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Part yearbook. Part ABC book. All Sh*tstorm. This book takes a look at significant events from the year 2020. Everything in the book actually happened, although much of it does sound made up. Some moments you'll never forget; A Global Pandemic, Trump getting impeached and losing the election. And some moments you probably already forgot; Parasite winning all the Oscars, UFOs being confirmed by the government, and Tiger King. This book may look like it's for children, but it isn't. So let's all remember the year that we're trying to forget!
Formative Media presents a psychoanalytic and psychosocial inquiry into the significance of the most widely used digital platforms – including Facebook, Google, YouTube, Twitter (X), and Instagram – and the relational styles that users cultivate and habituate in their interplay with these platforms. Steffen Krüger assesses the formative effects of these platforms, considering who we are and how we are becoming who we are in relation to, as well as mediated through, digital platforms. The book considers Facebook in conversation with the Freudian theory of Eros and the Live/Love drive, then homes in on the primitive forms of orality, attachment, dependence, and symbiosis in relation to YouTube. Krüger then expands the discussion of orality with an inquiry into the notions of mastery, control, and domination that Google unfolds and activates in its search function, considers narcissism in the context of Instagram, and examines hate speech and aggression on Twitter. The book focuses on the most salient, most talked about aspects, features, and activities of commercial, corporate social media culture to inquire into the formational pushes and pulls of these activities in their contexts for our subjectivities and sense of self. Showing in detail how digital media platforms have advanced into central “socialisation agencies,” Formative Media will be of great interest to academics and scholars of psychoanalytic, psychocultural, and psychosocial theory, critical digital media studies, and interactional theory.
In the face of great challenges, utopian thinking is currently in vogue. The fact that utopias, with their ideas of an idealized target society, are not compatible with the basic features of an Open Society was already pointed out by Karl Popper in his book 'Die Offene Gesellschaft und ihre Feinde' (The Open Society and its Enemies) under the impression of National Socialism and Stalinism. In the present book, further forms of Closed Societies and the principal similarities (and differences) of their construction are examined. This is done by drawing on Ralf Dahrendorf's concept of life chances, in which he deals with the interaction of options and ligatures. The ambivalence of Dahrendorf's understanding of ligatures, since they restrict options on the one hand, but also give them meaning on the other, is resolved by a threefold differentiation: into ethical and moral, internally and externally directed, and explicit and implicit ligatures. While the former are capable of enabling life chances, the latter tend to limit them. Based on this, the authors elaborate on the landscape (side) consequences of various closed societies and how ill-suited they are for dealing with current challenges.
A stunning collection of plays from Pulitzer Prize-winning playwright Suzan-Lori Parks that captures the societal rupture of the early days of the COVID-19 pandemic. On March 13, 2020, as theaters shut their doors and so many of us went into lockdown, Suzan-Lori Parks picked up her pen and set out to write a play every day. What emerged is a breathtaking chronicle of our collective experience throughout the troubling days and nights that followed. Plays for the Plague Year is at once a personal story of one family's daily lives, as well as a sweeping account of all we faced as a city, a nation, and a global community. Parks' groundbreaking new work is brimming with humanity, bears witness to what we’ve experienced, and offers inspiration as we look ahead.
So take off your mask, and turn off your mobile phones. Let’s get this thing going on like Mrs Jones. Cold beer, dark rum, no volume control, Jazz, Latin, swing, reggae got soul. Take your leave of lockdown, And let some old Motown Rattle your bones. Like many others around the world, Tam Mullen searched for a way to express his thoughts and feelings during the pandemic. In a collection of fifty-two rhyming poems birthed during that period, Mullen reflects on growth, change, and uncertainty as well as political ineptitude and the complexity of our relationships with inanimate objects. Penned weekly during the lockdown in the UK, Mullen’s poems, sometimes touching and sometimes humorous, explore such diverse topics as Zoom-induced psychosis, overused cliches, an album of family photographs, a cucumber discovered in the back of a salad drawer, the gateway drug of young love, a kitchen disco in full flow, and much more. This Week’s Words is a volume of rhyming poetry that reflects on one man’s journey through his thoughts and feelings during a global pandemic lockdown.
