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"One of the supreme writers of gothic romance, a compelling storyteller whose gripping novels have thrilled millions."—RT Book Reviews Her sister's mysterious disappearance will lead her to a deadly secret... Caroline Verlaine knows something is wrong. Her sister has gone missing and no one can tell her why. The only option is to go where Roma was last seen—an estate with a deadly history. The Stacy family has lived off the Dover coast for generations, carefully navigating the treacherous quicksands nearby. But the sands aren't Caroline's biggest threat. Everyone here has a secret, especially the enigmatic young heir Napier Stacy. No matter where Caroline turns, the ground she walks is dangerous. And the closer Caroline comes to unraveling the truth, the closer she comes to sharing her sister's fate. What readers are saying about The Shivering Sands "The feel of this story was similar to that of Rebecca—the sort of dark, shivery, mysterious feeling. The end was WAY better in my opinion, though. Definitely a good read!" "This is a five-star historical, romance, mystery, psychological thriller." "The most suspenseful book ever, and many years later, after having read countless Holt books, I can safely say that this is her best work."
In the midst of a Victorian culture ingrained with strict social etiquette and societal norms, Wilkie Collins composed novels that contained asocial, even anarchic, impulses. A contemporary of Dickens, Collins creates a world more Kafkaesque than Dickensian, a world populated by doppelgangers, secret selves, oddballs, and grotesques. The essays of Reality's Dark Light: The Sensational Wilkie Collins purposefully work to expand Collins's legacy beyond The Woman in White and The Moonstone; they move well past the simplistic view of Collins's works as "sensation novels," "detective novels," or even "popular fiction," all labels that carry with them pejorative connotations. This collection represents the range of Collins's aesthetic project from various critical perspectives. New methodological and theoretical approaches are applied both to him most popular and to his lesser-known works, giving the reader a broader picture of this multifaceted and undervalued writer The Editors: Maria K. Bachman in an assistant professor of English at Coastal Carolina University. Her articles have appeared in Victorian Newsletter, Literature and Psychology, The Dickensian, and Dickens Studies Annual. Don Richard Cox is a professor of English and associate dean at the University of Tennessee. His books include Sexuality andVictorian Literature (Tennessee), Arthur Conan Doyle, and Charles Dickens's The Mystery of Edwin Drood: An Annotated Bibliography. He is the coeditor, with Maria Bachman, of an edition of Wilkie Collins's final novel, Blind Love
Readers have long been enthralled by the novels of Wilkie Collins, whose The Moonstone is considered the first modern detective novel, This book by Tamar Heller places Collins within Victorian literary history, showing how his fiction transforms the conventions of the traditionally female genre of the Gothic novel and can be read as a critique of the gender and class distinctions that structured Victorian society.