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This publication considers how cinema, as a major modern art form, has covered topics relating to the Holocaust in documentaries and fiction, historical reconstructions and more symbolic films, focusing on the question of realism in ethical and artistic terms. It explores a range of issues, including whether cinema is an appropriate method for informing people about the Holocaust compared to other media such as CD-ROMs, video or archive collections; whether it is possible to inform and appeal to the emotions without being explicit; and how the medium can nurture greater sensitivity among increasingly younger audiences which have been inured by the many images of violence conveyed in the media. Films discussed include Schindler's List, Life is Beautiful, The Pianist, Sophie's Choice, Shoah, Au revoir les enfants, The Great Dictator and To Be or Not to Be.
Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors. Each section examines films and how they have contributed to wider awareness and understanding of the Holocaust since the war.
Documentaire sur l'extermination des Juifs d'Europe par les Nazis au cours de la deuxième guerre mondiale à travers les témoignages de gens qui ont vécu à cette époque. Le réalisateur s'est surtout attaché à l'étude des méthodes utilisées dans les camps établis en Pologne tels Treblinka et Auschwitz en interrogeant des Juifs survivants, des Polonais qui vivaient à proximité de ces lieux et diverses personnes qui furent mêlées consciemment ou non à ce processus. En finale vient une section concernant la vie dans le ghetto de Varsovie et sa destruction.
Collection of essays exploring the controversies surrounding images of the Holocaust
The articles in this book provide details and insightful observations on the political and social reception of 'Night and Fog'. They offer a new dimension to scholarship on the film and its place in the debate on memory and the Holocaust.
How films on the Holocaust gave birth to a new cinematic genre.
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.
A nine-and-a-half-hour documentary on the Nazi extermination camps, Shoah (the Hebrew word for "Holocaust") was internationally hailed as a masterpiece upon its release in 1985. Shunning any re-creation, archival footage, or visual documentation of the events, filmmaker Claude Lanzmann relied on the words of witnesses—Jewish, Polish, and German—to describe in ruthless detail the bureaucratic machinery of the Final Solution, so that the remote experiences of the Holocaust became fresh and immediate. This book presents in an accessible and vivid format the testimony of survivors, participants, witnesses, and scholars. This tenth anniversary edition, published on the fiftieth anniversary of the liberation of the camps, is newly revised and corrected in order to more accurately present the actual testimony of those interviewed. Shoah is an unparalleled oral history of the Holocaust, an intensely readable journey through the twentieth century's greatest horror.
A famous Nazi hunter and a descendent of Nazi collaborators team up on a journey to uncover Lithuania’s Holocaust secrets. This remarkable book traces the quest for the truth about the Holocaust in Lithuania by two ostensible enemies: Rūta a descendant of the perpetrators, Efraim a descendant of the victims. Rūta Vanagaitė, a successful Lithuanian writer, was motivated by her recent discoveries that some of her relatives had played a role in the mass murder of Jews and that Lithuanian officials had tried to hide the complicity of local collaborators. Efraim Zuroff, a noted Israeli Nazi hunter, had both professional and personal motivations. He had worked for years to bring Lithuanian war criminals to justice and to compel local authorities to tell the truth about the Holocaust in their country. The facts that his maternal grandparents were born in Lithuania and that he was named for a great-uncle who was murdered with his family in Vilnius with the active help of Lithuanians made his search personal as well. Our People exposes the significant role in implementing the Final Solution played by local political leaders and the prewar Lithuanian administration that remained in place during the Nazi occupation. It also tackles the sensitive issue of the motivation of thousands of ordinary Lithuanians who were complicit in the murder of their Jewish neighbors. At the heart of the book, these are the issues that Rūta and Efraim discuss, debate, and analyze as they crisscross the country to visit dozens of Holocaust mass murder sites in Lithuania and neighboring Belarus. This book follows them on their remarkable journey as they search for neglected graves, interview eyewitnesses, and uncover hints of the rich life that had existed in hundreds of Jewish communities throughout Lithuania.
Explores cinematic representations of the "Jew" from film's early days to the present.