"The stakes couldn't be higher ... The suspense, the danger, and the rocket-fueled pace are all turned up to 11."―Kirkus "Furious, frenetic, fun, and "f**k you" —Robert Brockway on The Girl Who Could Move Sh*t With Her Mind Teagan Frost -- the girl with telekinetic powers and a killer paella recipe -- faces a new threat that could wipe out her home forever in the second book of Jackson Ford's irreverent fantasy series. Teagan Frost's life is finally back on track. Her role working for the government as a psychokinetic operative is going well. She might also be on course for convincing her crush, Nic Delacourt, to go out with her. And she's even managed to craft the perfect paella. But Teagan is about to face her biggest threat yet. A young boy with the ability to cause earthquakes has come to Los Angeles -- home to the San Andreas, one of the most lethal fault lines in the world. If Teagan can't stop him, the entire city -- and the rest of California -- will be wiped off the map . . . For more from Jackson Ford check out:The Girl Who Could Move Sh*t With Her Mind
Harlequin DARE brings you a collection of four new sexy contemporary romances for fun and fearless women. Available now! This box set includes: HOT BOSS by Anne Marsh With his friends Max and Dev, Jack Reed is royalty in Silicon Valley. He’s a venture capitalist, and nothing gets his heart pumping like the right deal. So when his friend and business partner Hazel proposes they partner up in the bedroom he can’t resist! And soon he can’t give her up… AT YOUR SERVICE by A.C. Arthur Tech entrepreneur Nina Fuller’s new app is on the verge of a breakthrough. But there’s a string attached—or rather a ring. She must play her part as the fiancée of delicious fashion exec Major Gold... And not want him too much. And absolutely not fall for him... WILD WEDDING HOOKUP by Jamie K. Schmidt Resort concierge Mikelina Presley is distraught when a groom-to-be disappears from his own bachelor party. With a lucrative commission at risk, she enlists gorgeous groomsman Bastien Ainsworth to help find him. But their fiery chemistry proves dangerously distracting! Can a sexy Florida fling become something deeper? GUILTY PLEASURE The Business of Pleasure by Taryn Leigh Taylor When Wes Brennan is arrested for a crime he didn’t commit, Vivienne Grant must prove his innocence. But the hotshot lawyer is also his ex, and now they’re spending their days—and nights—together. When the investigation unveils new secrets will their passion survive the fallout?
An accessible and important look at what is truly behind our digital outrage On any given day, at any given hour, across the various platforms constituting what we call social media, someone is angry. Facebook. Instagram. Twitter. Reddit. 4Chan. In The Rhetoric of Outrage: Why Social Media is Making Us Angry Jeff Rice addresses the critical question of why anger has become the dominant digital response on social media. He examines the theoretical and rhetorical explanations for the intense rage that prevails across social media platforms, and sheds new light on how our anger isn't merely a reaction against singular events, but generated out of aggregated beliefs and ideas. Captivating, accessible, and exceedingly important, The Rhetoric of Outrage encourages readers to have the difficult conversations about what is truly behind their anger.
In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.
Los Angeles Times Book Prize Winner • New York Times Notable Book • NPR’s Best Books of the Year • BookPage’s #1 Mystery and Suspense of the Year • Sun Sentinel’s #1 Best Mystery of the Year “I loved Blacktop Wasteland...[A] fast-paced, bareknuckle thriller.” -Stephen King “A roaring, full-throttle thriller, crackling with tension and charm.” -The New York Times Book Review "One of the year's strongest novels." -Sun Sentinel A husband, a father, a son, a business owner...And the best getaway driver east of the Mississippi. Beauregard “Bug” Montage is an honest mechanic, a loving husband, and a hard-working dad. Bug knows there’s no future in the man he used to be: known from the hills of North Carolina to the beaches of Florida as the best wheelman on the East Coast. He thought he'd left all that behind him, but as his carefully built new life begins to crumble, he finds himself drawn inexorably back into a world of blood and bullets. When a smooth-talking former associate comes calling with a can't-miss jewelry store heist, Bug feels he has no choice but to get back in the driver's seat. And Bug is at his best where the scent of gasoline mixes with the smell of fear. Haunted by the ghost of who he used to be and the father who disappeared when he needed him most, Bug must find a way to navigate this blacktop wasteland...or die trying. Like Ocean’s Eleven meets Drive, with a Southern noir twist, S. A. Cosby’s Blacktop Wasteland is a searing, operatic story of a man pushed to his limits by poverty, race, and his own former life of crime.