic revolution. In contrast to the popular myth of this movement's peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq. At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. Klein argues that by capitalizing on crises, created by nature or war, the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years.
Victor Segalen (1878-1919) was a doctor, a traveller (principally in Polynesia and China), and above all else, a great poet. An admirer especially of Gauguin and Rimbaud, the journey undertaken in this, his last and most important work, is that between the imagined and the real: 'neither a poem about a journey, nor the travel diary of a wanderer's dream'. Journey to the Land of the Real is the summation of the author's life as both traveller and poet, and a summation that is all the more surprising since he could know nothing of his imminent and mysterious death.
Ever since Keith Ridgway published his landmark cult novel Hawthorn & Child, his ardent fans have yearned for more Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel. Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations. A deft, high-wire act, full of imprecise yet sharp dialog as well as witchy sleights of hand reminiscent of Muriel Spark, A Shock delivers a knockout punch of an ending. Perhaps Ridgway’s most breathtaking quality is his scintillating stealthiness: you can never quite put your finger on how he casts his spell—he delivers the shock of a master jewel thief (already far-off and scot-free) stealing your watch: when at some point you look down at your wrist, all you see is that in more than one way you don’t know what time it is…
Alterity is not a mere synonym of difference; what it signifies is otherness, a distinction or separation that can entail similarity as well as difference. The articles collected here explore ways to define, situate and negotiate alterity in a manner that does not do away with the other through negation or neutralization but that instead engages alterity as a reconfiguring of identities that keeps them open to change, to a becoming without horizon. Alterity and its situated negotiations with identity are configured through the body, through the psyche and through translational politics. From critical readings of angels, specters, grotesque bodies, online avatars, Sex and the City, pornography in French literature, Australian billboard art, Pina Bausch, Adrian Piper, Kashmiri poetry, contemporary German fiction, Jacques Brault and Northern-Irish poetry, there emerges a vision of identities as multi-faceted constructions that are continually being transformed by the various alterities with which they intersect and which they must actively engage in order to function effectively in the social, political, and aesthetic realm.
Dr. Mindy Thompson Fullilove, a clinical psychiatrist, exposes the devastating outcome of decades of urban renewal projects to our nation’s marginalized communities. Examining the traumatic stress of “root shock” in three African American communities and similar widespread damage in other cities, she makes an impassioned and powerful argument against the continued invasive and unjust development practices of displacing poor neighborhoods.
After a fatal accident, three young people are catapulted into eternity. Read how Dan, a non-Christian; Becky, a lukewarm Christian; and Emma, a red-hot believer, get the shock of their lives as they discover what life after death is really like. Written especially for the next generation, The Shock of Your Life grapples with the biggest question of what happens when we die and presents a fresh way of looking at the Bible's teaching on judgment, heaven and hell through a gripping fictional scenario. A Reader's Guide provides questions at the end of the book for personal reflection or group discussion.
A tender, provocative story about the power of friendship, the thrill of self-discovery, and the strength it takes to escape the past. Catherine Madison is headed West with a suitcase full of cash that isn't hers. She's just left the only home she's ever known, a small town in Nebraska, after the only man she had ever known, her husband, Thomas, deserted her. She's also left behind her deepest, most shameful secrets-among them a dysfunctional family she's never quite been able to escape and a marriage whose most intimate moments have plagued her with self-doubt. On the road, she was going to become a new person. Or so she thought. But running away from the past isn't as easy as she had hoped. When Catherine reaches Las Vegas, she forms surprising new friendships that compel her to reveal what she had sworn she'd keep hidden, and teach her what human connection really means. Armed with this new knowledge, she is finally emboldened to uncover the truth about her family, come to understand what destroyed her marriage, and prevent her troubled sister from repeating her mistakes. Deeply compassionate and unflinchingly bold, The Melting Season is the story of an indelible character's journey from isolation to belonging, as well as an honest look at the things we feel we deserve from our lives- and how far we will go to find them.
NEW YORK TIMES BESTSELLER • The classic work that predicted the anxieties of a world upended by rapidly emerging technologies—and now provides a road map to solving many of our most pressing crises. “Explosive . . . brilliantly formulated.” —The Wall Street Journal Future Shock is the classic that changed our view of tomorrow. Its startling insights into accelerating change led a president to ask his advisers for a special report, inspired composers to write symphonies and rock music, gave a powerful new concept to social science, and added a phrase to our language. Published in over fifty countries, Future Shock is the most important study of change and adaptation in our time. In many ways, Future Shock is about the present. It is about what is happening today to people and groups who are overwhelmed by change. Change affects our products, communities, organizations—even our patterns of friendship and love. But Future Shock also illuminates the world of tomorrow by exploding countless clichés about today. It vividly describes the emerging global civilization: the rise of new businesses, subcultures, lifestyles, and human relationships—all of them temporary. Future Shock will intrigue, provoke, frighten, encourage, and, above all, change everyone who reads it.